562 research outputs found
Juana de Vega desde la literatura del yo
No full textThis paper focuses on the study by Juana de Vega, second generation of romanticism author, of two pieces of her work in the area of literature of the self, En honor de Mina (Memorias íntimas, 1805-1834) y Apuntes sobre la historia. Del tiempo que ocupé los destinos de Aya de S. M. y A. Camarera mayor de Palacio. For that purpose, links are established between both writings, with the egocentric spirit of philosophy and aesthetics of Romanticism. Likewise, both writings are analyzed from this literary genre, assigning En honor de Mina to autobiography, and Apuntes sobre la historia to memoirs.Este trabajo tiene por objeto el estudio de dos textos de Juana de Vega, autora de la segunda generación romántica, En honor de Mina (Memorias íntimas, 1805-1834) y Apuntes sobre la historia. Del tiempo que ocupé los destinos de Aya de S. M. y Camarera mayor de Palacio en el ámbito del género de la literatura del yo. Para ello se establecen relaciones entre ambos escritos con el espíritu egocéntrico de la filosofía y estética del Romanticismo, exaltadoras de la individualidad. Asimismo, se analizan las dos obras de la escritora coruñesa a la luz de la metodología propia del mencionado género literario, adscribiendo En honor de Mina a la autobiografía y Apuntes sobre la historia a las memorias
Proyecto: Mieke Bal y La Historia Del Arte. Una Aproximación-El arte de las ciencias. ¿para qué sirve el arte?, ¿qué es el arte? o ¿por qué no se puede hacer una clasificación adecuada de estas?(Juana Amelia Martí Hernández).
No full textMieke Bal y La Historia Del Arte. Una Aproximación-Juana Amelia Martí Hernández.
The author Juana Amelia Martí Hernández in her thesis, describes in a didactic way and with scientific methodology the work of Mieke Bal and the relationship with the History of Art. It develops an educational project that identifies it as a brave and very useful work for research with rigor and quality
The Story of Sor Juana Ines de la Cruz
No full textabstract: The story of Sor Juana Ines de la Cruz is one of a woman who defied the odds of her time. Sor Juana was a nun born in the 1600's in Mexico. From an early start, she had an endless passion for knowledge and always strove to learn as much as she could. She went on to become a nun at the Convent of Santa Paula and used her intellect to advocate for women's rights. Though met with opposition, she wrote many poems, letters, and even plays which included her strong push for women's equality. However, the name Sor Juana Ines de la Cruz is almost never mentioned in popular feminist discourse, despite Sor Juana being credited as one of the first feminist authors. This paper works to not only tell the story of Sor Juana Ines de la Cruz in detail, but also works to answer the question, "Why do people not know about Sor Juana". By diving into the origins of the Feminist movement in the United States, the dark underbelly of Feminism is uncovered. Primarily, the topic of how racism in feminism has plague the civil rights movement, what damage has been done to people of color because of feminism's history, and how does that pertain to modern day feminism and Sor Juana. By telling her story through both written and visual aids, the voice of Sor Juana Ines de la Cruz is no longer silenced but free to tell her tale and move a generation
Juana Azurduy de Padilla and the Bolivian War of Independence
No full textThis research project looks al an essential figure in the Bolivian War of Independence in the nineteenth century, Juana Azurduy de Padilla. The Bolivian war of independence lasted from 1809-1825. During this time, there were multiple colonists and the Spanish. Juan was very seldomly known or remembered for Bolivia's independence for a long time; there are many
reasons for this. One reason is because of her life after war. As you will later see, after Bolivia gained independence, Bolivia's new government did not respect her for her heroic deeds in battle or even give her what they promised her. This research looks and the life and legacy of Juana Azurduy de Padilla and why she was forgotten
“Seguimiento al método constructivo del mejoramiento de la vía la san Juana-Bucarasica desde k0+300 y desde k9+960 hasta k 13+660 municipio de Bucarasica departamento Norte de Santander”
No full textEl objetivo del presente trabajo dirigido fue desarrollar labores de supervisión como inspector de obra garantizando el cumplimiento de las diferentes normas vigentes colombianas en la construcción de las carreteras, dentro de las actividades realizadas se logró hacer seguimiento en el mejoramiento de la vía la san Juana- Bucarasica, constituido por 4 KM, al cual se le hizo mejoramiento y ampliación de la vía. Su desarrollo se llevó a cabo mediante un estudio de carácter práctico. El método aplicado fue enfocado sobre el seguimiento de los métodos constructivos y verificación a los resultados de los diferentes tipos de pruebas y ensayos de concreto.PregradoTecnólogo(a) en Obras Civile
Juana Dib y el mahyar árabe-americano
No full textThis paper investigates the thematic and aesthetic links between Juana Dib’s poetry with that of emigrant Mahjar writers. It evidences adaptations of perennial themes in Arabic poetry (nationalism, nostalgia, and memory) in Dib’s verses, and argues that the emigrant writers’ break with their poetic past was more selective than it was arbitrary. This contribution then situates Juana Dib’s poetry within the Mahjar literary tradition, and introduces the author as an Arab American poet, in dialogue with her cultural and linguistic heritage.
