667 research outputs found
Davy Jones' locker : baritone or bass
No full textGift of Dr. Mary Jane Esplen.Piano vocal [instrumentation]Ho! there, know ye the dangers [first line]Davy Jones [first line of chorus]E [key]Con moto [tempo]Popular song [form/genre]Sea ship [illustration]Publisher's advertisement on back cover [note
Delta Zeta Presents Davy Jones Rendezvous at the Flickertail Follies
No full textDelta Zeta performs Davy Jones Rendezvous in front of a packed audience at the 1948 Flickertail Follies. Established by Sigma Delta Chi, a national journalism society, the Flickertail Follies was a campus talent and variety show from 1925 until 1962. The Follies were suspended from 1932 to 1935 due to the Great Depression and from 1941 to 1945 for the Second World War. The Follies gained national attention in 1950 when it was featured in Life Magazine . The show ended in 1962 but was revitalized for one year in 1982.https://commons.und.edu/archive-photos/1869/thumbnail.jp
Freedom affects in Trans Erotica
No full textThis chapter begins to chart some reconfigurations of trans sexualities in trans erotica productions. Trans erotica expands on and reconfigures trans sexualities beyond psychosexological and mainstream trans (auto)biographical accounts. Considering a time in the 1980s, 1990s and 2000s, this chapter will explore when it was becoming evident in trans scholarship and community productions that there were as many different ‘transgenderisms’ as there were combinations of sex, gender and sexual identities, and sexual situations (Devor, 1994; Queen and Schimel, 1997). Drawing on the work of Shively, Jones and De Cecco from the 1980s, Holly Devor (1994), for example, argued that sexuality may be felt and expressed in such a variety of ways that heuristic models of human sexuality must not remain narrowly focused on questions of genital contact. From this position, a shift to more broadly defined questions about the social meanings and contexts within which trans sexual-relationships take place was required (Bowen, 1998; Feinberg, 1998, 2006 [1992]; Queen and Schimel, 1997). The legacy of these developments are still reverberating in trans communities
'What’s in Davy Jones’ locker?' (Squeamish, series 1, episode 6)
No full textStudent nurses at the University of Salford are being taught how to treat patients with life-like wounds designed by an award-winning make-up artist Davy Jones.Davy brought his extensive experience to Salford to help recreate acute and chronic wounds such as bed sores, incisions, lacerations and abrasions which are routinely treated by the NHS.The simulated wounds enable students to build upon their theoretical knowledge and to develop the practical skills and confidence needed to treat injured patients in clinics and hospitals.They complement a range of real-life, practical experiences created in the University’s state-of-the-art clinical simulation ward. Students work with computerised mannequins which simulate various illnesses and have a pulse, respiratory movements, arteries and recorded voices to communicate discomfort and describe symptoms
Folk Festival of June 16 and 17, 1950: Black Jack Davy (Transcription)
No full textCollected by Merlin Mitchell
Transcribed by Irene Carlisle
Sung by Mary Jo Davis
Fayetteville, Arkansas
June 16, 1950
Reel 47, Item 6
Disced from Reel 21
Black-Jack Davy
Child 200, The Gypsy Laddie.
Learned from her mother, who learned it from her family
in Madison county, Missouri.
Black-Jack Davy came a-ridin' through the woods,
Singin' his song so gaily;
He sung so loud he made the wild woods ring
And charmed the heart of a lady,
And charmed the heart of a lady.
Said, "Little miss, will you go with me?
Will you be my honey?
I'll swear by the sword that hangs by my side,
You'll never want for money;
You'll never want for money."
The old man came home late that night,
Inquiring for his lady;
The servant spoke before he thought:
"She's gone with Black-jack Davy;
She's gone with Black-jack Davy."
"Go saddle me up my milk-white horse;
Saddle him slow and easy;
I'll ride all night till the broad daylight
And overtake my lady;
And overtake my lady."
He rode all night till the broad daylight,
Till he came to the edge of the water;
And there he looked on the other side,
And there he spied his darling;
There he spied his darling.
"Oh, will you forsake your house and home?
Will you forsake your baby?
Will you forsake the one you love,
To go with Black-Jack Davy,
To go with Black-Jack Davy?"
"Oh, yes, I'll forsake my house and home;
Yes, I'll forsake my baby;
Yes, I'll forsake the one I love
To go with Black-Jack Davy;
To go with Black-Jack Davy."
Black-Jack Davy (Cont.)
Reel 47, Item 6 (Cont.)
"Then pull off that little black glove you wear,
Made out of that Spanish leather;
Place your little white hand in mine,
And here we'll part forever;
Here we'll part forever."
She pulled off that little black glove she wore,
Made out of that Spanish leather;
Placed her lily-white hand in his,
And there they parted forever;
There they parted forever.
i
Humphry Davy: Science, Authorship, and the Changing Romantic
No full textIn the mid to late 1700s, men of letters became more and more interested in the natural world. From studies in astronomy to biology, chemistry, and medicine, these philosophers pioneered what would become our current scientific categories. While the significance of their contributions to these fields has been widely appreciated historically, the interconnection between these men and their literary counterparts has not. A study of the Romantic man of science reveals how much that figure has in common with the traditional Romantic literary figure embodied by poets like William Wordsworth and Samuel Taylor Coleridge. This thesis interrogates connections between Romantic literature and science by examining the figure of the Romantic author. In his 1969 essay What is an Author? Foucault called into question the way we think about authorship. Foucault states that before the late eighteenth-century, what we call literary texts were accepted, put into circulation and valorized without any question about the identity of the author (108). Simultaneously, scientific texts were accepted in the Middle Ages, [. . .] only when marked with the name of their author (109). Foucault argues that norms of authorship underwent a reversal in the eighteenth century. The result of this shift is that literary discourses came to be accepted only when endowed with the author function while in the sciences, the author function faded away (109). A case study of the scientist Humphry Davy disrupts Foucault\u27s suggestion that a total reversal in the workings of the author function was achieved by the Romantic period. I argue that Davy is an exception to Foucault\u27s history of authorship and that Davy\u27s authorial identity in the sciences as the public man of science is equal to the author function of literary figures of the same period. Davy pioneered the public man of science, a figure who corresponds nearly perfectly with the emerging figure of the author in the literary sphere. Ultimately we see Davy as a figure who embodies and reconstructs the Romantic I and requires us to reconsider the category of scientific authorship and the figure of the scientist as author
Jones Jr., Isaac E. (Death, 1873-09-09)
No full textAddress: 461 W. Liberty St.Age at death: 2 yrsPg 215/1873/172/M W S/City/Dr. R. Davy/Seelen/Carthage Rd.Original record filed in drawer labeled 'JONES, A-JOY'
Davy James : Sensation
No full textItem located in folder hy-dm-marks-folk-1965-1995-001. Not all items in folder uploaded.The article focused on 21 year old Davy James who was considered to have promising talent which would challenge well known musicians. The author also mentioned that James had recently signed with the Gallo Organisation to showcase his talent in both writing the words and music to all his songs. According to the author, James had achieved success despite his stammer which at times had prevented him from beginning a word
[Jas. Delahanty/David Jones, Detroit Tigers, baseball card portrait]
No full textBaseball card title devised by Library staff.Issued by: American Tobacco Company.Center photo caption: "Davy Jones' great slide."Restricted access: Materials in this collection are extremely fragile and cannot be served.Forms part of: Baseball cards from the Benjamin K. Edwards Collection
Jones, Davy
No full textSee entry in Hale County volume 1, page 32: https://digital.archives.alabama.gov/digital/collection/voter/id/146
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