1,721,013 research outputs found
Pameran: Faculty Art & Design / Galeri Seni Tuanku Nur Zahirah (GESTURZ)
Full text linkFakuiti Seni Lukis & Seni Reka atau dengan nama popularnya AD telah ditubuhkan pada 6 Ogos 1967. Pada awal penubuhannya ianya dinamakan sebagai Kajian Seni dan Seni Bina, dan pada 1972 ia dikenali sebagai Kajian Seni Lukis & Seni Reka
A study of the Islamic influence on traditional Malay Batik Sarongs of Kelantan and Terengganu / Rafeah Legino
No full textThis research aims to determine the presence of an Islamic influence on the traditional batik sarong of Kelantan and Terengganu. The research is intended to find out if there is any significant Islamic influence in the use of certain structures, dimensions, motifs, principles, and colours in the applied to batik sarongs. Chapter one begins with the introduction, which provides the significance of the study, statement of the problem, delimitation, limitations, research methodology, interview and observation studies of the traditional batik sarong of Kelantan and
Terengganu, found in museums as well as in batik-makers' personal collections. Chapter two concentrates on related research and literature pertaining to the definition of batik sarong. It also provides a brief history and a general overview of batik from Kelantan and Terengganu, the applications of the sarong, its designs and Islamic influences. Chapter three describes the theoretical background that relates to the formal analysis of batik sarongs from Kelantan and Terengganu. The Islamic influence is shown in this analysis with detailed drawings and illustrations. This chapter also shows the process of appreciation of batik sarong based on the method designed by Ismail alFaruqi, that is imitation, denaturalization, stylization and abstraction. Chapter four deals with the analysis of the shape and general structure of batik sarongs. The study is based on the research done by Harmen C. Veldhuisen, Abdul Aziz Abdul Rashid, Azah Aziz and the Malaysian Handicraft Development Corporation. The various structures and measurements of the batik sarongs from Kelantan and Terengganu are shown in this chapter. Chapter five explains the term of motif and the identification of the types of motifs used in the batik sarong from Kelantan and Terengganu. It also provides an analysis of the Islamic influences shown in the motifs of every structure to determine the Islamic influence on the samples collected. A brief history of the colours of batik sarong and their significance is discussed in chapter six. The concept of colour and beauty in Islam plays a significant role in the development of the batik sarongs of Kelantan and Terengganu, thus confirming the question of identity in the development of an Islamic aesthetic, as a whole. Chapter seven further describes the general influence of Islam on the development of the art of batik sarong. The influence of Islam can be seen in the motifs and design of batik sarongs from Kelantan and Terengganu. As a conclusion, the study of batik sarongs from Kelantan and Terengganu shows that there is a concrete application and interpretation of Islamic ideas on batik sarongs from Kelantan and Terengganu
RISE: Potential of fine art logistic industry / Assoc. Prof. Dr Rafeah Legino
Full text linkFine art logistics are growing gradually in this country as compared to other developed countries
Batik Discharge Method is Keeping Traditional Batik Sarongs Alive
Full text linkThis project was partly the outcome of a visit to East Coast batik makers, specifically in Kelantan and Terengganu. There was a lot of activity there due to the visit to the Ayu Fashion Batik workshop in Tumpat, Kelantan. The observation at the session helped contribute to a better knowledge of the process of methodical batik discharge. An interview with the owner of a batik producer provides a more in-depth explanation of the process, which reveals that this approach was relatively based on an experiment in the batik technique to vary the batik sarong and maintain and keep the tradition
Internet Celebrity, Digital Illustration and Tradition: Rethinking Cultural Product Design for the Contemporary Age
Full text linkThis study explores the integration of traditional Chinese culture with digital illustration and internet celebrity influence to enhance contemporary promotional strategies. Focusing on the Weibo campaign for the "Ballet Cat" by Great Wall Motors, the research employs a project-based methodology to examine how cultural motifs and celebrity aesthetics can coalesce in effective commercial design. By combining preliminary research, iterative visual development, and audience feedback, the study reveals how culturally informed digital illustrations can foster brand engagement and resonance in an increasingly digital society. Findings underscore the effectiveness of integrating heritage with modern media to shape digital cultural products and inform marketing strategies
Problems and Countermeasures in the Inheritance of Chinese Traditional Culture: the example of Chinese traditional patterns
Full text linkChina is one of the world's ancient civilisations and has a long history of cultural forms. These traditional cultural forms are the carriers of the message of civilisation and have played an important role in the inheritance of the message of Chinese civilisation throughout the course of history. Because of the twists and turns of history, the challenges to the development and inheritance of Chinese culture have been innumerable. However, on the whole, the preservation and development of traditional Chinese culture has been relatively effective and successful in the modern era, and with the main force of the relevant policies and measures of the Chinese government, together with the collaboration of various institutions and international forces, traditional Chinese culture is moving into the future with a classical legacy and a new look in the new era. However, in the course of the author's research and study, some improvements can still be found in the system of preserving Chinese traditional culture. Chinese patterns are one of the brightest pearls of traditional Chinese culture, which comes from ancient times and is still very much alive today. However, there are also problems in their development and conservation. Therefore, this paper will use Chinese patterns as an example to study the way in which traditional Chinese culture is passed on and preserved and discuss the problems and propose countermeasures, in the hope of inspiring improvements to the issues involved
