796 research outputs found
Características sociodemográficas y clínicas asociadas a inercia terapéutica en diabetes mellitus 2 Hospital Nacional Dos de Mayo 2015-2019
Get PDFLa inercia terapéutica es una causa importante de mal control glucémico en pacientes diabéticos por el cual se busca estudiar sus características sociodemográficas y clínicas asociadas, en el Hospital Nacional Dos de Mayo.
El objetivo del estudio es identificar las características sociodemográficas y clínicas asociadas a inercia terapéutica en pacientes con diabetes mellitus 2 en el Hospital Nacional Dos de Mayo durante el período de enero 2015 a diciembre 2019.
Metodología: Se realizo un estudio de tipo cuantitativo, observacional, retrospectivo, analítico de tipo casos y controles. La información se obtuvo de historias clínicas, luego se realizó la prueba estadística Chi cuadrado de significancia estadística y estimación de Odds ratio crudo y ajustado, con el programa SPSS.vs.27.0.
Resultados: Las características sociodemográficas y clínicas asociadas a inercia terapéutica fueron la procedencia de regiones (ORa=0.199, IC al 95%=0.040-0.996; p=0.049), la polifarmacia (ORa=46.021, IC al 95%=16.305-129.892; p<0.001), el tiempo de enfermedad mayor o igual a 20 años (ORa=4.028, IC al 95%=1.437-11.289; p=0.008) y la obesidad (ORa=0.10, IC al 95%= 0.03-0.28; p<0.001). No se encontró significancia estadística para las variables de sexo, edad y ERC.
Conclusiones: el proceder de regiones y la obesidad son factores protectores frente a inercia terapéutica. La polifarmacia y el tiempo de enfermedad mayor o igual a 20 años son factores de riesgo asociados a inercia terapéuticaSubmitted by Veronica RubinDeCelis ([email protected]) on 2023-07-14T03:54:14Z
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Previous issue date: 2023Tesi
Métricas de autor Angélica María Parra Báez
No full textInforme de las métricas de autor de la Dra. Angélica María Parra Báez de las publicaciones indexadas en Google Académico cuyo objetivo es entregar un insumo para el fortalecimiento de las capacidades y potencialidades de los autores de la Universidad Santo Tomás en el posicionamiento y visibilidad de sus publicacionesReport of the author metrics of Angélica María Parra Báez of the publications indexed in Google Scholar whose objective is to provide an input for the strengthening of the capacities and potentialities of the authors of the Santo Tomás University in the positioning and visibility of their publications.http://unidadinvestigacion.usta.edu.c
Masked portrait with smell of family
Get PDFEste es es un texto sobre la obra relacional que la autora Angélica, desarrolla a partir del trabajo grupal con su familia, desplegando puntos de interés como lo son el retrato, el sentido del olfato y la experiencia artística atraes de su proceso de indagación.Maestro en artes plásticasPregradoThis is a text about the relational work that the author Angélica develops from group work with her family, displaying points of interest such as the portrait, the sense of smell and the artistic experience you attract from her process of inquiry
Enriching the French romance: Pauline Viardot-Garcia’s early cosmopolitan songs (1838-1850)
No full textThe development of the sentimental romance of the 1830s and 1840s into the more sophisticated genre of song known as mélodie is often linked to Gabriel Fauré and Henri Duparc’s early songs. In his seminal study, La mélodie française de Berlioz à Duparc, Frits Noske did much to correct this limited model by discussing the works of composers such as Charles Gounod, Hector Berlioz, Hyppolyte Monpou, and Louis Niedermeyer. The author, however, failed to consider the early songs of the influential French mezzo-soprano of Spanish origins, Pauline Viardot-Garcia (1821-1910). These compositions, close to thirty songs in French, German, Italian and Spanish, reflect the scope of her international operatic career and her facility to absorb different languages, musical styles, and cultures. Investigating the genesis of the early songs and analyzing and contextualizing them are key goals of the present dissertation. I intend to demonstrate through the examination of primary source material that the construction by influential contemporaries such as George Sand, Théophile Gautier, Alfred de Musset, and Franz Liszt of Viardot-Garcia’s personality as cosmopolitan, versatile, and exotic qualified her in the eyes of the Romantic generation as a valid representative of the Other and thus a legitimate creator of a wide variety of musical styles. In particular, the consecration of young Viardot-Garcia’s fascinating musical personality in George Sand’s influential novel Consuelo (1842) determined the course and objectives of her career both as singer and composer during the 1840s. Through the publication of her two initial song albums, Viardot-Garcia