455 research outputs found
Günther Jakobs-en penal klasikoen defentsa
No full textJon Mirena Landa y Enara Garro tratan de la "Criminalización en el estadio previo a la lesión del bien jurídico" de Günther Jakobs.Günther Jakobs-en "Kriminalizazioa ondasun juridikoaren kaltearen aurretiko estadioan" joarratu dute Jon Mirena Landak eta Enara Garrok.Jon Mirena Landa et Enara Garro aborderont le sujet lié à la "Criminalisation au stade antérieur à la lésion du bien juridique" par Günther Jakobs.Jon Mirena Landa and Enara Garro will analyse Günther Jakobs' "Criminalisation in the previous stage of the injury to a juridical good"
Estudio introductorio: «Yo, el Doctor Don Nicasio Landa»
No full textEn "Muertos y heridos y otros textos" se recupera la famosa obra de Nicasio Landa, "Muertos y heridos", excelente descripción de la tercera guerra carlista, junto a otros tectos interesantes del autor. El estudio introductorio de Guillermo Sánchez y Jon Arrizabalaga, nos presenta un Nicasio Landa desconocido: cientificista, católico, liberal, cosmopolita y apegado a su tierra, humanitario y euska ltzale.Este libro se edita en el marco del proyecto de investigación financiado por la Dirección General de Investigación (MINECO, Gobierno de España) «Sanidad militar, medicina de guerra y humanitarismo en la España del siglo XIX» (HAR201 1-24134)Peer reviewe
Zuzenbide Penaleko eta Zuzenbide Zibileko Koadernoak
No full textLos profesores universitarios Jon-Mirena Landa Gorostiza e Itziar Alkorta Idiakez acaban de editar dos manuales en euskera, uno sobre Derecho Penal y otro sobre Derecho Civil, dirigidos principalmente a los estudiantes, dada su marcada vocación didáctica. A resaltar que ambos cuadernos se han editado en formato electrónico y que se encuentran disponibles en Internet.Jon-Mirena Landa Gorostiza eta Itziar Alkorta Idiakez unibertsitateko irakasleek eskuliburu bana prestatu dute, Zuzenbide Penalari buruzkoa lehenak, eta Zuzenbide Zibilaz bigarrenak. Beren didaktikotasun eta argitasuna dela-eta, bereziki Zuzenbide ikasketak euskaraz egiten ari diren ikasleei daude zuzenduta. Koaderno hauek badute ezaugarri berezirik, gainera: Interneten daudela eskuragai.Les professeurs d'université Jon-Mirena Landa Gorostiza et Itziar Alkorta Idiakez viennent d'éditer deux manuels en basque, l'un sur le Droit Pénal et l'autre sur le Droit Civil, adressés principalement aux étudiants, étant donné leur vocation didactique marquée. Il faut souligner que les deux cahiers ont été édités en format électronique et qu'ils sont disponibles sur Internet.University professors Jon-Mirena Landa Gorostiza and Itziar Alkorta Idiakez have just published two manuals in Basque, one on penal law and the other on civil law, both mainly destined to students, given their markedly didactic orientation. It is worth mentioning that both manuals have been published in computer format and are available in the Internet
La primera Cruz Roja Española y el "Comité de Ginebra": Nicasio Landa (1830-1891)
No full textArrizabalaga Valbuena, Jon. "La primera Cruz Roja Española y el "Comité de Ginebra": Nicasio Landa (1830-1891)". En: Gutiérrez Fuentes, A. (coord.). Reconocimiento a cinco siglos de medicina española. Madrid: Fundación Ramón Areces; Real Academia de Doctores, 2019, p. 111-124.Peer reviewe
Recensiones: Nicasio Landa, Muertos y heridos y otros textos
No full textNi casio Landa, Muertos y heridos y otros textos . Selección y estudio introductorio: Guillermo Sánchez y Jon Arrizabalaga, Navarra, Pamiela (Colección: Estudios y testimonios) , 2016, 334 p
Nicasio LANDA: Muertos y heridos y otros textos, selección y estudio introductorio de Guillermo Sánchez y Jon Arrizabalaga, Pamplona, Pamiela, 2016, 334pp., ISBN: 978-84-7681-936-4.
