1,721,153 research outputs found

    Não um método, mas uma gramática: a economia da palavra

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    Tradução da introdução de The economy of the word, de Keith Tribe

    Keith tribe, economia governante: a reforma do discurso econômico alemão 1750-1840, 2.ed. rev. (Newbury, UK: Threshold press, 2017), p. 346, £35. isbn: 9781903152362.

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    Resenha do livro de Keith Tribe, Governing Economy: The Reformation of German Economic Discourse 1750–1840, rev. 2nd ed. (Newbury, UK: Threshold Press, 2017), pp. 346, £35. ISBN: 9781903152362.Book reviews of Keith Tribe, Governing Economy: The Reformation of German Economic Discourse 1750–1840, rev. 2nd ed. (Newbury, UK: Threshold Press, 2017), pp. 346, £35. ISBN: 9781903152362

    Keith Tribe, Constructing Economic Science: The Invention of a Discipline 1850-1950

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    In Constructing Economic Science: The Invention of a Discipline 1850-1950 Keith Tribe takes us on a journey to show the transformation of economic discourse that turned a public discourse on things economic into a discipline with a separate curriculum and a technical vocabulary which was no longer accessible to the (literate) public at large. He does so not through the sequence of ideas of great economists, but by promising the reader a ‘Krimi’ that leads through a history of the institutiona..

    Journal of the History of Economic Thought Preprints – Book Review: Cameralism in Practice: State Administration and Economy in Early Modern Europe, by Marten Seppel and Keith Tribe

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    This a review of the volume Cameralism in Practice: State Administration and Economy in Early Modern Europe, a collection of essay on cameralism edited by Marten Seppel and Keith Tribe

    Book review: the contradictions of capital in the twenty-first century: the Piketty opportunity edited by Pat Hudson and Keith Tribe

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    In The Contradictions of Capital in the Twenty-First Century: The Piketty Opportunity, editors Pat Hudson and Keith Tribe bring together contributors to respond to, and build upon, the possibilities offered by Thomas Piketty's Capital in the Twenty-First Century. While George Maier would have welcomed more attention on the broader cultural, political and social facets of inequality beyond an economic frame, ..

    Going Beyond Counting First Authors in Author Co-citation Analysis

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    The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed

    Variations on the Author

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    “Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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