1,720,982 research outputs found
Simona Feci & Laura Schettini (a cura di), La Violenza contre le donne nella storia. Contesti, linguaggi, politiche del diritto (secoli xv-xxi)
Full text linkL’ouvrage, publié sous la direction de Simona Feci et Laura Schettini, est le prolongement d’un colloque organisé par la Società Italiana delle Storiche (Société italienne des historiennes, association sœur de Mnémosyne) à Rome en 2015. Nos collègues italiennes souhaitaient apporter un regard historien sur les violences faites aux femmes, sujet qui connaissait alors, et en particulier autour de la notion de féminicide, une forte résonnance dans la péninsule. Le sujet n’était heureusement pas ..
Maschilità e violenza di genere
No full textThis issue aims to bring an original contribution to the history of gendered violence by focusing on the relationship between masculinity and violence and on its male perpetrators. We have chosen to privilege a long-term perspective (the essays presented span the sixteenth to the mid-twentieth century) as well as a closely-focused point of view, by looking in particular at the Italian case: the goal is to question how certain legal traditions, cultural patterns, social practices, and individual actions were intertwined, and influenced each other in the past. In this sense, the suggestions coming from the history of emotions and the common theme which runs like a red thread through the six essays – i.e. the forms and ways of “legitimizing” violent male behaviours – seemed particularly useful to investigate how cultural models and social expectations trigger violent acts by individuals
Trattieri. Uomini e prostituzione nel Mediterraneo coloniale
No full textIl contributo articola l’intreccio tra storia delle migrazioni e storia
della sessualità guardando alle esperienze di mobilità legate alla
prostituzione nell’area del Mediterraneo a cavallo tra Otto e Novecento.
In particolare, vorrei mettere a fuoco le diverse forme di partecipazione
maschile al nuovo mercato del sesso, transnazionale,
che prende forma dalla fine dell’Ottocento
La figura sociale della portinaia a fine Ottocento
No full textIl contributo, parte degli Atti della giornata di studi dedicata a nuove ricerche intorno all'opera La Portinaia di Medardo Rosso, esplora la figura sociale della portinaia nell'Italia di fine Ottocento. A partire da fonti a stampa e trattatistica relativa alla disciplina del lavoro, sono messe a fuoco tanto le rappresentazioni quando le condizioni di lavoro e vita, di una tipica figura femminile del panorama urbano di fine Ottocento
Bambini e bambine nel circuito dell'assistenza
No full textIn questo capitolo è indagata, attraverso un'accurata analisi dei registri degli esposti accolti nel brefotrofio di Narni tra la fine dell'Ottocento e il fascismo, la sorte degli assistiti. Tasso di mortalità, numero di affidamenti, istruzione, impiego e matrimoni, anche dopo l'emancipazione dall'istituto, sono alcune delle questioni indagate
Il gioco delle parti. Travestimenti e paure sociali tra Otto e Novecento
No full textRecensione del volume di Laura Schettini, "Il gioco delle parti. Travestimenti e paure sociali tra Otto e Novecento", Firenze, Le Monnier, 201
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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