98 research outputs found
Validacion de un prototipo usando aireacion forzada en pila estatica, para la biodegradacion (estabilizacion bioquimica) de materia organica procedente de mercados
No full textAgriculture and society in Central Mexico : the Valley of Tulancingo in the late colonial period (1700-1825)
Get PDFThis study provides a first approach to the economic and social history of the
Valley of Tulancingo in the late colonial period. In examining the development of
this agricultural area of central Mexico, the author discusses the broader
transformations that affected the country as a whole during the eighteenth and
early nineteenth centuries: population growth, migration, urbanization, and the
commercialization of agriculture. On this score, the study participates in the
current debate on the best way to characterize the Mexican agricultural sector at
the end of the colonial rule. Most modern historiography tends to emphasize that
demographic growth transformed the traditional balance between population
and resources and was a major cause of economic and social disruption in the
countryside. The author combines new evidence with recent findings from the
specialist literature, to argue that Tulancingo fully participated in the roster of
economic and social changes of the period. The work begins with a description of
Tulancingo's population trends and an analysis of the spatial distribution of the
population. It goes on with an analysis of the Valley's agricultural economy,
describing the complementary rural elements of Indian communities and
haciendas, and examining a series of related transformations in landholding,
marketing, and social relations. This study will be of interest to anyone
concerned with Mexican economic and social history, or the history of
agriculture
Zonificacion agroecologica del estado de Campeche para el cultivo del arroz (Oriza satira)
No full textNahuatl in the Huasteca Hidalguense : a case study in the sociology of language
No full textThis thesis examines the vitality of Hidalgo Nahuatl (HN) in the
communities of Jaltocan, Panacaxtlan, Santa Cruz, Santa Teresa
and Zohuala in the Huasteca Hidalguense, Mexico.
The research, conducted in Mexico and St. Andrews University
from 1976-1982, applies an analysis of HN within the framework of
the Sociology of Language and Dependency Theory, thereby using a
multi-disciplinary approach. Through an investigation of the historical,
social, cultural and economic factors related to HN, the
latter is embedded in its reality.
HN is shown to be originally a language of dependency and oppression,
supported by a long mestizo tradition of "caciquismo". It is
demonstrated that an increasing number of Spanish (S) monolinguals,
together with other socio-economic factors, is encouraging Nahuas
to bilingualize and S:: =A. is fast becoming the new language of dependency.
The Hidalgo Nahuas possess practical reasons for the acquisition
of S., these being to solve their daily problems - especially
land tenancy -, to communicate with the mestizo out-group and to
undertake trading with non-HN speakers. However, the Nahuas are
not surrendering their native language as they bilingualize, but
rather, tend to limit its usage to native Nahua contexts and speakers.
HN has become important to the Nahuas in order to demonstrate
their ethnic identity and territoriality.
The introduction of government projects to the communities, such as
the Castellanizacion project or bilingual-bicultural education, are
shown to be theoretically bilingual in approach, but fail to take
into account sufficiently the regional Indian language in the praxis.
The stable maintenance of HN is highlighted by statistical results
from the word-count of recorded texts, documents and publications
and the range of morphological phenomena affecting S. words
in HN is described with examples from the Corpus.
The linguistic interference from S. in HN is located within Dependency
Theory and this author suggests the use of the term dependency
word rather than loan word and dependency language, thus implying
a diachronic sociological process which is reflected in HN.
Extended Texts are offered as evidence of the linguistic standard
of HN and attitudes of Nahuas towards their language are presented.
