10,651 research outputs found
Séminaires d'histoire financière (PSE) / Pierre Labardin : la réévalution des bilans des entreprises pendant l'entre-deux-guerres
No full textLa prochaine séance du séminaire d'histoire des entreprises et de la finance aura lieu le : Mercredi 18 Novembre de 17h à 18h30 via Zoom Nous recevrons : Pierre LABARDIN (Univ. Paris Dauphine - PSL) : La Réévalution des bilans des entreprises pendant l'entre-deux-guerres Pour rejoindre la réunion Zoom : https://zoom.us/j/93101390033?pwd=ZnVKNUF3T1JRRktnbU85YmJIUk5zQT09 ID de réunion : 931 0139 0033 Code secret : 772846 Le programme de l'ensemble des séances pour l'année 2020-2..
Organiser [Manager l'entreprise au XIXe siècle]
No full textChapitre 1, in partie I : Manager l'entreprise au XIXe siècl
Organiser [Manager l'entreprise aux XXe et XXIe siècles]
No full textChapitre 7, in partie II : Manager l'entreprise aux XXe et XXIe siècle
Global Luxury: Organizational change and emerging markets in the luxury industry since the 1970s
No full textUniversity of Neuchâtel, Switzerland, 6-7 November 2014 Organizers : Laurent Tissot, University of Neuchâtel (Switzerland), Pierre-Yves Donzé, Kyoto University (Japan) and Rika Fujioka, Kansai University (Japan) Outline of the conference The objective of this conference is to bring a better understanding of the transformation of the luxury industry into a global business since the 1970s. This industry experienced in the last four decades a major mutation which the three main trends can be str..
Journée d'études: marchandiser les colonies - Impacts sociaux et environnementaux. Jeudi 29 juin, La Rochelle Université
No full textJournée d'études organisée sous la direction scientifique de Pierre Labardin, Professeur des Universités, La Rochelle Université Amphi THIL - IAE Journée_29_06_23programm
“Enquête sur l’auteur. Entretien avec Pierre Bayard”
No full textInternational audience05/04/2019 “Enquête sur l’auteur. Entretien avec Pierre Bayard” [“Investigation into the Author. Interview with Pierre Bayard”], event for bachelor’s and master’s students in French and comparative literature, Lorraine University
Is There Market Power in the French Comte Cheese Market?
No full textAn NEIO approach is used to measure seller market power in the French Comté cheese market, characterised by government-approved supply control. The estimation is performed on quarterly data at the wholesale stage over the period 1985-2005. Three different elasticity shifters are included in the demand specification, and the supply equation accounts for the existence of the European dairy quota policy. The market power estimate is small and statistically insignificant. Monopoly is rejected, as well as weak forms of Cournot oligopoly. Results appear to be robust to the choice of functional form, and suggest little effect of the supply control scheme on consumer prices.Supply control, NEIO, protected designation of origin, Marketing,
L’ordonnance du 14 septembre 1822 : une influence des comptabilités commerciales sur la comptabilité de l’État ?
No full textInternational audienc
The aesthetics of Pierre Boulez
No full textTo enable the reader to find references as quickly and easily as possible, I have grouped all references together in the bibliography in alphabetical order. Texts by the same author are distinguished first by year and second, if there are several texts from the same year, by letter. Interviews and writing collaborations (including published correspondence) involving Boulez are also ordered alphabetically. The year given at the beginning of each bibliographical entry is, in the majority of cases, the year in which the text was first published (not necessarily the year of the edition cited). For all writings written by Boulez, I have provided the original title under which the text in question was first published (usually in French). Many articles have subsequently been translated into English and therefore I have decided to provide page references for both versions. For all texts by writers other than Boulez, I have cited the version of the text I have used. Wherever possible, I have cited the existing English translations of texts originally written in French. However, on many occasions I have considered it necessary to make alterations to the published translations. This is particularly applicable to Boulez on Music Today (1971) and Orientations (1986), both of which display an often heavy-handed and rather inaccurate approach to the task of translating specific concepts employed by Boulez. In contrast. Stocktakings of an Apprenticeship (1991) has required only occasional minor amendments. All changes to the published English translations are acknowledged in the corresponding footnote. None of the material m this thesis has previously been submitted for a degree in this or any other University. The copyright of this thesis rests with the author. No quotation from it should be published without prior written consent and information from it should be acknowledged. I have received permission to exceed the word limit from the Graduate School Committee at the University of Durham
Etnografia e fotografia: reflexões sobre as fotografias etnográficas de Pierre Fatumbi Verger
No full textDissertação (mestrado) - Universidade Federal de Santa Catarina, Centro de Filosofia e Ciências Humanas. Programa de Pós-graduação em Antropologia Social, Florianópolis, 2009A relação entre a fotografia e a etnografia nos estudos da Antropologia, apesar de antiga e densa, é incerta e complexa. Se por um lado a fotografia é a cada dia mais utilizada nos trabalhos antropológicos, por outro sua potencialidade como algo além da ilustração e de uma técnica de interação com o Outro é pouco explorada. A partir do exemplo, do legado, da trajetória de vida e, principalmente, da obra de Pierre Fatumbi Verger, esta pesquisa se dedica a analisar essa relação. Francês radicado na Bahia na década de 1940, Verger é conhecido mundialmente tanto por seu trabalho como fotógrafo quanto pelas suas pesquisa etnográficas. Há, entretanto, uma indefinição quanto à razão desse reconhecimento, e examinar as suas razões oferece um profícuo campo de reflexão sobre a pesquisa etnográfica, especialmente quando relacionada ao universo das imagens fotográficas. A Fundação Pierre Verger é a instituição que atualmente abriga o acervo do fotógrafo-etnógrafo e onde foi realizada a pesquisa de campo através da qual, aliada à leitura de fotografias relacionadas ao candomblé em suas manifestações na África e na Bahia, foi criada uma metodologia de análise das fotografias que privilegia as interações e os diálogos como espaço de construção de definições sobre a etnografia. Pelo contato com a Fundação, seus freqüentadores e o acervo fotográfico ali disponibilizado, esta pesquisa pretende refletir sobre a etnografia e a construção de um olhar etnográfico em relação direta com o exercício da fotografia.The relationship between photography and ethnography in anthropological studies, albeit ancient and deep, is uncertain and complex. Photography has been increasingly used in anthropological researches but it´s potencial as something beyond illustration and it´s interaction with the Other as a technique is very little explored. This research is dedicated to the analysis of this relationship by taking the work of Pierre Fatumbi Verger, his life and legacy. A French man, rooted in Bahia, Brasil, in the decade of 1940, Verger is known worldwide for his work as a photographer as well as for his etnographic studies. However, the reason of this recognition is undefined and examining the reason for these indefinitions can be a fruitful field of reflection concerning ethnographic researches, especially when related to the photographic universe. The Pierre Verger Foundation is the institution that hosts his photographic and ethnographic collection and it´s also where the field research of this work took place. Through the field research combined with the readings of photographs related to candomblé and it´s manifestations in Africa and Bahia, a photographic analysis methodology was created that privilege interaction and dialogue as a way to build definitions about ethnography. By the contact with the Foundation, it´s users and it´s available photographic collection, this research intends to reflect about the ethnography and the creation of an ethnographic view in direct relation to the exercise of photography
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