12,427 research outputs found
Shelley Stokes-Hammond interview, 15 September 2017
No full textShelley Stokes-Hammond is the oldest daughter of Louis Stokes. She is a graduate of The Ohio State University and Goucher College. She is a historic preservationist, author and public relations manager at Howard University. This 2017 interview was collected as part of a yearlong, community-wide commemoration of the 50th anniversary of Carl Stokes\u27 election as mayor of Cleveland
Hammond, K J, VX48667
No full textThis record was harvested from a previous catalogue system and will be withdrawn in 2025. Information in this record may be superseded or incomplete. Visit this record in UMA's new catalogue at: https://archives.library.unimelb.edu.au/nodes/view/390055Surname: HAMMOND. Given Name(s) or Initials: K J. Military Service Number or Last Known Location: VX48667. Missing, Wounded and Prisoner of War Enquiry Card Index Number: 26177.214824
Item: [2016.0049.22348] "Hammond, K J, VX48667
Shelley Stokes-Hammond interview, 15 September 2017
No full textShelley Stokes-Hammond is the oldest daughter of Louis Stokes. She is a graduate of The Ohio State University and Goucher College. She is a historic preservationist, author and public relations manager at Howard University. This 2017 interview was collected as part of a yearlong, community-wide commemoration of the 50th anniversary of Carl Stokes\u27 election as mayor of Cleveland
Reading, publishing and the formation of literary taste in England, 1880-1914
No full textBetween 1880 and 1914, England saw the emergence of an unprecedented range of new literary forms from Modernism to the popular thriller. Not coincidentally, this period also marked the first overt references to an art/market divide through which books took on new significance as markers of taste and class. Though this division has received considerable attention relative to the narrative structures of the period's texts, little attention has been paid to the institutions and ideologies that largely determined a text's accessibility and circulated format and thus its mode of address to specific readerships. Hammond addresses this gap in scholarship, asking the following key questions: How did publishing and distribution practices influence reader choice? Who decided whether or not a book was a 'classic'? In a patriarchal, class-bound literary field, how were the symbolic positions of 'author' and 'reader' affected by the increasing numbers of women who not only bought and borrowed, but also wrote novels?Using hitherto unexamined archive material and focussing in detail on the working practices of publishers and distributors such as Oxford University Press and W.H. Smith and Sons, Hammond combines the methodologies of sociology, literary studies and book history to make an original and important contribution to our understanding of the cultural dynamics and rhetorics of the fin-de-siècle literary field in England
Chloe K. Tanner Oral History Interview
No full textInterview of Chloe K. Tanner by Jay Hammond and Verna Richardson regarding life in the early twentieth century, coming of telephones and automobiles, and geographic placement of families
K-Punk ampliado
No full text“K-Punk at large”, translated here, was originally published in the New Left Review, edition 118, from July-August 2019. Simon Hammond, in this article, provides a broad overview of the work of English philosopher and cultural critic Mark Fisher (1968-2017), focusing on the K-Punk collection, launched in 2018. It examines the maturation of Fisher's work from Capitalist Realism (2009), his first book, to Acid Communism, the book he left only sketched, apprehending it in dialogue with Stuart Hall, in the tradition of English Cultural Studies.“K-Punk at large”, aqui traduzido, foi publicado originalmente na New Left Review de julho-agosto de 2019. Simon Hammond, neste texto, traça um amplo panorama da obra do filósofo e crítico cultural inglês Mark Fisher (1968-2017), centrando-se na coletânea K-Punk, lançada em 2018. Examina o trabalho de Fisher num arco de maturação que vai de Realismo Capitalista (2009), seu primeiro livro, a Comunismo Ácido, o livro que deixou apenas esboçado, apreendendo-o no diálogo com Stuart Hall, na tradição dos Estudos Culturais Ingleses
A song of autumn. [Words by] M. K. S. [Music by] William G. Hammond. [For] high voice.
No full text5 p. 33 cm. Caption title. On cover: Songs by William G. Hammond. In binders collection
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