187,743 research outputs found
POR FORA DO PRÉ-MODERNISMO
No full textResumo:Este artigo propõe uma reflexão sobre a atuação intelectual do escritor Gustavo Barroso (1888-1959) e de sua relação com o Pré-modernismo brasileiro, considerando categorias como capital cultural e pessoal, conforme Pierre Bourdieu, e que demonstram de que modo o autor se coloca à margem do período, sem ser excluído propriamente.Palavras-chave: Pré-modernismo. Gustavo Barroso. Capital pessoal.Abstract: This article is a reflection about the intellectual activity of writer Gustavo Barroso (1888-1959) and his relationship with Brazilian Pre-modernism, considering categories such as personal and cultural capital, as in Bourdieu, showing how the author was marginalized in the period without being totally excluded.Keywords: Pre-modernism. Gustavo Barroso. Personal capital
Variations on the Author
No full text“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
koamabayili/VECTRON-author-checklist: VECTRON author checklist
No full textWe have done our best to complete the author checklist relating to the use of animals in the hut study. Note that the objective for the hut study was to evaluate the IRS treatment applications for residual efficacy against Anopheles mosquitoes, including the local An. coluzzii mosquito population. Cows were only used to attract mosquitoes into the huts and no tests were carried out directly on the cows. The author checklist is intended for use with studies where experiments are carried out on animals, which is why we have had such difficulty in completing this for the hut study, as many of the questions do not relate to how the cows were used
Caracterização do Espaço Livre Público do Terminal Barra Funda, Município de São Paulo, SP:: Infraestrutura, Composição Florística e Percepção Ambiental
No full textThe rapid growth of the city is the result of population growth, and this brings about the commitment of the quantity and quality of its open spaces and green areas. This study aimed to report the perception of passersby on the public space Barra Funda Terminal, as well as its plant diversity. To collect data in that space interviews were conducted with a semi-structured and quantitative and qualitative surveys of existing infrastructure and vegetation. The script consisted of qualitative questions that were recorded and transcribed by the author and quantitative questions, using assertive and Likert scale to obtain answers. They identified 65 individuals, distributed in 7 plants and belonging to 7 species botanical families. The public space around the Terminal Barra Funda is perceived in different ways among the people passing by this location. A party perceives this site as green space area and with good cleaning while others realize how bad location without structure and maintenance, and lack of security.O crescimento acelerado da cidade é resultante do aumento populacional, e traz como consequência o comprometimento da quantidade e qualidade de seus espaços livres e áreas verdes. Este trabalho teve como objetivo relatar a percepção de passantes em relação ao espaço público do Terminal Barra Funda, assim como sua diversidade vegetal. Para a coleta de dados, no referido espaço, foram realizadas entrevistas, com um roteiro semi-estruturado e levantamentos quanti-qualitativos da infraestrutura e vegetação existentes. O roteiro consistiu em perguntas qualitativas que foram gravadas e transcritas pela autora e perguntas quantitativas, utilizando-se assertivas e a escala likert para a obtenção de respostas. Na análise da vegetação, foram identificados 65 indivíduos, distribuídos em 7 espécies vegetais e pertencentes a 7 famílias botânicas. O espaço público no entorno do Terminal Barra Funda é percebido de maneira divergente entre a população que passa por este local. Uma parte percebe este local como espaço de área verde e co
Taxonomias do significado cultural do património: valores e atributos
No full textGreen Open Access added to TU Delft Institutional Repository 'You share, we take care!' - Taverne project https://www.openaccess.nl/en/you-share-we-take-care Otherwise as indicated in the copyright section: the publisher is the copyright holder of this work and the author uses the Dutch legislation to make this work public.Heritage & Value
Instituição e vicissitudes de um beatério quinhentista : as Beatas do Campo da Vinha (Braga) : notas e rotas de investigação
No full textThis work, based on the available bibliography and archive sources, synthesises some fundamental facts related to the first years after the foundation of the institution and the character of its founder. The author also attempts to establish the place of this religious house in Braga’s social and religious contexts and in the cyclical changes experienced by the beatérios of the Iberian Peninsula. Finally, the author proposes some explanations for the specific kind of spirituality practised by the devout sisters of Campo da Vinha (Beatas do Campo da Vinha) and the longevity of this institution
Open access self-archiving: An author study
