1,722,816 research outputs found
The Joker A Serious Study of the Clown Prince of Crime
No full textThe first study of Batman's evil arch-nemesis in comics, on television, and in film.Cover -- THE JOKER -- Title -- Copyright -- CONTENTS -- ACKNOWLEDGMENTS -- FOREWORD -- INTRODUCTION -- I. THE CHANGEABLE TRICKSTER -- SHIFTING MAKEUPS: The Joker as Performance Style from Romero to Ledger -- DOES THE JOKER HAVE SIX-INCH TEETH? -- LADY HAHA: Performativity, Super-sanity, and the Mutability of Identity -- EPISODES OF MADNESS: Representations of the Joker in Television and Animation -- II. THE JOKER AND THE POLITICAL -- THE OBAMA-JOKER: Assembling a Populist Monster -- KISS WITH A FIST: The Gendered Power Struggle of the Joker and Harley Quinn -- MORE THAN THE HOOD WAS RED: The Joker as Marxist -- III. THE DIGITAL JOKER -- NEVER GIVE 'EM WHAT THEY EXPECT: The Joker Ethos as the Zeitgeist of Contemporary Digital Subcultural Transgression -- PLAYING (WITH) THE VILLAIN: Critical Play and the Joker-as-Guide in Batman: Arkham Asylum -- "WHY SO SERIOUS?": Warner Bros.' Use of the Joker in Marketing The Dark Knight -- IV. JOKER THEORY -- RICTUS GRINS AND GLASGOW SMILES: The Joker as Satirical Discourse -- THE JOKER, CLOWN PRINCE OF NOBILITY: The "Master" Criminal, Nietzsche, and the Rise of the Superman -- THE JOKER PLAYS THE KING: Archetypes of the Underworld in Grant Morrison and Dave McKean's Arkham Asylum: A Serious House on Serious Earth -- MAKING SENSE SQUARED: Iteration and Synthesis in Grant Morrison's Joker -- "YOU COMPLETE ME": The Joker as Symptom -- AFTERWORD -- CONTRIBUTORS -- INDEXThe first study of Batman's evil arch-nemesis in comics, on television, and in film.Description based on publisher supplied metadata and other sources.Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, YYYY. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries
Joker, a Film to Fall Out Over?
Full text linkRe-humanising monsters and othering heroes. Exposition and critique of Joker(2019). Why have so many critics condemned a clear masterpiece; could it be that there class sensibilities have been hurt
Joker Christopher Nolan and "The Dark Knight" The villain and his audience analysis
No full textopenUna analisi dell'iconico villain della DC Comics, partendo dalla biografia di Christopher Nolan e del suo modo di lavorare, come crea i suoi film e i suoi processi nella realizzazione di questi, per poi procedere verso una storia del Joker, fumettistica e cinematografica, insieme ad uno studio sulla sua audience, arrivando ad un svisceramento del film "Il Cavaliere Oscuro" nella sua interezza e di come il pubblico lo ha recepito.An analysis of the iconic DC Comics villain, starting from the biography of Christopher Nolan and his way of working, how he creates his films and his processes in making them, and then proceeding towards a history of the Joker, both comics and cinema, together to a study on its audience, arriving at an examination of the film "The Dark Knight" in its entirety and how the public received it
Joker (2019) and Its Respective Position in Arthouse Cinema
Full text linkThe paper argues that Joker (2019) is the first superhero film that meets the criteria to be classified as arthouse cinema. In the months following its premiere at the Venice Film Festival, the film became the centre of major controversy, with some news outlets concerned that it promotes violence. The author extracts the philosophical ideas, both on- and off-screen, which provoked film critics and audiences. The paper discusses genre theory, the Oedipus complex, and Plato’s Allegory of the Cave. Joker demands participation from its viewer—a trait of arthouse cinema—which is in strong opposition to the passive experience of other superhero-inspired films.Not peer reviewedJoker (2019), arthouse cinema, genre theory, Oedipus complex, Plato's Allegory of the Cav
Joker
No full textThe Joker has been mysteriously released from Arkham Asylum, and he's none to happy about what's happened to his Gotham City rackets while he's been "away." What follows is a harrowing night of revenge, murder and manic crime as only The Joker can deliver it, as he brutally takes back his stolen assets from The Penguin, The Riddler, Two-Face, Killer Croc and others
Joker
No full text"The Joker has been mysteriously released from Arkham Asylum, and he's none too happy about what's happened to his Gotham City rackets while he's been "away." Joker tells the story of one very dark night in Gotham City--a harrowing night of revenge, murder and manic crime as only the Joker can deliver it, as he brutally takes back his stolen assets from The Penguin, The Riddler, Two-Face, Killer Croc and others. Brian Azzarello and Lee Bermejo--the superstar, critically acclaimed creative team behind Batman: Damned and Luthor--unite to tell a haunting, crime noir story about the Clown Prince of Crime."-
