184 research outputs found
MAX ERNST’İN RESİMLERİNDEN ÇÖZÜMLEME ÖRNEKLERİ: “SESSİZLİĞİN GÖZÜ”, “YAĞMURDAN SONRA AVRUPA II”, “ANTIPOPE”*
No full textIn Myths; Thev isible world is supported by an invisible world. Myths are based on there quirements of the subconsciousandv it alsphere, while it points to the depth of the imagination of a person who wants a certain worship and attachment. In this case, it shows that it is based on which is lived to get her mythological stories geography and depictions of gods with various cultural differences. Since human beings have fully developed their awareness, they have be gun tounder stand the environmentand interpret the nature in different meanings. Mythological stories dealt with as a subject in art and has found it splace in each period. Mythology, Jung and Freud, such as psychoanalysts are taking the lead in the effective foot steps. It is seen that many artists, especially Dali, dealt with this issue in the Surrealism movement. Max Ernst is one of them ostprominent of these artists. Max Ernst with “The Eye of Silence”, “Europe After Rain II”, “Antipope”; The imaginary land scapes are among the best images of the jarring beauty embodied in the crystal in the imagination of surrealists. These are objectified not from or dinary people, but from the eyes of a creature that exists in nature. The subtext of the works are very rich and encrypted like a puzzle. Them eaning of one eye is variable. On the onehand, according to the physiological position of the eye points to a different side than humanity, on the other hand in mythology, one-eyed giants in the body, brings to mind super human forces. In this study, the iconological analysis of Ernst's “Eye of Silence, Europe After Rain II, Antipope” will be analyzed in the context of myth, mythology and art.Mitlerde; Görünen dünya görünmeyen bir öte dünya ile desteklenmiştir. Mitler, bilinçaltı ve yaşamsal alanın gerekleri üzerinden kurgulanırken, daha çok belli bir tapınma ve bağlanma isteği duyan insanın hayal gücünün derinliğine işaret etmektedir. Bu durumda yaşanılan coğrafyada çeşitli kültür farklılıkları ile birlikte mitolojik hikâyeleri ve tanrıların varlığını betimleme üzerine kurgulandığını göstermektedir. Sanatta mitolojik hikâyeler konu olarak ele alınmış ve her dönemde kendine yer bulmuştur. Mitoloji, Jung ve Freud gibi Psikanalistlerin ön ayak olduğu akımlarda da etkin biçimde yer alırken; Sürrealizm akımında başta Dali olmak üzere birçok sanatçının da bu konuyu ele aldığını görülür. Bu sanatçıların en önde gelenlerden biri de Max Ernst’tir. Ernst, “Sessizliğin Gözü”, “Yağmurdan Sonra Avrupa II”, “Antipope” adlı çalışmaları; hayali manzaraları, sürrealistlerin tasavvurunda kristalde cisimleşen sarsıcı güzelliğin en iyi görüntüleri arasındadır. Bunlar sıradan insanın değil, doğada var olan bir canlının gözünden nesnelleşmektedir. Yapıtların alt metni çok zengin ve bir bulmaca gibi şifrelidir. Tek gözün manası değişkendir. Bir yandan gözün fizyolojik konumuna göre insanlıktan farklı bir tarafa işaret ederken, öte taraftan mitolojide tek gözlü devlerde vücut bulan, insan ötesi güçleri akla getirir. Bu çalışmada Ernst’in “Sessizliğin Gözü Adlı, Yağmurdan Sonra Avrupa II, Antipope” yapıtları ikonolojik analizi mit, mitoloji ve sanat bağlamında ele alınıp çözümlenecektir
Participatory policy-making, participatory civil society: A key for dissolving elite rule in new democracies in the era of globalization
No full textKorkut, Umut (Dogus Author)The author argues that in democracies a strong state and strong civil society are not mutually exclusive. Only a democratic, legitimate, and strong state can provide the environment for civil society activities to flourish; in return, only a strong and a participatory civil society can outline the reach of state strength vis-`a-vis the society. The author discusses the need for civil society organizations to collaborate with policy-making institutions, in which they can negotiate policy concerns with ministers and officials while retaining an independent distance from the state and the political parties. Further, the author argues that an environment as such would provide for the transformative capacity of human agency to manifest itself in full in a globalizing world. The author discusses how participatory state and çivil society structures will enhance the role of the human agency in order to dissolve elite rule, especially in new democracies
: An Inquiry into a Non-Dualistic Duality of Human and Nonhuman
