654 research outputs found
Territory of Dawn: The Selected Poems of Eunice Odio
No full textEunice Odio (1919-1974) is considered the leading Costa Rican poet of the twentieth century. Her principal works include Los Elementos Terrestres (Earthly Elements, 1948), Zona en Territorio del Alba (Zone in the Territory of Dawn, 1953), El Tránsito de Fuego (The Fire\u27s Journey, 1957), and Territorio del Alba y Otros Poemas (Territory of Dawn and Other Poems, 1974). Odio\u27s poetry has remained almost wholly unknown to readers outside Latin America, obscured on the margins of the region\u27s avant-garde and proletarian-poet traditions. In addition to her poetry, she was the author of short stories and numerous political and cultural essays.https://digitalcommons.linfield.edu/linfauth/1095/thumbnail.jp
In Memoriam; by Alfred, Lord Tennyson; A Photographic Interpretation
No full textIn Memoriam; by Alfred, Lord Tennyson; A Photographic Interpretation is a photographic essay completed by Eunice Blanchard in 1947 as an English Term Paper at Syracuse University in Syracuse, NY. Blanchard tells the story of Tennyson\u27s poem through original photography.
Acknowledgements:
Arthur W. Brown, Instructor in English; C. Wesley Brewster, Instructor in Photography; D.M. Norton, Assistant to Mr. Brewster; Photography Models: Janet Clark, Betty Sanders, Aubrey Vaughn Woolsey. Jr.
This is the original work of Eunice Blanchard, under CCBY 4.0. It is an open-access work, copyrighted and licensed by the author for re-use
Eunice Johnson, circa 1945
No full textWritten on verso: Eunice Johnson, 634 Golden Street, Topeka, Kansas.The Atlanta University Center Robert W. Woodruff Library acknowledges the generosity of the Digital Public Library of America for supporting in part the digitization of this collection as part of the Black Women's Suffrage Digital Collection, a project made possible through funding from Pivotal Ventures, A Melinda Gates Company
Eunice de Souza’s poetry: creating a public persona as feminist performance
No full textThis paper applies Judith Butler's theories on social acts to the feminist poetry of Indian/ Goan author Eunice de Souza.Fundação para a Ciência e Tecnologia, SFRH / BDP/ 11596/ 200
Even if he wins, Jeremy Corbyn will never be able to lead the Labour Party
No full textJeremy Corbyn is the unlikely favourite for the Labour leadership, with leadership election rule changes and an influx of new members and supporters fuelling his rise. But what would result of his ascendency to the party’s top job? Eunice Goes, author of a forthcoming book about Ed Miliband’s leadership of the Labour Party, argues the Corbyn may end up in office but not in power, with internal opposition likely making his task so difficult as to be impossible
Supplemental_table – Supplemental material for Increased Clinical and Economic Burden Associated With Peripheral Intravenous Catheter–Related Complications: Analysis of a US Hospital Discharge Database
No full textSupplemental material, Supplemental_table for Increased Clinical and Economic Burden Associated With Peripheral Intravenous Catheter–Related Complications: Analysis of a US Hospital Discharge Database by Sangtaeck Lim, Gaurav Gangoli, Erica Adams, Robert Hyde, Michael S. Broder, Eunice Chang, Sheila R. Reddy, Marian H. Tarbox, Tanya Bentley, Liza Ovington and Walt Danker in INQUIRY: The Journal of Health Care Organization, Provision, and Financing</p
Presença do sagrado em El Tránsito de Fuego (O trânsito do Fogo) da autora Eunice Odio
No full textThe sacred background of the apeiron emerges in The Transit of Fire, by Eunice Odio; but also the teachings of the Rosicrucians, linked to Masons, different biblical books, mythology, cabala and the author\u27s coincidences with the poetic reason of Maria Zambrano. And in a very special way, there is the knowledge of the poetess around the hermetic matters. All these works and texts allow a reading of Eunice Odio\u27s poetry book, first published in El Salvador in 1957.El fondo sagrado del apeiron emerge en El Tránsito de Fuego de Eunice Odio. Mas también las enseñanzas de los rosacruces ligados a los masones, diferentes libros bíblicos, la mitología, la cábala