1,728,008 research outputs found
Joya Dulce, piano (Cuba)
No full textConcierto interpretado por la pianista Joya Dulce quien participó en el Taller ce Ejecución Mozartiana con el pianista austríaco Alexander Jenner en la Sala de Conciertos de la Biblioteca Luis Ángel Arango. Ha realizado otros talleres con los profesores Gustavo Yepes y Ramiro Isaza. En Colombia ha actuado en los recitales del Instituto Caro y Cuervo y del Museo Ricardo Gómez Campuzano; además se presentó en concierto en la Sala Bach de la Academia Cristancho
Interview with Joya Sherrill / interviewed by Felix Grant, Unknown date
No full textJoya Sherrill discusses her career with interview and radio host Felix Grant. Sherrill is featured on excerpts from recordings selected by Grant. Sherrill speaks about her time as Duke Ellington's vocalist.Made available in DSpace on 2012-10-09T17:41:41Z (GMT). No. of bitstreams: 2
sherrill_joya.rm: 15985975 bytes, checksum: a159152fa303bf6565d3eb5b3b92552b (MD5)
manifest.xml: 3414 bytes, checksum: 42040a9b289608c6c680df7f9329a116 (MD5)I'm beginning to see the light / J. Hodges, D. George, H. James, D. Ellington (08:00-11:03) -- Little bo peep won't bop / J. Sherrill (17:17-19:32)Joya Sherrill interviewed by Felix Grant on WMAL. Recorded Unknown date. Reproduction of radio interview produced at Washington, D.C. Station WMAL for broadcast on The Album Sound. Forms part of the Felix Grant Collection at the Felix E. Grant Jazz Archives. Original format: 1 sound tape reel (21 min.) : analog, 7 1/2 ips., full track mono; 7 in
Joya
No full text[ES] Imagen del lema Joya en el diccionario DICTER.[EN] Image of the word Joya in the dictionary DICTER
Joya
No full text[ES] Definición del término Joya en el diccionario Dicter.[EN] Definition of the word Joya in the dictionary Dicter
Highlights of the La Joya Coyotes 2004-2005 football season
No full textThe recording contains locker room talk by head coach Oscar Villasenor, highlights of the La Joya Coyotes vs. Brownsville Rivera Raiders game, La Joya Coyotes vs. Laredo Alexander Bulldogs, La Joya Coyotes vs. Economedes Jaguars, La Joya Coyotes vs. Corpus Christi Tigers, La Joya Coyotes vs. Corpus Christi King, La Joya Coyotes vs. McAllen High Bulldogs, La Joya Coyotes vs. McAllen Memorial Mustangs, La Joya Coyotes vs. Nikki Rowe Warriors, La Joya Coyotes vs. Sharyland Rattlers, and the La Joya Coyotes vs. Rio Grande City Rattlers game./= / \u3e/= / \u3eIt also includes the following bi-district playoff game: La Joya Coyotes vs. Laredo United Longhorns, as well as the Battle of the Valley Giants game: La Joya Coyotes vs. Harlingen Cardinals, and the state quarter finalist game: La Joya Coyotes vs. Judson Rockets.
2005 Roster can be found here: https://perma.cc/S4PU-62C8https://scholarworks.utrgv.edu/gabrielestebancarrizalesjr/1000/thumbnail.jp
Mariano Honrade de Joya
No full textMariano Honrade de Joya was born on September 8, 1886, in Batangas, Philippine Islands (some documentation indicates his birth years as 1887). After being educated in the Philippines, de Joya was selected to be one of the 100 Philippine students to participate in the Pensionado program that sent exceptional Philippine students to America to attend college. He came to the US and finished his high school education in California, before enrolling at Indiana University. De Joya was one of at least seven Pensionado students to study law at Indiana. The others include Antonio de las Alas (LL.B. 1908), Jorge Cleofas Bocobo (LL.B. 1907), Franciso Afan Delgado (LL. B. 1907), Proceso Gonzalez Sanchez LL.B. 1908), Jose Valdez, and Pedro V. Sindico.
