1,721,058 research outputs found
Interview text, Jonathan Monk
No full textInterview text, Jonathan Monk, Bildung exhibition catalogue, Grazer Kunstverein, Austria, January 2000
Jonathan Monk ; Jonathan Monk : Gallery Hours
Full text linkDans le droit fil du conceptualisme rigoureux à tendance tautologique, chacune des pièces de Jonathan Monk fait d’abord la démonstration d’elle-même. Mais chez J. Monk, la référence aux conceptuels s’ancre dans les histoires personnelles, de famille et même d’animaux domestiques, une particularité que l’artiste n’a cessé d’exploiter depuis une dizaine d’années et qui, comme le dit Frédéric Paul, « souligne la volatilité des connaissances et des tendances artistiques ». Si bien que l’histoire ..
Jonathan Monk ; Jonathan Monk : Gallery Hours
Full text linkDans le droit fil du conceptualisme rigoureux à tendance tautologique, chacune des pièces de Jonathan Monk fait d’abord la démonstration d’elle-même. Mais chez J. Monk, la référence aux conceptuels s’ancre dans les histoires personnelles, de famille et même d’animaux domestiques, une particularité que l’artiste n’a cessé d’exploiter depuis une dizaine d’années et qui, comme le dit Frédéric Paul, « souligne la volatilité des connaissances et des tendances artistiques ». Si bien que l’histoire ..
Unfinished. Jonathan Monk e l'Afghanistan di Alighiero Boetti
No full textPer il progetto Untitled and Unfinished (Afghanistan) l'artista Jonathan Monk ha organizzato una spedizione in Afghanistan, presso i laghi di Band-E-Amir, sulle cui acque Alighiero Boetti avrebbe voluto che le sue ceneri venissero disperse dopo la morte. Questo articolo si propone di ricostruire il progetto dietro l'operazione artistica, contestualizzandolo nel dibattito contemporaneo attorno alle riletture dell'Afghanistan di Alighiero Boetti
Unfinished. Jonathan Monk e l'Afghanistan di Alighiero Boetti.
No full textPer il progetto Untitled and Unfinished (Afghanistan) l’artista Jonathan Monk ha organizzato insieme alla gallerista Sonia Rosso una spedizione in Afghanistan, presso i laghi di Band-E-Amir, sulle cui acque Alighiero Boetti avrebbe voluto che le sue ceneri venissero disperse dopo la morte, azione che tuttavia non è mai avvenuta.
Tra le difficoltà dovute alla situazione politica e a vari problemi logistici, nel 2004 Mustafa Sahibzada, un ragazzo Afghano incaricato dall'artista, seguendo le istruzioni sul luogo e riguardo alla tipologia di materiali da raccogliere, ha potuto realizzare filmati e fotografie, che hanno permesso a Monk di produrre cinque film in formato 16mm, ciascuno corredato da 16 fotografie scattate durante il percorso per raggiungere i laghi.
Questo articolo si propone di ricostruire il progetto dietro l’operazione artistica, contestualizzandolo nel dibattito contemporaneo attorno alle riletture dell'Afghanistan di Alighiero Boetti.Jonathan Monk organized, for the Untitled and Unfinished (Afghanistan)project and together with gallerist Sonia Rosso, an expedition to Afghanistan to find the Band-E-Amir lakes, where Alighiero Boetti would have liked his ashes to be scattered after his death, an action which never took place. Among the difficulties due to the political situation and various logistical problems, in 2004, Jonathan Monk had entrusted the documentation of the lakes to Sahibzada Mustafa, an Afghan boy, who,following precise instructions about the place and about the types of materials to be collected, was able to take many films and pictures and send them to the artist, who produced five films depicting the lakes in 16mm, with a strictly fixed camera shot, each one accompanied by 16 photographs taken during the route to the lakes.This article aims to retrace the project behind the artistic operation, putting the work in the context of the contemporary debate about Alighiero Boetti's Afghanistan
Unfinished. Jonathan Monk e l'Afghanistan di Alighiero Boetti
No full textPer il progetto Untitled and Unfinished (Afghanistan) l’artista Jonathan Monk ha organizzato insieme
alla gallerista Sonia Rosso una spedizione in Afghanistan, presso i laghi di Band-E-Amir, sulle cui
acque Alighiero Boetti avrebbe voluto che le sue ceneri venissero disperse dopo la morte, azione che
tuttavia non è mai avvenuta.
Tra le difficoltà dovute alla situazione politica e a vari problemi logistici, nel 2004 Mustafa Sahibzada,
un ragazzo Afghano incaricato dall'artista, seguendo le istruzioni sul luogo e riguardo alla tipologia di
materiali da raccogliere, ha potuto realizzare filmati e fotografie, che hanno permesso a Monk di
produrre cinque film in formato 16mm, ciascuno corredato da 16 fotografie scattate durante il percorso
per raggiungere i laghi.
Questo articolo si propone di ricostruire il progetto dietro l’operazione artistica, contestualizzandolo nel
dibattito contemporaneo attorno alle riletture dell'Afghanistan di Alighiero Boetti
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
Full text linkWe provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
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