No full textThis, our second author international, cross-disciplinary study on open access had 1296 respondents. Its focus was on self-archiving. Almost half (49%) of the respondent population have self-archived at least one article during the last three years. Use of institutional repositories for this purpose has doubled and usage has increased by almost 60% for subject-based repositories. Self-archiving activity is greatest amongst those who publish the largest number of papers. There is still a substantial proportion of authors unaware of the possibility of providing open access to their work by self-archiving. Of the authors who have not yet self-archived any articles, 71% remain unaware of the option. With 49% of the author population having self-archived in some way, this means that 36% of the total author population (71% of the remaining 51%), has not yet been appraised of this way of providing open access. Authors have frequently expressed reluctance to self-archive because of the perceived time required and possible technical difficulties in carrying out this activity, yet findings here show that only 20% of authors found some degree of difficulty with the first act of depositing an article in a repository, and that this dropped to 9% for subsequent deposits. Another author worry is about infringing agreed copyright agreements with publishers, yet only 10% of authors currently know of the SHERPA/RoMEO list of publisher permissions policies with respect to self-archiving, where clear guidance as to what a publisher permits is provided. Where it is not known if permission is required, however, authors are not seeking it and are self-archiving without it. Communicating their results to peers remains the primary reason for scholars publishing their work; in other words,
researchers publish to have an impact on their field. The vast majority of authors (81%) would willingly comply with a mandate from their employer or research funder to deposit copies of their articles in an institutional or subject-based repository. A further 13% would comply reluctantly; 5% would not comply with such a mandate
Vidas em conexões (in)tensas na UFRGS: o Programa Conexões de Saberes como uma pedagogia do estar-junto na Universidade
No full textA tese mostra as trajetórias e a presença (in)tensa de estudantes, docentes e gestores que entrecruzaram e en(tre)laçaram suas vidas no Programa Conexões de Saberes da Universidade Federal do Rio Grande do Sul – UFRGS, no período de 2005 a 2009. Invoca e provoca uma reflexão sobre as disposições éticas, estéticas e afetuais que se manifestaram nas ações e no estar-junto, nas narrativas e testemunhos das vidas daqueles que fizeram e configuraram o referido Programa. Põe em evidência as formas que teceram e sustentaram, (des)mobilizaram e (des)potencializaram, deram vigor e vitalismo à sua realização. Através da escuta dos testemunhos de vida de estudantes, de professores, de gestores, a pesquisa expõe a disposição do seu autor em ser e estar escutador da vida em suas múltiplas relações e em seus destinos entre-cruzados. Para tanto, utiliza-se de procedimentos metodológicos tais como memoriais, testemunhos de vida, entrevistas individuais e coletivas (grupo focal), compilação e análise de documentos, um diário de reflexões e outros registros. O estudo se configura e se ampara em um modo de fazer pesquisa que se permite surpreender com o dado mundano, com a trajetória que se mostra, com a vida que é; próprio de uma razão aberta e sensível, de uma Sociologia compreensiva, acariciante e do formismo de Michel Maffesoli, bem como da Forma e da Sociologia das formas sociais de Georg Simmel. As trajetórias de vida são entrelaçadas a partir dos traços e marcas familiares e escolares, das relações trabalho-estudo, do engajamento comunitário, da escolha do curso, do Concurso Vestibular, do ingresso no Ensino Superior, do viver na Universidade. A reflexão privilegia (1) os processos de identificação e as éticas manifestas nos testemunhos, nas narrativas e no estar-junto; (2) as (in)tensas relações vivenciadas pelos atores que produziram o Conexões ; (3) ambos caracterizados pelo conflito como uma forma de sociação (Simmel) e transfigurados pela potência do político, do educativo, do ético, do estético, do afetual.The thesis shows the trajectories and the (in)tense reality of students, teachers and administrators who crisscrossed, enlaced and intertwined their lives in the Knowledge Connections Program of the Federal University of Rio Grande do Sul - UFRGS, in the period 2005 to 2009. It invokes and provokes a reflection on the ethical, aesthetic and affective provisions manifested in the actions and in the togetherness, the narrations and the testimonies of the lives of those who made and shaped this Program. It highlights the ways that have provided and maintained, (dis)potentialized and (un)worsened and given vigor and vitality to its realization. By listening to the testimonies of the life of students, teachers, administrators, this work exposes the disposition of its author to be listening in on life in its multiple relationships and its inter-laced destinations. To this end, it employs methodological procedures such as memorials, testimonies of life, individual and group interviews (focus group), compilation and analysis of documents, a diary of reflections and other records. The study is configured and focused on a way to do research that permits to be surprised by the mundane, with the trajectory that is shown, with life as it is; as pertains to an open and sensitive reason, to a sociology that is understanding and tender as shaped by Michel Maffesoli, and to Form and Sociology of social forms by Georg Simmel. The paths of life are intertwined beginning from the traces and marks of family and school, of the relations of work and study, community engagement, the choice of courses, the University entrance exam, the entry into higher education, living in the University. The discussion focuses on (1) identification processes and ethics evident in the testimonies, narrations and togetherness, (2) the (in)tense relations lived by the actors who produced the “Connections”, (3) both characterized by conflict as a form of sociation (Vergellschaftung) (Simmel) and transfigured by the power of politics, education, ethics, aestheticism, affectation
