265 research outputs found

    Pengelolaan anggaran berbasis aplikasi : Laporan Proyek Perubahan

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    anggaran, keuangan - aplikasi cermat - dirjen prasarana dan sarana pertanian - laporan diklatpim IV/10/201723p.; ills.; 29 cm (+Lampiran

    KARAKTERISTIK DAN TINGKAT BANGKITAN LALU LINTAS RUMAH SAKIT DI SEMARANG

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    Pengetahuan mengenai tingkat bangkitan lalulintas peruntukan rumah sakit menjadi sangat penting sebagai dasar penentuan kebijakan pembangunan transportasi dalam suatu kota. Studi ini merupakan salah satu upaya untuk meneliti tingkat bangkitan lalu lintas dari guna lahan rumah sakit di Kota Semarang. Tujuannya adalah mengetahui tingkat bangkitan yang terdiri dari produksi dan tarikan lalu lintas, distribusi lalu lintas rumah sakit harian dan mingguan, dan mengetahui model hubungan antara bangkitan lalu lintas dengan faktor-faktor yang berkaitan dengan karakteristik rumah sakit yang ditinjau. Sebagai sampel, diambil tiga buah rumah sakit di Kota Semarang, yaitu Rumah Sakit Islam Sultan Agung (mewakili daerah pinggiran (suburb)), dan Rumah Sakit Dr. Kariadi (mewakili daerah pusat kota atau CBD) dan Rumah Sakit Elizabeth (mewakili daerah transisi). Dari ketiga sampel, diambil data lalu lintas dengan menggunakan metode pencacahan lalu lintas dan data pendapat masyarakat tentang rumah sakit yang ditinjau dengan menggunakan metode kuisener. Data lalu lintas kemudian diolah menggunakan metode statistik deskriptif dan inferensial guna mendapatkan nilai ratarata bangkitan tiap jam, validitas rata-rata antar rumah sakit dan nilai reliabilitas ratarata sampel terhadap populasi. Data hasil kuisener diolah dengan menggunakan metode klasifikasi silang dan diuji dengan metode chi aquare untuk mengetahui hubungan antara besar bangkitan dengan kelas dan aksesibilitas rumah sakit. Selanjutnya juga dilakukan uji regresi untuk melihat hubungan antara besar bangkitan dengan variabel yang berkaitan dengan karakteristik rumah sakit. Hasil-hasil uji adalah sebagai berikut: 1) Ada kesamaan pola lalu lintas pada ketiga rumah sakit dimana jam puncak terjadi rata-rata terjada pada periode waktu antara jam 10:00 – 11:00 dan jam 13:00 sampai jam 14:00, 2) Besar tingkat bangkitan menurut kelas adalah: kelas A (diwakili RS. Dr. Kariadi) 110,96 kend/jam/ha atau 1,15 kend/jam/bed atau 0,31 kend/jam/pegawai; kelas B (RS. Elizabeth) 98,91 kend/jam/ha atau 0,78 kend/jam/bed atau 0,45 kend/jam/pegawai; kelas C (RS. Sultan Agung) 229,65 kend/jam/ha atau 1,50 kend/jam/bed atau 0,58 kend/jam/pegawai, 3) Hasil penyelidikan terhadap pengaruh aksesibilitas terhadap besar bangkitan ditemukan kenyataan bahwa ada pengaruh antara aksesibilitas dengan besar bangkitan tetapi kurang kuat, 4) Kondisi pada poin (3) tersebut disebabkan oleh kenyataan bahwa— berdasar hasil survai kuisener—sebagian besar orang memilih rumah sakit lebih disebabkan oleh faktor pelayanan dan fasilitas yang lebih baik dan biaya murah dibanding faktor lain, dan 5) Hasil uji regresi menunjukan bahwa variabel yang signifikan dalam model bangkitan rumah sakit adalah variabel jumlah pegawai (dokter, perawat, karyawan, dll), ditunjukan dengan nilai determinasi (R2) yang paling tinggi dibanding model dengan variabel lain. Dari hasil yang ada dapat direkomendasikan hal-hal sebagai berikut: 1) hendaknya upaya manajemen lalu lintas lebih ditekankan pada kondisi jam-jam puncak dan hari padat guna mengurangi dampak kemacetan di jalan raya, dan 2) Studi lebih lanjut dengan kasus rumah sakit yang lebih banyak dibutuhkan guna menguji ulang berbagai temuan dalam studi ini. Namun sebagai temuan awal, hasil dari studi ini dapat dijadikan ajuan dengan tetap memperhatikan kondisi di lapangan. The information of hospital’s rate of traffic generation is of importance as it is significance in transportation system planning. The study at hand is one of effort to identify the rate of traffic generation of the hospitals in Semarang, Central Java. It aims at identifying traffic generation characteristics such as rate of traffic production and attraction over time, traffic distribution and trend over day, and regression model based on factors related with the hospital characteristics. Of samples, three hospitals were taken at hand: Dr. Kariadi hospital (A class), CBD typical, St. Elizabeth hospital (B class), transition typical, and Sultan Agung hospital (C class), suburb typical. Data of traffic counting and direct interview were taken and collected of those. The traffic counting data then was analyzed by descriptive statistics in account of making out the average rate of traffic generation. The interview data was analyzed by crosstab and tested with chi-square method in account of understanding the relationship between generated traffic volume and class and accessibility rate of each hospital. Regression method would also be used to identify the existence of relationship between generated traffic volume and quantitative factors of hospitals’ characteristics (ground area, floor area, number of beds, number of employees, etc) as well as to establish the model. Of the results are as follow: 1) There is equality in traffic pattern over time where, generally, peak hours exist in 10 am to 11 am and 13 pm to 14 pm, 2) The rate of generation according to the hospitals’ classes are as follow: A (represented by RS. Dr. Kariadi) 110,96 veh/hr/hm2 floor area atau 1,15 veh/hr/bed atau 0,31 veh/hr/employee; kelas B (RS. Elizabeth) 98,91 veh/hr/hm2 floor area atau 0,78 veh/hr/bed atau 0,45 veh/hr/employee; kelas C (RS. Sultan Agung) 229,65 veh/hr/hm2 floor area atau 1,50 veh/hr/bed atau 0,58 veh/hr/employee, 3) Eventhough, there is relationship between accessibility and traffic volume, it is not strong enough, 4) The statement of point (3) lies on the fact that—according with survey result—most of respondents consider rate of service, sopisticated facilities and affordable price more than accessibility, and 5) The regression yielded the model with one significant variable, that is the number of employees, discounting other remain ones, due to its highest R square. Several recommendations, in extent of the results, are proposed as follow: 1) it is wise that the effort should be more paid to manage traffic during peak hours periods, such as 10 to 11 am and 13 to 14 pm, and 2) the next study with larger total samples (number of hospitals are taken as samples) should be performed to statitically verify the results. Of all, with slight notification, the results are reliable as reference for both theoritical and practical usage

