1,720,961 research outputs found
Stranded people; Mythical narratives about the first inhabitants of Mentawai Islands
In this paper, I examine the stories about the origins of the first inhabitants of the Mentawai Islands. My aim is to understand the perspective of the local community in seeing themselves in the particular place and space where they live in the Mentawai Islands. In my opinion, a set of narrative as a story about the origin of a group of people has a significant value for the development of local communities and their culture. A collection of narratives is an important source of information to understand the ideas of local communities in perceiving their past, especially people who do not have a written tradition. Many of these stories have not been studied thoroughly and on this occasion, I explore it in more depth
The Impacts of Commercial Logging on Social-Economy of Communities in Mentawai Islands
This research aimed to analyze the effects of commercial logging on the indigenous communities of the Mentawai Islands. Over the past five decades, inhabitants, particularly those residing on Siberut Island, were entangled in a conflict of interest concerning small and large-scale commercial logging activities. The results showed that despite the implementation of regional autonomy in the early 2000s, delegating decision-making authority over natural resource use, local communities and government actively promoted sustainable practices. In the context of the Mentawai Islands, the anticipated outcomes still needed to materialize
Kathryn Anderson Wellen, The open door; Early modern Wajorese statecraft and diaspora
Book review for "The open door: early modern Wajorese statecraft and diaspora", written by Kathryn Anderson Wellen.Published versio
Family stories; Oral tradition, memories of the past, and contemporary conflicts over land in Mentawai, Indonesia
This is a study of oral tradition on Mentawai family stories. The family stories relate to historical events and contemporary social issues occurred in the Mentawai Islands and affecting the Mentawai kin groups. The Mentawai family stories comprise significant elements defining different kin groups living on the Mentawai Islands. They are also an important source of information with regard to claims to ancestral land. The Mentawai family stories can furthermore be regarded as the kin groups’ verbal form of identities. Therefore, to maintain the family stories is indispensable to Mentawai communities and the power of human memory plays an important part in maintaining and transmitting the significance of these verbal identities of the communities.KeywordsMentawai, Indonesia, anthropology, oral tradition, family stories, memories of the past, and conflicts over land
The pig story (tiboi sakkoko) Storytelling of kinship, memories of the past, and rights to plots of ancestral land in Mentawai
This paper examines some significant elements of the pig story (tiboi sakkoko). This tale contains crucial information about the collective identity, ancestors and historical events affecting particular Mentawai kin-groups. As families do not preserve their culture and traditions in written form, storytellers of kin-groups have narrated the pig story from generation to generation so as to preserve it carefully. In the course of time, storytellers establish particular ways of telling their stories so as to remember the content and plot of the stories easily. Through the pig story, members of kin groups also recollect their ancestral place of origin and plots of ancestral lands. The role of human memory is indispensable to recalling all these important elements. Therefore, this paper analyses memories of the past of different family generations. To achieve its aims, this paper also evaluates the roles of family stories in the culture and traditions of Mentawai society
Family stories; Oral tradition, memories of the past, and contemporary conflicts over land in Mentawai – Indonesia
This is a study of oral tradition on Mentawai family stories. The family stories relate to historical events and contemporary social issues occurred in the Mentawai Islands and affecting the Mentawai kin groups. The Mentawai family stories comprise significant elements defining different kin groups living on the Mentawai Islands. They are also an important source of information with regard to claims to ancestral land. The Mentawai family stories can furthermore be regarded as the kin groups’ verbal form of identities. Therefore, to maintain the family stories is indispensable to Mentawai communities and the power of human memory plays an important part in maintaining and transmitting the significance of these verbal identities of the communities
Going Beyond Counting First Authors in Author Co-citation Analysis
The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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