COMO VER O EU (CO-MOVER O OUTRO?): CONCEITOS DE AUTOR EM MICHEL FOUCAULT E MIKHAIL BAKHTIN
No full textMikhail Bakhtin and Michel Foucault are figures often invoked to discuss the author in literary theory. However, the two approaches are distinct. While for Bakhtin the author is an aesthetic principle, for Foucault he is a function. This article reconstructs these divergences, showing that Bakhtin, unlike Foucault, distinguishes aesthetic exploitation from biographical configuration, author-creator from author-person. I locate the fundamental distinctions in their notions of author in the way these two thinkers view the “other.” If the “fear of subjectivation” makes Foucault a pessimist in relation to the other, in Bakhtin the notion of interaction between two consciousnesses as the basis of all human relations highlights the expectation of goodwill towards the other. Thus, while Foucault\u27s concept of authorship results from a search to free the self from the other that subjugates it (placing them in opposing camps), in Bakhtin the author is rather a search to complete the self in the other that frees it (from solipsism). One authorship, negative, is of confrontation; the other, positive, is of encounter.Mikhail Bakhtin e Michel Foucault são figuras invocadas para a discussão sobre o autor em teoria literária. Porém, as duas abordagens são distintas. Enquanto para Bakhtin o autor é um princípio estético, para Foucault ele é uma função. Este artigo reconstitui essas divergências, evidenciando que Bakhtin, diferentemente de Foucault, distingue aproveitamento estético de configuração biográfica, autor-criador de autor-pessoa. Localizo na forma como esses dois pensadores vêem o “outro” as distinções fundamentais de suas noções de autor. Se o “temor à subjetivação” faz de Foucault um pessimista em relação ao outro, em Bakhtin a noção de inter-ação entre duas consciências como base de todas as relações humanas realça a expectativa de boa-vontade com o outro. Desse modo, enquanto o conceito de autoria de Foucault resulta de uma busca por libertar o eu do outro que o subjuga (colocando-os em campos opostos), em Bakhtin o autor é antes uma busca por completar o eu no outro que o liberta (do solipsismo). Uma autoria, negativa, é do confronto; a outra, positiva, é do encontro.  
Rorschach Test in the history of psychological assessment
No full textThis paper aims to discuss the production of human movement response (K) in the protocols of the Rorschach test of a sample of painters in the city of Belém do Pará Based on the relationship between the perception of human movement and the creative imagination, proposed by Hermann Rorschach, author of the test, and further studies that undermine this concept, under some conditions, providing another alternative meanings, we analyzed the frequency and quality of responses K of these artists. The purpose was to try to find a direct relationship of the creative imagination of individuals with the frequency and quality of this category of responses. The application of the test was done individually, with the consent of each participant and the results show that the production and diversity of K responses were below our expectations, there was no correlation between the production of K and the creative imagination of individuals. It has also pointed to the possibility of creative imagination, the Rorschach, is evidence not only for K responses, but also through other personality factors measured by the test.Este texto visa discutir a produção de resposta de movimento humano (K) nos protocolos do teste de Rorschach de uma amostra de artistas pintores da cidade de Belém do Pará. Partindo da relação entre a percepção de movimento humano e a imaginação criadora, proposta por Hermann Rorschach, autor do teste, e de estudos posteriores que relativizam este conceito, sob algumas condições, fornecendo outros significados alternativos, foram analisadas a freqüência e a qualidade das respostas K desses artistas. O propósito foi tentar encontrar relação direta da imaginação criativa dos sujeitos com a freqüência e qualidade dessa categoria de respostas. A aplicação do teste foi individual, com o assentimento de cada participante e o resultado das análises mostrou que a produção e a diversidade das respostas K ficaram abaixo das expectativas esperadas, não havendo correspondência entre a produção de K e a imaginação criativa dos sujeitos. Apontou ainda para a possibilidade de a imaginação criadora, no Rorschach, se evidenciar não somente pelas respostas K, mas também através de outros fatores da personalidade aferidos pelo teste.UFPA - Universidade Federal do Par
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