    Art of story of Emir Kalkan

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    1948'de Kayseri'de doğan Emir Kalkan, sadece Kayseri'nin değil Türk hikâyeciliğinin geleceğinde adından sıkça söz ettirecek önemli bir değeridir. Yazarın bu önemi, Kayseri özelinde Anadolu insanının yaşayışını, hayata bakış açısını ve psikolojisini, tüm bunlarla birlikte Kayseri'nin imkân ve imkânsızlıklarını hikâyelerinde etkili bir gözlem gücü ve kendine has üslubu ile işlemesinden ileri gelmektedir. Bütün ömrünü geçirdiği coğrafyayı ve o coğrafyanın insanlarını, değerlerini hikâyelerinde derinlemesine yansıtır. Hikâyeciliğimizde yeteri kadar yer bulamayan öz toprağının değerlerini, farklı bir soluk ve bakış açısının yanı sıra özgün bir üslûp ve sade bir Türkçe ile hikâyelerine taşır. Bu çalışmanın amacı, bir Kayseri aşığı Emir Kalkan'ı hikâyeciliği özelinde, edebî anlayışını ve Türk edebiyatına kazandırdığı eserlerini tanımak, tanıtmaktır. Anahtar Kelimeler: Emir Kalkan, Kayseri, Eserleri, Edebi Anlayış, Türk Kültürü, Şehir Hikâyeleri, Türk Tarihi ve Edebiyatı. Born in Kayseri in 1948, Emir Kalkan who makes his mark on not only in the future of Kayseri but also in Turkish story is an important valve. The importance of author proceeds form his unique style and his effective monitoring ability in his works where he talked about the lives of the people in Anatolia, their perspective towards life and their psychology by focusing on Kayseri and besides all these things, he talked about the possibility and impossibility of Kayseri in his works. He reflects the geography where he lived for a life-spoon and people of that geography and the valves of them deeply. In his stories, he uses the valve of the territory that hasn't gained enough importance in our stories with a different perspective as well as his unique style and a pure Turkish language. The purpose of this study knows and introduces Emir Kalkan who is a lover of Kayseri by focusing on Kayseri, his literature approach and the works which he makes Turkish literature gain. Keywords: Emir Kalkan, Kayseri, Works, Literary Understanding, Turkish Culture, City Stories, Turkish Literature and History