El presente artículo indaga sobre los vínculos temáticos y estéticos entre la poesía de Juana Dib y la de los escritores emigrantes del Mahyar. En este se evidencian adaptaciones de los temas perenes de la poesía árabe (el nacionalismo, la nostalgia y el recuerdo) en los versos de Dib, y arguye que la ruptura de los escritores emigrantes con su pasado poética fue más bien selectiva y no arbitraria. Esta contribución sitúa la poesía Juana Dib dentro de la tradición literaria mahyarí y presenta a la autora como poeta árabe-americana, en diálogo con su herencia cultural y lingüístico
Hunger’s brides: Obra, vida e imagen de sor juana
No full textThis essay takes Hunger’s Brides: A Novel of the Baroque, a historiographic
metafictional novel by the Canadian author Paul Anderson as the starting point
for a meditation on the work, life, and image of Sor Juana in contemporary
literary criticism. The novel criticizes the facile biographical readings that
dominate sorjuanine scholarship. It develops this criticism through various
literary games which parody critical literature on Sor Juana, the fragmentation
of the novel into multiple voices, the splitting of the novel into two novels
(one that proposes to be a historical biography of Sor Juana and the other
that narrates the process by which the first novel was composed), and the
interrogation of the truth and accuracy of the novel by the novel itself.Este ensayo toma como punto de partida la novela Hunger’s Brides: A
Novel of the Baroque del canadiense Paul Anderson, una novela de metaficción
historiográfica, para reflexionar sobre la obra, vida e imagen de Sor Juana
en la crítica literaria contemporánea. La novela entabla una crítica de la fácil
lectura biográfica que predomina en los estudios sorjuaninos. Esto lo hace a
través de los diversos juegos literarios que parodian la crítica de Sor Juana,
la fragmentación de la novela en múltiples voces, la bifurcación de ella en dos
novelas (una que pretende ser una novela histórico–biográfica de Sor Juana
y la otra la historia de la composición de la novela) y la interrogación de la
veracidad de la novela por la novela misma
Sobre la sufijación apreciativa en A lueca, de Juana Coscujuela
No full textEste trabajo forma parte del capítulo Formación de palabras de un estudio global que, sobre el aragonés somontanés utilizado en la novela de Juana Coscujuela, está realizando el autor. En él se pretende dar cuenta de los valores, frecuencia y casuística de los distintos sufijos aumentativos, diminutivos y peyorativos, usuales en el particular sistema lingüístico de la autora de Adahuesc = This work takes part in the chapter called Formación de palabras (Words forming) from an in all study that, dealing with the Aragonese spoken in the Somontano used in the novel by J. Coscujuela, is performing the author. This work claims to give account of values, frequency, casuistry of the various suffixes augmentative, diminutive and pejorative which are usual in the particular linguistic system of the author from Adahuesca (Juana Coscujuela
A Song Cycle on Mortality: Reimagining Four Sonnets of Sor Juana Inés de la Cruz as Four Songs on Life and Death
No full textSor Juana Inés de la Cruz (1648? – 1695) was revered during her lifetime as a major intellectual force in the Spanish Golden Age. Today Sor Juana remains a central public figure in Mexican culture and is most remembered for the enormous body of poetry she created, notably her sonnets, of which there are over 65. In this paper, the author, after an analysis of the sonnet, and the life of Sor Juana, selects four sonnets written by Sor Juana. The sonnets are discussed, and then set to music composed by the author
Fleshy Spectacles and Broken Hearts:The Hookup/Displacement/Barhopping/Drama Tour
No full textThis presentation explores the creative vision of Xandra Ibarra’s mobile community performance, ‘The Hookup/Displacement/Barhopping/Drama Tour’, to think about urban queer spaces, minoritarian belonging, and trans-temporal world-making. Winner of the 2018 Queer | Art | Prize, Chicana artist Ibarra’s piece consists of a pop-up walking tour in which she invites community members to join her in revisiting queer Latinx and lesbian historic sites lost to gentrification in San Francisco’s Mission District. As participants move from one location to the next, we are invited to not only remember, but also re-enact the vibrant barhopping scenes of the queer and trans immigrant communities that used to dominate the neighborhood before the tech boom of the 1990s. The piece also includes a series of material artifacts crafted by Ibarra that mimic, distort, and ridicule the language of the state through multiple over-lapping registers of Spanish, English, and queer linguistic word play that challenge the state’s authority over public space. Set against the sanitizing project of San Francisco’s tech-based gentrification efforts, this talk thinks about how this embodied mobile performance functions as the refusal of racialized queer erasure. It draws on José Esteban Muñoz’s ideas of ‘feeling brown’ and Elizabeth Freeman’s formulation of ‘erotohistoriography’ to explore how accumulated intergenerational desires for public expressions of queer racialized grief, inter-generational touch, and collective outrage play out against the walls of a haunted urban landscape. Juana María Rodríguez is professor of ethnic studies and core faculty in performance studies at the University of California, Berkeley. Her research focuses on racialized sexuality and gender; queer of color theory and activism; affect and aesthetics; technology and media arts; law and critical race theory; and Latinx and Caribbean literatures and cultures. She is the author of two books, Queer Latinidad: Identity Practices, Discursive Spaces(2003) and Sexual Futures, Queer Gestures, and Other Latina Longings(2014). Her work has been featured in Aperture; on NPR’s Latino USA, NBC.com, Canadian News Network, The Chronicle of Higher Education, and Cosmopolitan for Latinas. She is currently working on a book on visual culture and Latina sexual labor and co-editing a special issue of TSQ: Transgender Studies Quarterlyon ‘Trans Studies en las Americas’. Nguyen Tan Hoang is associate professor of literature and cultural studies at the University of California, San Diego. His research interests include Asian American visual culture, Southeast Asian cinema, queer cinema, experimental film, race and pornography. His experimental videos have been screened at the Museum of Modern Art in New York, the Getty Center in Los Angeles, and the Centre Pompidou in Paris. He has programmed film, video, and performance for MIX NYC: New York Queer Experimental Film Festival and the San Francisco International Asian American Film Festival. He is a member of the editorial board of the Journal of Cinema & Media Studies. He is the author of A View from the Bottom: Asian American Masculinity and Sexual Representation (Duke 2014)
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