No full textReseña de la obra de Nicasio LANDA: Muertos y heridos y otros textos, selección y estudio introductorio de Guillermo Sánchez y Jon Arrizabalaga, Pamplona, Pamiela, 2016, 334pp., ISBN: 978-84-7681-936-4. A cargo de Josep Escrig Rosa
Landa eta hiri-identitateak talkan euskal zinema berrian
No full text283 p.Ikerlan honetan aztertu da 2005etik aurrerako euskal zinemak euskal gatazkariburuzko gaia alboratu eta identitate-borrokak irudikatzera pasa dela, fokua landa- etahiri- identitateen arteko talkan jarrita. Horretarako, euskaraz egindako zortzi filmanalizatu dira, bikoteka multzokaturik: Loreak (Jose Mari Goenaga, Jon Garaño, 2014)eta Amama (Asier Altuna, 2015); Ander (Roberto Castón, 2009) eta 80 egunean (JonGaraño, Jose Mari Goenaga, 2010); Kutsidazu bidea, Ixabel (Fernando Bernués, MireiaGabilondo, 2006) eta Handia (Jon Garaño, Aitor Arregi, 2017); eta ¿ez-lekuan¿ gertatzendiren Pikadero (Ben Sharrock, 2015) eta Oreina (Koldo Almandoz, 2018). Filmenazterketatik ondorioztatzen da landa-identitate kolektiboa -euskaltasunarenparadigma bailitzan- talkan ari dela haren baitatik sortutako identitateindibidualarekin, eta gu versus ni pultsu horretan belaunaldi gazteagoko pertsonaiekahalegin bat egiten dutela bi munduak uztartzeko, osagarriak direla iritzita
Landa eta hiri-identitateak talkan euskal zinema berrian
No full text283 p.Ikerlan honetan aztertu da 2005etik aurrerako euskal zinemak euskal gatazkariburuzko gaia alboratu eta identitate-borrokak irudikatzera pasa dela, fokua landa- etahiri- identitateen arteko talkan jarrita. Horretarako, euskaraz egindako zortzi filmanalizatu dira, bikoteka multzokaturik: Loreak (Jose Mari Goenaga, Jon Garaño, 2014)eta Amama (Asier Altuna, 2015); Ander (Roberto Castón, 2009) eta 80 egunean (JonGaraño, Jose Mari Goenaga, 2010); Kutsidazu bidea, Ixabel (Fernando Bernués, MireiaGabilondo, 2006) eta Handia (Jon Garaño, Aitor Arregi, 2017); eta ¿ez-lekuan¿ gertatzendiren Pikadero (Ben Sharrock, 2015) eta Oreina (Koldo Almandoz, 2018). Filmenazterketatik ondorioztatzen da landa-identitate kolektiboa -euskaltasunarenparadigma bailitzan- talkan ari dela haren baitatik sortutako identitateindibidualarekin, eta gu versus ni pultsu horretan belaunaldi gazteagoko pertsonaiekahalegin bat egiten dutela bi munduak uztartzeko, osagarriak direla iritzita
Contagion controversies on cholera and yellow fever in mid nineteenth-century Spain: The case of Nicasio Landa
No full textThis chapter argues in favour of the thesis that no real dichotomy between the miasmic-environmentalist and contagionist theories characterised public health practices in Europe. Focusing on Spain, this study shows that quarantine, in different measures, remained in operation throughout the nineteenth century even when liberal regimes took power. Against this background, the author examines the work of military doctor and reformist Nicasio Landa whose publications, founded on his experiences of yellow fever and cholera epidemics in Spain, Morocco and the Canary Islands, presented elaborate studies on medical topography and epidemiology, on environmentalism and telluric theories. Nonetheless, in practice, Landa took a pragmatic attitude by accepting a reformed, human-centred quarantine system.Peer reviewe
Poslednij provodnik Dante: figura sozercatel’ja v Božestvennoj Komedii [L’ultima guida di Dante: la figura di contemplatore nella Divina Commedia]
No full textThis article is dedicated to the mystery of Bernard of Clairvaux, a hero of Dante’s «Divine Comedy»; many theorists of Dante’s work around the world, except perhaps, Russian theorists, have been trying to find a clue to this mystery. This mystery is that this hero appears in the last songs of the poem which describe the culmination of Dante-hero path. His importance is determined by such factors as disappearance of Dante’s main companion Beatrice, she makes way for Bernard; Bernard’s presence at the hero’s side in the highest sphere of Dante’s universe – Empyrean; his guidance at the last stage of Dante’s path and finally the mission entrusted to him by the author – to lead the hero to the contemplation of Virgin Mary and through her – the Trinity itself. The purpose of the author of this article is to suggest her variant of interpreting the importance of this protagonist for the «Comedy» in order to fully understand the poetic structure and philosophy of the poem. For this purpose the author of this work analyses «Comedy»’s’ episodes with Bernard, contemplates the versions of interpreting Bernard’s role in the poem suggested by the most distinguished theorists of Dante’s work, covers the abstracts from the treatise by the hero’s historical prototype – Bernard of Clairvaux; these abstracts according to historic-literary evidence could have been the source for philosophical and theological ideas of Dante-author. This article also deals with the most important aspects of real Bernard’s activities and tries to determine Bernard’s role in «Comedy». This literary study shows that Bernard’s presence is closely linked to the meditative-mariological element of personality and creative work of Bernard of Clairvaux and in its turn it is his presence in the last songs of the third canticle that proves the importance of contemplation and spiritual maturity as metaphors of spiritual path in Dante’s poem.
The article proves the idea that Bernard’s image plays one of the key roles in creating poetic essence of the poem; it is like a «center» that unites numerous images of visual phenomena that help the hero to reach the promised goal and the text to gain a harmonic completion in describing the contemplation of the highest good
- …