    The Image of the Ego through the Narration of History in Henry Churchill's Biography of Emir Abdelkader

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    Abstract: This study aims to highlight the image of Emir Abdelkader in the writings of others, through the book “The Life of the Prince” by Henry Churchill, in which the author explores the details of the life of Emir Abdelkader, and recounts different details of his struggle during the resistance  against French colonialism, after his surrender and moving to his voluntary exile, where he stayed there for the end of his life.In addition to providing an overview of the difference in the form of the portrayal of Emir Abdelkader between what is contained in this book and some French colonialist writings. We found that the author presented a more objective picture of the Emir's personality, closer to the reality of objective historical details, and away from the fanaticism of French writers governed by their colonialist inclination. Therefore, this work poses a fundamental question: How was Emir Abdelkader portrayed through his biography in the book The Prince's Life by Henry Churchill? What was the image of Algerians in the shadow of the Emir's life and biographical details during and after the resistance against French colonialism?  Keywords: Emir Abdelkader; Henry Churchill; Surrealism; Biography; Colonial Ideology

    Language and society: intelectual production of Emir Macedo Nogueira

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    Surgida do desenvolvimento a pesquisa de iniciação científica “Folhas efêmeras: as crônicas de Emir Macedo Nogueira na Folha de São Paulo” (FAPESP, Processo 2015/08055-4), que consistiu na indexação das crônicas que compunham a coluna “A Língua Nossa de Cada Dia” (1968-1982), esta dissertação tem por objetivo reunir e analisar os diferentes trabalhos de Emir Macedo Nogueira (1927-1982) em relação à difusão do conhecimento da Língua Portuguesa. O autor utilizou veículos de comunicação em grande escala, como o jornal e o rádio, para propor a reflexão cotidiana sobre o instrumento de linguagem que utilizamos. O corpus compõem-se de cinco crônicas da coluna de crônicas esportivas “Maneiras de Dizer” (1973-?), vinte editoriais assinados pelo autor e setenta crônicas da coluna “A Língua Nossa de Cada Dia” (1968-1982), além de informações sobre os programas de rádio “Encontro com a Literatura” (1974-?) e “Português para Todos” (1974-?), cujo roteiro era elaborado por Nogueira. O método de análise do corpus orienta-se pelo tripé leitura-análise-síntese e tem o trabalho de Weinhardt (1956) sobre o Suplemento Literário do jornal O Estado de São Paulo como modelo. Utilizamos o tipo textual “crônica” a partir das ideias de Dimas (1974), Sá (1985), Candido (1992) e Pena (2006), enquanto o conceito de “editorial” segue o modelo proposto por Bond (1959) e Melo (1985). Por fim, a história da Folha de São Paulo é apresentada a partir de Mota e Capelato (1981) e Pinto (2012).This dissertation is the development of the scientific initiation research “Folhas efêmeras: as crônicas de Emir Macedo Nogueira na Folha de São Paulo” (FAPESP, 2015 / 08055-4). It consisted of indexing the chronicles that composed the column “A Língua Nossa de Cada Dia” (1968-1982). The objective of this paper is to gather and analyze different works of Emir Macedo Nogueira (1927-1982). They are related with the diffusion of knowledge of the Portuguese Language. The author used large-scale communication vehicles as newspaper and radio, to propose daily reflection on the language instrument we use. The corpus consists of five chronicles of the column of sports chronicles "Maneiras de Dizer" (1973-?), twenty editorials signed by the author and seventy chronicles of the column "A Língua Nossa de Cada Dia" (1968-1982), and information on the radio shows "Encontro com a Literatura" (1974-?) and "Português para Todos" (1974-?), whose script was written by Nogueira. The method of analysis was guided by the tripod reading-analysis-synthesis. Weinhardt’s work (1956) “O Suplemento Literário do jornal O Estado de São Paulo” is our methodology model. Dimas (1974), Sá (1985), Candido (1992) and Pena (2006) aligned with the ideas of "chronic". The concept of "editorial" follows the model proposed by Bond (1959) and Melo (1985). Finally, Mota and Capelato (1981) and Pinto (2012) present the history of Folha de São Paulo newspaper.Conselho Nacional de Desenvolvimento Científico e Tecnológico (CNPq)CNPq 130816/2018-

    Representing Yugoslavia? Emir Kusturica's UNDERGROUND and the politics of post-modern cinematic historiography