From Joker to Joker 2
No full textLa Joker original narra la historia de Arthur Fleck, un marginal con problemas mentales, que un día se cansa de ser abusado y reacciona con violencia, a consecuencia de lo cual termina preso. Pero el shock masivo derivado del asesinato en vivo que ha cometido lo consagra como símbolo de la pequeña gente, harta de ser abusada por los privilegiados. Joker: Folie à deux es una genial corrección a la interpretación simplista que se hizo de la primera. Harley Quinn representa al público entusiasmado con el semblante de un loco descontrolado que cree que por haber sufrido en la vida tiene derecho a matar a su antojo. Pero Fleck no quiere saber nada con su alter ego, al que aborrece. Y no busca exculparse apelando a la inimputabilidad por una supuesta patología de "doble personalidad", sino que asume la responsabilidad por sus actos. El público que consagró la primera Joker rechazó esta segunda porque ya no hay escenas de crueldad gratuita y alocada, salvo en estado onírico… lo que habla de cierto estado promedio de la sociedad actual.The original Joker tells the story of Arthur Fleck, a marginalized man with mental health issues who one day grows tired of being abused and reacts with violence, as a result of which he ends up in prison. But the mass shock derived from the live murder he committed elevates him as a symbol of the oppressed people, fed up with being mistreated by the privileged. Joker: Folie à Deux is a brilliant correction to the simplistic interpretation made of the first film. Harley Quinn represents the audience thrilled by the appearance of an uncontrollable madman who believes that because he has suffered in life, he has the right to kill at will. But Fleck wants nothing to do with his alter ego, whom he despises. And he does not seek to excuse himself by appealing to an alleged "multiple personality" pathology; rather, he takes responsibility for his actions. The audience that embraced the first Joker rejected this second one because there are no longer scenes of gratuitous and wild cruelty, except in a dreamlike state... which speaks to a certain average state of today’s society
Presupposition in joker movie
Full text linkPresuposisi dapat membantu pembicara untuk menemukan latar belakang dari makna ucapan. Kejadian presuposisi juga ditemukan dalam film, karena film adalah penggambaran dari masyarakat. Itu berarti bahwa bahasa yang digunakan dalam film tidak berbeda dengan bahasa yang digunakan dalam percakapan sehari-hari dalam kehidupan nyata. Dalam penelitian ini, penulis tertarik dalam menganalisis presuposisi dalam film berjudul Joker, terkait dengan fakta bahwa film tersebut sukses dalam box office utama, membuat rekor saat rilis bulan Oktober.
Dalam film Joker, ada berbagai tokoh dengan ucapan yang berbeda yang dapat dianalisis terkait dengan presuposisi. Penelitian ini membahas topik pembahasan yang lebih umum, yaitu mendeskripsikan jenis-jenis presuposisi yang digunakan oleh para tokoh utama dalam film Joker berdasarkan teori Yule (1996).
Penelitian ini merupakan penelitian kualitatif dengan metode deskriptif-kualitatif. Data dari penelitian ini adalah ucapan berisi presuposisi dari tokoh utama film. Sumber data berasal dari film Joker. Film tersebut diunduh dari https://0123movies.in/movie/joker-2019-1-2-3-4-hdK9ffON. Analisis data dilakukan dengan metode identitas sebagai cara analisis data untuk mendapatkan kesimpulan.
Temuan dari penelitian ini adalah sebagai berikut: dalam film Joker, semua tipe presuposisi dari Yule (1996) telah ditemukan. Keenam tipe dari presuposisi adalah Presuposisi Eksistensial (25%), Presuposisi Faktif (16%), Presuposisi Non-Faktif (4%), Presuposisi Leksikal (20%), Presuposisi Struktural (27%), dan Presuposisi Kontra Faktual (8%). Dapat disimpulkan bahwa Presuposisi Struktural menjadi tipe presuposisi yang paling banyak digunakan, dan Presuposisi Non-Faktif menjadi tipe presuposisi yang paling sedikit digunakan dalam ucapan tokoh utama dalam film Joker.
Penulis menyarankan agar penelitian ini dapat menjadi referensi bagi para guru dan para siswa dalam proses belajar mengajar. Oleh karena itu, penulis berharap agar peneliti lain dapat melakukan penelitian lebih lanjut dengan fokus pada presuposisi
The Joker
Full text linkJoker sitting on frame surrounding titlehttps://scholarsjunction.msstate.edu/cht-sheet-music/11561/thumbnail.jp
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