No full textIn-Habitant is an art and life project based on artist Umut Tasa’s decade-long encounters with urban wildlife. It is a quest to utilize art as a research method to contemplate her memories, nature discoveries, audiovisual records, and archive of haiku and prose through a body of artworks. These artworks bring together the corporeality of nonhumans with their digital re-presentation and literary text with creative coding. The author inquires into dualistic and nondualistic ontological approaches to human-nonhuman relations in urban settings
Türkçe Dergilerde Yayımlanan Makaleler Üzerine Bir İnceleme
No full textThere are currently more than 2,000 journals published in Turkey. Yet studies dealing with articles published in Turkish journals are scarce. This paper provides descriptive data on approximately 518,000 articles that appeared in 2,509 Turkish journals published between 1923 and 1999. Data comes from the Bibliography of Articles of the Republican Era 1923-1999 that was recently published by the Turkish National Library. Two thirds of the articles were on technology and social sciences. Articles in medicine constituted one fifth of all articles followed by economics (12.5%) and agriculture (6.1%). An overwhelming majority of articles were authored by a single author. One tenth of all articles appeared in ten journals. Findings can be used to develop library collection management policies for Turkish journals
Cumhuriyet Dönemi Makaleler Bibliyografyası 1923-1999: Eleştirel Bir Değerlendirme.
No full textThe Turkish National Library has recently published the Bibliography of Articles of the Republican Era 1923-1999 (BARE) on CD-ROM. BARE is the most comprehensive bibliography that indexes the articles contained in Turkish journals received by the Library through “legal depot”. It contains bibliographic information on a total of 566,627 articles that appeared in 4,418 Turkish journals and periodicals. This paper critically reviews the Bibliography on the basis of its user interface, database design and data quality. Human-computer interaction (HCI) issues and the usability criteria seem to have not been taken into account when designing the user interface of the BARE CD-ROM. The user interface is not intuitive. It appears that a comprehensive systems analysis study was not carried out before designing the database and the principles of database management design seem to have been ignored. Bibliographic data listed in the printed copies of the Bibliography was simply transferred to a flat table, which resulted in data redundancy and waste of space. Boolean searches cannot be performed on author and article titles. Nine percent of the records contained errors in article and journal titles as well as authors’ names. Used through the web site of the Turkish National Library, the Bibliography and its interface should be redesigned and improved, and the functions of the search engine should be increased
The Influences of Sectarian Fanaticism on Descriptions of Other Sects
No full textWOS: 000391860100006Kitab al-Firaq is an important work belonging Abu Muhammad al -Yemeni. It reflects sectarian perception of Sunni scholars who lived in Yemen in the sixth century AH. But there is not enough information about the author and his work in the sources. But it is known that he has affected some scholars like Saksaki. In addition, influences of political, social and religious structure of Yemen can be seen in Kitab al-Firaq. Ash'arite, Ashabu'l-Hadith, Ismaelite, and Zaidiyyah were the most common sects in Yemen at that time. The social life of the region had been shaped by politics behaving sectarian competition. Hence, written books had ideological contents. Sectarian fanaticism was affecting the descriptions made on opponents. For instance, Abu Muhammad has used exclusionary language about dissident sects. In addition, he has selected the marginal views of sects; moreover, presented some opinions by falsifying and sometimes made generalizations. Therefore, modern researchers should be careful while using his book and similar works of Islamic heresiographical literature about problems such as these
What direction for Turkey? A plea for political reconciliation. EPIN Commentary No. 26/14 October 2015
No full textEven before the recent terrorist attacks in Ankara, Turkey was a country in crisis. In this EPIN Commentary Umut Uzer attempts to shed light on the political turbulence and increasing polarisation in the country, and makes a plea for a return to consensus-building ahead of the fresh round of elections in November.