The final conclusion is that modern HN is a viable, vital and
functional language at the time of undertaking this research and
demonstrates a frequent usage by a large number of speakers. HN
has still not entered into:. -avital process of language death, as
is the case in other Nahuatl-speaking regions of Mexico, and is
still being maintained, particularly at community level, by adults
and children alike
Uma teoria da constituição
Get PDFTese (doutorado) - Universidade Federal de Santa Catarina, Centro de Ciências Jurídicas, Curso de Pós-Graduação em Direito.A tese tem como objetivo demostrar que a teoria da justiça concebida e desenvolvida pelo filósofo americano John Rawls tem elementos importantes que permitem configurá-la como uma teoria da Constituição e, ainda, traz contribuições fundamentais para a concretização da democracia constitucional, notoriamente em crise neste início de século, tendo em vista a falência dos pressupostos que a constituíra
Un anónimo centón de tonadas de Juan Hidalgo: Baile de Júpiter y Calixto
Get PDFCreator of a musical-theatrical style that was characteristic of the Spanish theater, the fame and prestige of the composer Juan Hidalgo lasted beyond his death. This is confirmed by the reuse of his tunes in all kinds of works: comedies, autos and short pieces. Among the latter, the Baile de Júpiter y Calixto which including five burlesque contrafactum of tunes by the composer, constitutes an authentic centón of Hidalgo’s tunes. Given that by its very nature, the parody always starts from a pre-existing model that is well known to the recipient of the parody, it’s a recognition of the prestige and worth of the author of the original play. This work studies the literary and musical sources of each one of the tunes reused in the play, as well as the procedures used to adapt them to a play so far removed from the original models (fiesta cantada, zarzuela and opera). By maintaining mostly the original affective and literary content, his author reveal a remarkable knowledge and understanding of the composer’s musical rhetoric, and demonstrates the wide circulation of a musical repertoire initially linked to the court scene. To do this, after studying the text and music of the original tunes, is analyzed the procedure followed by the anonymous author of the baile to introduce, adapt and link them in it, creating a unitary work.Creador de un estilo músico-teatral propio y característico del teatro español, la fama y el prestigio del compositor Juan Hidalgo se prolongaron más allá de su muerte. Así lo confirma la reutilización de sus tonadas en todo tipo de obras: comedias, autos y piezas breves. Entre estas últimas destaca el Baile de Júpiter y Calixto, auténtico centón de obras de Hidalgo pues incluye cinco contrafacta burlescos de tonadas del compositor. Dado que, por su propia naturaleza, la parodia parte siempre de un modelo preexistente bien conocido por el destinatario de la misma, no deja de ser un reconocimiento del prestigio y valía del autor de la obra original. Este trabajo estudia las fuentes literarias y musicales de cada una de las tonadas reutilizadas en el baile, así como los procedimientos empleados para adaptarlas a una obra tan alejada de los modelos originales (fiesta cantada, zarzuela y ópera) que, al mantener mayoritariamente el contenido afectivo y literario de origen, revelan un notable conocimiento y comprensión de la retórica musical del compositor madrileño, y demuestra la amplia circulación de un repertorio musical inicialmente ligado a la escena cortesana. Para ello, tras estudiar el texto y la música de las tonadas originales, se analiza el procedimiento seguido por el anónimo autor del baile para introducirlas, adaptarlas y enlazarlas en éste, creando una obra unitaria
Artes de canto (1492-1626) y mujeres en la cultura musical del mundo ibérico renacentista
Get PDF[spa] Esta Tesis Doctoral explora la cultura musical del mundo ibérico renacentista a través del estudio de artes de canto en lengua vernácula impresas entre 1492 y 1626 y de su relación con las mujeres de la época. La Tesis consta de siete capítulos, estructurados en dos partes (Vol. I), y de veinte apéndices (Vol. II). La primera parte (Capítulos I al IV) muestra que las características por las que estos libros que contenían los rudimentos de la música han sido infravalorados hasta ahora por la historiografía musical son precisamente las mismas que demuestran que respondían a una necesidad pedagógica y a la demanda de manuales asequibles, breves y prácticos por parte de un amplio mercado. Las artes de canto se imprimieron en tiradas de miles de ejemplares y eran vendidas a bajo precio, tuvieron una enorme circulación en la Península Ibérica y el Nuevo Mundo, y contribuyeron al incremento y la difusión de la educación musical en contextos educativos diferenciados (la iglesia, la universidad y el ámbito privado), así como entre grupos sociales hasta entonces excluidos del aprendizaje de los fundamentos de la música. El Arte de canto llano (Sevilla, 1530) de Juan Martínez emerge como el tratado de música del mundo hispánico más difundido geográfica y cronológicamente en el siglo XVI e inicios del XVII, pero del que casi nada se sabía. En la segunda parte (Capítulos V al VII), las conexiones entre estos libros de música y mujeres muestran que las áreas de superposición entre lo privado y lo público y entre lo oral y lo escrito permiten desafiar la invisibilidad de las mujeres en documentos históricos y vislumbrar trazas no sólo de la cultura musical de las mujeres de la época, sino también de la importancia de la música en la vida cotidiana. Se utiliza una diversidad de fuentes (artes de canto, libros de conducta, documentos inquisitoriales, literatura, correspondencia e inventarios de bienes, entre otras), a través de las cuales se ha podido documentar la relación con la música de, entre otras, Catalina de Zúñiga, VI Condesa de Lemos, Isabel de Plazaola, e Isabel de Aragón, IV Duquesa del Infantado. Empleando metodologías de la musicología tradicional junto a otras tomadas de los historiadores del libro y de la cultura popular, esta Tesis Doctoral presenta una panorámica de la vida musical de la época a través del prisma de doble alteridad que supone el estudio de las artes de canto, generalmente consideradas carentes de interés, y de su relación con las mujeres, insuficientemente representadas en la historiografía musical.