After receiving his LL.B. from Indiana in 1906, de Joya attended the Yale Law School where he received his LL.M. (1907). Upon returning to the Philippines, he initially worked as a translator for the Bureau of Justice. In 1911, he became District Attorney for the island\u27s Misamis, Agusan and Surigao provinces. From 1913 until 1917, he served as the District Attorney for Manila, before becoming a professor of law at the University of the Philippines. In 1921, de Joya became a judge on the Philippines Court of First Instance, and after the Japanese occupation of the Philippines, served briefly on the country\u27s new Supreme Court.
After retiring from the court, de Joya practiced law in Manila and returned to teaching and writing. He died at the age of 76 in 1964.https://www.repository.law.indiana.edu/notablealumni/1241/thumbnail.jp
Mariano Honrade de Joya
No full textMariano Honrade de Joya was born on September 8, 1886, in Batangas, Philippine Islands (some documentation indicates his birth years as 1887). After being educated in the Philippines, de Joya was selected to be one of the 100 Philippine students to participate in the Pensionado program that sent exceptional Philippine students to America to attend college. He came to the US and finished his high school education in California, before enrolling at Indiana University. De Joya was one of at least seven Pensionado students to study law at Indiana. The others include Antonio de las Alas (LL.B. 1908), Jorge Cleofas Bocobo (LL.B. 1907), Franciso Afan Delgado (LL. B. 1907), Proceso Gonzalez Sanchez LL.B. 1908), Jose Valdez, and Pedro V. Sindico.
After receiving his LL.B. from Indiana in 1906, de Joya attended the Yale Law School where he received his LL.M. (1907). Upon returning to the Philippines, he initially worked as a translator for the Bureau of Justice. In 1911, he became District Attorney for the island\u27s Misamis, Agusan and Surigao provinces. From 1913 until 1917, he served as the District Attorney for Manila, before becoming a professor of law at the University of the Philippines. In 1921, de Joya became a judge on the Philippines Court of First Instance, and after the Japanese occupation of the Philippines, served briefly on the country\u27s new Supreme Court.
After retiring from the court, de Joya practiced law in Manila and returned to teaching and writing. He died at the age of 76 in 1964.https://www.repository.law.indiana.edu/notablealumni/1241/thumbnail.jp
Separador de libro sobre la obra "Joya"
No full textSeparador de libro sobre la obra "Joya" de Santiago RissoBook divider on the work “Joya” by Santiago RissoPublicación, fondo Maruja Vieira, carpeta 5, folio 1
Producción musical de 4 obras inéditas de música mensaje católica haciendo uso de herramientas de la espacialidad en el campo estereofónico
Full text linkMonguí, M. (2023, mayo 11). “Cántale a Dios” Balada. Autora: María Cruz Monguí Joya. Producción musical. [Audio] https://soundcloud.com/maria-mongui/cantale-a-dios?si=2597734d26964d5aa6c1a5267314f4d3&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing Monguí, M. (2023, mayo 11). “Mi Amigo Jesús” Balada. Autora: María Cruz Monguí Joya. Producción musical. [Audio]. https://soundcloud.com/maria-mongui/mi-amigo-jesus?si=2597734d26964d5aa6c1a5267314f4d3&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing Monguí, M. (2023, mayo 11). “Tú Eres mi Señor” Balada. Autora: María Cruz Monguí Joya. Producción musical. [Audio]. https://soundcloud.com/maria-mongui/tu-eres-mi-senor?si=2597734d26964d5aa6c1a5267314f4d3&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing Monguí, M. (2023, mayo 11). “Juntos en el Camino” Pasillo. Autora: María Cruz Monguí Joya. Producción musical. [Audio]. https://soundcloud.com/maria-mongui/juntos-en-el-camino?si=2597734d26964d5aa6c1a5267314f4d3 Monguí, M. (2023, mayo 11). “Cántale a Dios” Balada. Autora: María Cruz Monguí Joya. Producción musical. [Video] https://youtu.be/Lo_6lCZJe74 Monguí, M. (2023, mayo 11). “Mi Amigo Jesús” Balada. Autora: María Cruz Monguí Joya. Producción musical. [Video] https://youtu.be/CUUK0uAK7Ps Monguí, M. (2023, mayo 11). “Tú Eres mi Señor” Balada. Autora: María Cruz Monguí Joya. Producción musical. [Video] https://youtu.be/GSIrnwBLTds Monguí, M. (2023, mayo 11). “Juntos en el Camino” Pasillo. Autora: María Cruz Monguí Joya. Producción musical. [Video] https://youtu.be/k0xRLgk-OBQEste proyecto de producción musical se hace como proceso creativo mediante la exploración de la espacialidad del sonido en el campo estereofónico a través del paneo y la profundidad con el uso de la reverberación y el delay, así como la aplicación del software y la estética musical empleados en las obras. La esencia de la propuesta aborda el proceso de creación, grabación y mezcla de las canciones con las que se busca hacer uso de las herramientas de espacialidad sonora en la producción musical de cuatro obras inéditas: “Cántale a Dios”, “Mi amigo Jesús"," Juntos en el camino” y “Tú eres mi Señor” en ritmo de balada y pasillo de la autora María Cruz Monguí Joya.