y coincidencias de la autora con la razón poética de María Zambrano. Pero muy especialmente el conocimiento de la poetisa en torno a los temas herméticos. Todas estas obras y textos permiten realizar una lectura de este poemario publicado por primera vez en El Salvador en 1957.O fundo sagrado do apeiron surge em O trânsito do Fogo, por Eunice Odio; mas também os ensinamentos dos rosacruzes, ligados aos maçons, diferentes livros bíblicos, mitologia, cabala e coincidência do autor com a razão poética de MaríaZambrano. E de uma maneira muito especial, há o conhecimento do poeta em torno de temas herméticos. Todas essas obras e textos permitem uma leitura dos poemas de Eunice Odio, publicada pela primeira vez em El Salvador, em 1957
“Twice-Nationalized”: The Expatriation and Repatriation of Ming Cher’s Spider Boys
No full textPublished by Penguin Books in New Zealand, Ming Cher’s Spider Boys (1995) attracted considerable controversy due to its representation of 1950s Singaporean vernacular. Much of this controversy revolved around the author’s migrant status in New Zealand, issues of authenticity, and the exoticization of a Singaporean past for a Western audience. Cher was awarded the Buddle Findlay Sargeson Fellowship, and his novel was given national literary recognition in New Zealand despite the narrative of the novel being entirely set in Singapore. In 2012, a heavily edited version of the novel was released by the Singapore publisher Epigram Books, as one novel in a series of “Singaporean classics.” By tracing the literary “life span” of Cher’s novel, Lim argues that the two “English” editions of the novel are rightfully translations that allow for radical refigurations of the text in fulfillment of New Zealand’s and Singapore’s respective multiculturalist and cosmopolitan aspirations. By adapting expatriation and repatriation, Lim proposes that both editions can be critically and comparatively reconciled as self-reflexive responses to nationalist and linguistic anxieties arising from an origin consciousness and the perceived need to undo the imprint of linguistic imperialism through literature. The concepts of expatriation and repatriation, with their connotations of travel, movement, and adaptation, illuminate the global literary career of the translingual and intralingual novel, the collaborative management of this career across editions, and the continuities and discontinuities that sustain such a career across nationstate boundaries
Neither Victim nor Villain: Nurse Eunice Rivers, the Tuskegee Syphilis Experiment, and Public Health Work
No full textProject MUSE - Journal of Women's History - Neither Victim nor Villain: Nurse Eunice Rivers, the Tuskegee Syphilis Experiment, and Public Health Work Project MUSE Journals Journal of Women's History Volume 8, Number 1, Spring 1996 Neither Victim nor Villain: Nurse Eunice Rivers, the Tuskegee Syphilis Experiment, and Public Health Work Journal of Women's History Volume 8, Number 1, Spring 1996 E-ISSN: 1527-2036 Print ISSN: 1042-7961 Neither Victim nor Villain:Nurse Eunice Rivers, the Tuskegee Syphilis Experiment, and Public Health Work Susan L. Smith Susan L. Smith Susan L. Smith is assistant professor of history and women's studies at the University of Alberta. She is the author of Sick and Tired of Being Sick and Tired: Black Women's Health Activism in America, 1890-1950 (1995). Acknowledgement I thank the following for their comments on earlier versions: Andrea Friedman, Vanessa Northington Gamble, Linda Gordon, Susan Hamilton, Darlene Clark Hine, Judith Walzer Leavitt, Gerda Lerner, Donald Macnab, Leslie Reagan, Leslie Schwalm, the University of Wisconsin-Madison Women's History Dissertators' Group, the audience at the Ninth Berkshire Conference on the History of Women at Vassar College, New York, June 1993, and my students at the University of Alberta. This research was supported by a Women's Studies Research Grant and a Rural Policy Fellowship, both from the Woodrow Wilson National Fellowship Foundation. I also thank archivists Aloha South, at the...http://muse.jhu.edu/journals/journal_of_womens_history/summary/v008/8.1.smith.htm
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