The author also calls upon the EU to offer incentives to Turkey to continue on the path of EU membership, but if membership is out of the question, then other platforms for cooperation should be negotiated. The EU should speak in a candid manner and make clear what kind of future relationship it envisages for Turkey, because now, more than ever, cooperation is in both their interests
A REVIEW of ART MARKETING and CULTURE MARKETING STUDIES with SCIENTIFIC MAPPING METHOD: A BIOMETRIC ANALYSIS (2000-2023)
No full textSanat üretilebilen ve tüketilebilen bir olgudur. Sanat alınıp satılabilen, mülkiyetine geçtiği kişi veya kurumlara itibar veren, değerlenebilen bir olgu olarak piyasasını konumlandırmış bir meta olarak ele alınabilmektedir. Sinema, müzik, tiyatro gibi fonetik sanat alanlarının zaten piyasalarda kendine yer edinmiş bir yapısı söz konusudur. Bunun yanında özellikle çağdaş sanat piyasayı sayesinde plastik sanatlar da bir pazar ve piyasa sahibi olmuştur. Bu doğrultuda çalışmada, kültür ve sanat pazarlaması üzerine yapılmış olan literatürde yer alan 2000-2023 yılları arasında yayınlanan yayınların bir haritasının ortaya konulmasının amaçlanmıştır. Çalışmanın örneklemini Web of Science (WOS) ve Scopus indeksleme platformlarında yer alan 1309 yayından oluşturmaktadır. Elde edilen veriler Bibliometrix R Paket programı sayesinde analiz edilmiştir. Bibliyometrik analiz çerçevesinde öncelikle verilerin genel görünümlerini ortaya koymak için bir tanımlayıcı analiz gerçekleştirilmiştir. Daha sonra biraz daha keşifsel çıkarımlarda bulunmak amacı ile yayınların bulunduğu veri setine atıf analizi, ortak atıf analizi, ortak kelime ve ortak yazar analizi uygulanmıştır. Ortak kelime analizi sonucunda anahtar kelimelerin 19 farklı temada toplandıkları tespit edilmiştir. Bu temalarda yoğunluğun en fazla olduğu tema 7. sırada yer alan “kültür” temasında kültür (68) kelimesi olduğu gözlenmiştir. Ortak atıf analizinde Johnson ve Becker’in birlikte diğer yazarlara göre daha fazla atıfta bulunulduğunu göstermektedir. Ortak yazar analizini anahtar kelimeler açısından değerlendirildiğinde dört farklı anahtar kelime kümesinde toplandıkları görülmüştür. Bu kümeler: performans sanatları, sanatlar, müzik festivalleri ve markalamadır
The Tripartite Constructive Language in Ian Kiaer's Art Practice
No full textContemporary art presents an interdisciplinary structure that incorporates diverse perspectives and techniques. In this context, the article aims to examine productions that are connected to the space through objects incorporated into the artwork, without severing their connection with the wall surface, thereby coexisting with the space. The scope of the research is limited to prominent works from the Endnote: Tooth project by British artist Ian Kiaer, produced between 2005 and the present, which focus on the tripartite construct of surface, object, and space. In Kiaer's works, which begin on the wall surface and extend into the space through various found objects, it is observed that fragile and delicate materials, such as inflatable balloons, are used. These multi-part installations open up an alternative space between painting and sculpture as they extend from the wall into the environment, allowing the space to be actively integrated into the work and transforming the space itself into the painting. Additionally, Kiaer frequently references Frederick Kiesler's concept of the Endless House in his practice. In the research, a literature review and interpretive methods of qualitative research were employed, drawing on sources from the websites ofgalleries representing Kiaer, interviews with the artist, and writings from international biennials and exhibitions
- …