[eng] This dissertation explores the musical culture of the Renaissance Iberian world through both the study of small-format treatises in the vernacular containing the rudiments of music –known as artes de canto– printed between 1492 and 1626, and the nexuses between them and women. The dissertation consists of seven chapters, structured into two parts (Volume I), and twenty appendixes (Volume II). Part I (Chapters I to IV) shows that the arte de canto, until now generally overlooked or undervalued in music historiography, was produced in print runs of thousands of copies and sold for a low price; it had a broad circulation in the Iberian Peninsula and the New World, contributing to the spread of musical literacy in distinct didactic contexts (churches, universities, private settings) and among social groups until then excluded from learning the rudiments of music. The little known Juan Martínez’s Arte de canto llano (Seville, 1530) emerges as the most circulated music book in the Hispanic world during the sixteenth and seventeenth centuries. The aim of Part II (Chapters V to VII) is to approach the musical life of the sixteenth-century Iberian world through the exploration of women’s contributions, thus broadening the field of historical research. The study of some connections between music books and women shows that the points of overlap between the private and the public spheres, on the one hand, and the written and the oral music transmission, on the other hand, not only make women’s musical practices visible, but also offer new vistas on the popular culture of the age. Through a variety of source materials (artes de canto, conduct manuals, Inquisition records, literature, letters and inventories of goods, among others) it has been possible to document the musical activities of women such as Catalina de Zúñiga, VI Countess of Lemos, Isabel de Plazaola, and Isabel de Aragón, IV Duchess of the Infantado. Combining methodologies from traditional musicology with those borrowed from book history and popular culture, this dissertation analyzes music in the culture of the Renaissance Iberian world through the prism of double Otherness involved in studying the ‘other’ music books –that is the undervalued artes de canto– and their connections to women of that period
Sueños y discursos, de Quevedo: barroco, sátira e tradução
Get PDFTese (doutorado) - Universidade Federal de Santa Catarina, Centro de Comunicação e Expressão. Programa de Pós-Graduação em Literatura.Esta tese tem por objeto as cinco narrativas de Sueños y discursos, julgadas por consenso universal os melhores escritos em prosa de Francisco de Quevedo y Villegas (1580-1645). #Sueño del Juicio#, #Alguacil endemoniado#, #Infierno#, #El mundo por de dentro# e #El sueño de la Muerte# satirizam os costumes e os personagens de seu tempo, de todas as classes sociais. Após situar autor e obra no contexto social em que estavam inseridos, é realizado um estudo comparativo sobre o barroco literário na Espanha, Portugal e Brasil, estabelecendo elos entre Quevedo, Padre Antônio Vieira e Gregório de Matos. Em um segundo momento, são analisados os principais temas e personagens da sátira quevediana. Por fim, é realizado um estudo crítico das traduções dos Sueños, para o português do Brasil, de Liliana Raquel Chwat (Os sonhos. São Paulo: Escala, 2006), para o inglês, de Wallace Woolsey (Dreams. New York: Barrons Educational Series, de 1976), e para o francês, de Annick Louis e Bernard Tissier (Songes et discours. Paris: José Corti, 2003). Nesse estudo são particularmente escrutinadas as escolhas dos tradutores na recriação de jogos de palavras
Aproximación a las prácticas culturales en la mujer gestante: una perspectiva desde el cuidado de Enfermería
No full text: figuras, tablas ; 28 cm.En enfermería, el cuidado se considera como lo más importante de la disciplina, tiene
como finalidad promover la salud y prevenir la enfermedad. Brindar un cuidado en salud
significa que se debe atender teniendo en cuenta todos los aspectos que rodean al ser humano
como, lo emocional, familiar, social, espiritual, psicológico y cultural. Para que el profesional de
enfermería pueda dentro de sus intervenciones brindar un cuidado intercultural, es importante
que tenga previo conocimiento y la comprensión del contexto cultural, ya que el profesional debe
estar capacitado para poder llevar a cabo un cuidado integral al individuo, familia y comunidad.
Colombia se caracteriza por ser un país multicultural y diverso, en la actualidad el 99.6% está
conformado de zona rural, y en ella habitan aproximadamente el 32% de la población. Las
costumbres, creencias y hábitos, hacen parte de las actividades de rutina que la familia le
transmite al individuo, como parte de conocimiento que mediante la recopilación de vivencias
han mostrado resultados tanto positivos como negativos.Consideraciones generales.-- Pregunta de investigación.-- Objetivo de investigación.-- Justificación.-- Marco referencial.-- Metodología.-- Resultados.-- Conclusiones.-- Recomendaciones.-- Bibliografía.PregradoEnfermeroEnfermerí
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