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    De Joegoslavische film UNDERGROUND won in 1995 in Cannes de Gouden Palm. Maker Emir Kusturica werd geprezen om zijn stilistische meesterschap. Maar de film was ook omstreden. Hij werd zelfs zo hard aangevallen dat Kusturica besloot nooit meer films te maken — een besluit waarop hij inmiddels is teruggekomen. Veelgehoorde kritiek luidde dat UNDERGROUND in het licht van de oorlog die de volkeren in het uiteengevallen Joegoslavië op dat moment voerden, juist vanwege zijn ver doorgevoerde estheticisme een tendentieuze film was. De in Joegoslavië geboren en al sinds zijn elfde in Duitsland levende Igor Krstic stelt in onderstaand artikel eveneens dat de politieke inhoud van UNDERGROUND ligt in zijn vorm. Hij analyseert de film vanuit de context van de postmoderne (film)theorie over de representatie van de geschiedenis. De auteur is het niet eens met de conclusie die de critici trokken.----Representing Yugoslavia? Emir Kusturica's UNDERGROUND and the politics of post-modern cinematic historiographyIn 1995, the Yugoslavian film UNDERGROUND won the Golden Palm in Cannes and filmmaker Emir Kusturica garnered praise for his stylistic mastery. The film also sparked off controversy, and scathing attacks on Kusturica led to his decision to never make another film. The bulk of the criticism argued that, in light of the war being waged at the time in a divided Yugoslavia, it was in fact overblown aestheticism that made UNDERGROUND a biased film. The Yugoslavian-born Igor Krstic, who has lived in Germany since age n, argues that the political subject matter of underground also manifests in the film's design. Krstic analyses the work in the context of post-modern (film) theory on the portrayal of history. The author disagrees with the critics' conclusion

    Student Project: Replication of Author, Author, & Author (201X, JDM, Study X) - Template

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    This project is an independent replication of Author, Author, & Author (201X, study X) conducted as part of the Hagen Cumulative Science Project

    Multi-Stream Word-Based Compression Algorithm for Compressed Text Search

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    Ozturk, Emir (Trakya author) Mesut, Altan (Trakya author)In this article, we present a novel word-based lossless compression algorithm for text files using a semi-static model. We named this method the Multi-stream word-based compression algorithm (MWCA)' because it stores the compressed forms of the words in three individual streams depending on their frequencies in the text and stores two dictionaries and a bit vector as side information. In our experiments, MWCA produces a compression ratio of 3.23 bpc on average and 2.88 bpc for files greater than 50 MB; if a variable length encoder such as Huffman coding is used after MWCA, the given ratios are reduced to 2.65 and 2.44 bpc, respectively. MWCA supports exact word matching without decompression, and its multi-stream approach reduces the search time with respect to single-stream algorithms. Additionally, the MWCA multi-stream structure supplies the reduction in network load by requesting only the necessary streams from the database. With the advantage of its fast compressed search feature and multi-stream structure, we believe that MWCA is a good solution, especially for storing and searching big text data

    Magical Realism in Films of Wes Anderson and Emir Kusturica

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    V diplomskem delu je najprej opredeljen magični realizem, izpostavljeni so njegovi vplivi in pod-žanri. Sledi opis rabe tega žanra v literaturi, televiziji in filmu, nato pa zgodovina neodvisnega filma in pomen filmskega avtorstva ali auteurstva, ki se povezuje z umetniškimi deli režiserja Wesa Andersona. Po kratkem opisu njegove filmske kariere sledi predstavitev Emira Kusturicenjegove avtorske biografije in prakse. Kratka razprava predstavi kako so politični nemiri vplivali na jugoslovanski film in posledično na filmske zgodbe Kusturice. Sledi primerjava dveh filmov obeh avtorjev, kjer so izpostavljene podobnosti v strukturi podajanja zgodbe in njenih elementov na eni ter kadriranja na drugi strani. Po zaključku teoretičnega dela sledi opis procesa nastajanja mojega študentskega filma in kratka kritična analiza tega dela.The thesis opens with an attempt of defining Magic realism, followed by a presentation of its influence and the sub-genres. After a description of how the genre is used in literature, films and on television, the history of the independent film and the importance of authorship is sketched, which leads to the work of director Wes Anderson. His career in film is briefly presented, upon which the author Emir Kusturica is introduced, his film biography and his practices. To follow is a comparison of two films by the two aforementioned authorssimilarities in structure of narration and story elements are shown as well as similarities in framing. The second part of the thesis presents the process behind making of my student film, followed by a short critical analysis of the work
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