Properties of mandi bunga (flowering bath) as Malaysian tradition practice / S. Roslan and Rafeah Legino
Full text linkMandi bunga (flowering bath) as a part of a Malaysian traditional practice such as to maintain general health, the bride in marriage, reduces stress and others. The properties of flowers actually are internal beauty treatments practiced by peoples can get the calmness feeling after the treatments is done. The major circumstance for these practices is taken from Al- Quran and Sunnah Hadis (sunnah from hadith) also known as Islam therapy. Furthermore, the research to study the properties of mandi bunga (flowering bath) is good for health like from the aromatherapy of flower, colors, water mixture of flowers and others. This is good because it is natural and organic. The appropriate process, which analyses related document and visual analysis was delivered. The classification of several images that was engaged with suitable theme and style in how the idea and the artwork have been proposed. This study will be interlinked with today’s development and progress which is focused towards the properties of mandi bunga (flowering bath) as a Malay tradition which still in practice
such as in Spa (saloon). The findings show that the advertisement gives a majoring factor that influences the individual practice of daily life to care about health. The artwork actually represents the visual feeling of calmness of the society and also promoting the properties of mandi bunga (flowering bath) from Malay tradition practice and Islamic therapy also has aromatherapy treatments with natural and organic product to people using it
Characteristic of Local Pelangi Cloth Motifs
Full text link‘Pelangi’ cloth flourished locally circa 18th century. Began to decline then extinct due to the development of the Batik industry around the 1930s. In the 1960s, the tie and dye textiles were spread across the world that often mistaken by the community as ‘Pelangi’ cloth, although the design characteristics were different. The objectives of this study are to identify the elements and to show how the textile motifs design features are. This research used field study methods, interviews and library studies. The novelty of this study is to reveal the actual character to avoid misinterpretation and misperception of the community. Â
Keywords: Characteristic, Cloth, Local ‘Pelangi’, Motif. Â
eISSN: 2398-4287 © 2020. The Authors. Published for AMER ABRA cE-Bs by e-International Publishing House, Ltd., UK. This is an open access article under the CC BYNC-ND license (http://creativecommons.org/licenses/by-nc-nd/4.0/). Peer–review under responsibility of AMER (Association of Malaysian Environment-Behaviour Researchers), ABRA (Association of Behavioural Researchers on Asians) and cE-Bs (Centre for Environment-Behaviour Studies), Faculty of Architecture, Planning & Surveying, Universiti Teknologi MARA, Malaysia.  DOI: https://doi.org/10.21834/ebpj.v5iSI1.230
Imitation of Batik Sarong Design and Features
Full text linkThis study aims to discover the imitation batik sarong in term of their design, which includes the motifs, colours and structure. The method is by field visit, observation and interviews. The scenario in the batik industry and detail about the characteristic that fooled consumers was stated in this study. The imitation batik is not a traditional batik sarong, because they are not aesthetically sustained the traditional technique and characteristic is also different. In a future study, this research should define how the role of innovation can continue, and the traditional batik flourishes without shading off the batik tradition.
Keywords: Batik, Design, Imitation, Malaysia, Sarong, Traditional, Wax.
eISSN: 2398-4287© 2020. The Authors. Published for AMER ABRA cE-Bsby e-International Publishing House, Ltd., UK. This is an open access article under the CC BYNC-ND license (http://creativecommons.org/licenses/by-nc-nd/4.0/). Peer–review under responsibility of AMER (Association of Malaysian Environment-Behaviour Researchers), ABRA (Association of Behavioural Researchers on Asians) and cE-Bs (Centre for Environment-Behaviour Studies), Faculty of Architecture, Planning & Surveying, Universiti Teknologi MARA, Malaysia.
DOI: https://doi.org/10.21834/ebpj.v5iSI3.253
Influences of the Western Abstract Art on the Visual Art Movement in Malaysia
Full text linkThis ongoing research project focuses on the ways in which the influences of western art are ingrained in the artwork and contributed to significant shifts in the development of visual art in this country. The practice of observation, analysis, and classification for each selected connected artwork is supported by the review process from earlier and recent visual compilations as well as visiting the specific art institution, which might be public or private. The work was categorized and identified according to the topic, and the techniques and characters were used to highlight the features of the abstract style. The artwork produced by the female artists shows a different output and shares their identities and thoughts
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