Los avances tecnológicos permiten recrear un ambiente que lo ofrece la espacialidad sonora y que da la posibilidad de percibir la ubicación de un sonido y el entorno acústico en el que se desarrolla. Se parte desde la revisión, catalogación de referentes y la aplicación de los procesos de producción para llegar a la presentación del producto final de un audio en el que representa el acontecimiento sonoro y donde la utilización del software Pro-Tools con su juego de herramientas DAW permite la grabación, mezcla y masterización para llevar a cabo la propuesta.This musical production project unfolds as a creative process through the exploration of sound spatiality in the stereophonic field, employing panning, depth, reverberation, and delay. Additionally, it incorporates the utilization of software and musical aesthetics in the compositions. The essence of this proposal delves into the creation, recording, and mixing of songs, with the intention of generating a profound sense of sonic spatiality in the production of four unpublished works: "Sing to God," "My Friend Jesus," "Together on the Path," and "You Are My Lord," in a ballad and "pasillo" rhythm by the author María Cruz Monguí Joya.
Technological advancements enable the recreation of an environment that offers sonorous spatiality, granting the possibility to perceive the placement of a sound and the acoustic surroundings in which it unfolds. The journey begins with the review and cataloging of references, along with the application of production processes, ultimately culminating in the presentation of the final audio product, which represents the sonic experience and where the employment of the Pro-Tools software, with its array of DAW tools, facilitates recording, mixing, and mastering to carry out the proposal
Redescubrir a Rafael de la Joya y Manuel Barbero: Un viaje desde las fotografías de Juan Pando
Full text linkThis text proposes an investigation focused on Rafael de la Joya Castro and Manuel Barbero Rebolledo, a couple of architects whose promising beginnings were deserving of great attention from the main specialized publications, both national and international.
However, over the time, his professional career ended up being forgotten. The starting point for the analysis will be hundreds of negatives that captured his works during 40 years, immortalized by the camera of the photographer Juan Pando.
Through a careful review of its photographic archive, it is intended to invite contemplation and analysis of its architectural legacy in order to recover the memory of those forgotten projects.Este texto propone una investigación centrada en la obra de Rafael de la Joya Castro y Manuel Barbero Rebolledo, una pareja de arquitectos cuyos prometedores inicios fueron merecedores de gran atención por parte de las principales publicaciones especializadas, tanto nacionales como internacionales.
Sin embargo, con el paso del tiempo su trayectoria profesional acabó por caer en el olvido. El punto de partida para el análisis de sus construcciones serán los centenares de negativos que durante cuarenta años captaron sus obras, inmortalizadas por la cámara del fotógrafo madrileño Juan Pando.
Mediante una atenta revisión a su archivo fotográfico, se pretende invitar a la contemplación y el análisis de su legado arquitectónico para así recuperar la memoria de aquellos malogrados proyectos
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