contributed to the modification of expectations surrounding the typical French romance of the 1840s. Viardot-Garcia modernized its style by introducing into it foreign musical resources, thus liberating it from the formal regularity and musical weakness, which limited its expressive possibilities. The high quality of these publications in combination with the composer’s international fame pushed them into the vanguard of the revitalization tendency of French art song. Just as Berlioz and Gounod have been commonly embraced from the time of Ravel to our day as the fathers of French mélodie, Viardot-Garcia may now receive her own accolade as the mother of French mélodie.Ph. D.Includes bibliographical referencesIncludes vitaby Angélica Minero Escoba
Angélica Freitas\u27 lyrical-cyborg: googling to simulate
No full textEste trabalho parte de uma reflexão sobre a imbricação entre o humano e a máquina na constituição do fazer literário. A série 3 poemas com auxílio do google, da poeta Angélica Freitas, suscitou a reflexão que será desenvolvida aqui, pois a autora valeu-se de buscas no Google para, ao “transcrever” os resultados de tais pesquisas, problematizar a criação poética via um eu-lírico transmutado em um lírico-ciborgue. Neste trabalho, através da análise dos poemas e tendo em vista a importância da dimensão autoral envolvida, pensamos o fazer literário enquanto uma simulação de discursos presentes em nossa sociedade, uma potência poética que problematiza a criação literária e o lugar político da poesia contemporânea.This paper reflects on the imbrication between human and machine in the literary making. The series 3 poemas com auxílio do google, by the poet Angélica Freitas, raised the idea that will be developed here. The author used Google searches to “transcribe” the results of such researches as poetical creations. In doing this, she problematizes the poetic creation with a lyrical-self transmuted into a lyric-cyborg. In this paper, through the analysis of the poems and bearing in mind the importance of the authorial dimension, we conceive the literary making as a simulation of discourses present in our society, a poetic power that problematizes literary creation and the political place of contemporary poetry
María Angélica FONTAN. Matices de la excepcionalidad. Aprender en pandemia. Ciudad Autónoma de Buenos Aires: El Escriba, 2022. 128 p.
Get PDFMatices de la excepcionalidad, aprender en pandemia is a book published by María Angélica in 2022. The author is an Argentinian psychopedagogue who has written other works related to psychopedagogical practice, especially clinical practice. Undoubtedly, her books are a source of information for colleagues and form part of the bibliography of the curricula of various psychopedagogy courses in the country.Matices de la excepcionalidad, aprender en pandemia es un libro que editó María Angélica en el año 2022. La autora es una psicopedagoga argentina que acredita otros escritos vinculados a la práctica psicopedagógica, especialmente la clínica. Sin duda, sus libros son insumos de colegas y forman parte de la bibliografía de los planes de estudio de diversas carreras de psicopedagogía del país
The Routledge Companion to Literature and Human Rights
No full textLuz Angélica Kirschner is a contributing author, Human Rights and Minority Rights: Argentine and German Perspectives.”
Book description: The Routledge Companion to Literature and Human Rights provides a comprehensive, transnational, and interdisciplinary map to this emerging field, offering a broad overview of human rights and literature while providing innovative readings on key topics. The first of its kind, this volume covers essential issues and themes, necessarily crossing disciplines between the social sciences and humanities.https://openprairie.sdstate.edu/mlgs_book/1000/thumbnail.jp
InterAmerican Perspectives in the 21st Century: Festschrift in Honor of Josef Raab (Inter-American Studies)
No full textLuz Angélica Kirschner is a contributing author, “Cecilia Absatz’s Los años pares or the Challenges of Reevaluating Autochthonous Latinamericanism.”
Publisher\u27s book summary: This collection of scholarly essays presents recent lines of research and results in the field of hemispheric InterAmerican Studies. The book also opens new perspectives for future research. The collection of essays is interdisciplinary and brings together historical, film, literary and cultural studies approaches to the Americas. Renowned scholars and young researchers make this book a cross-disciplinary anthology highly suitable for scholars and students.https://openprairie.sdstate.edu/mlgs_book/1016/thumbnail.jp
Obras policiales de María Angélica Bosco, precursora del género en Argentina
Get PDFThis paper has as its object of analysis two works by the Argentine author María Angélica Bosco (1909-2006): La muerte baja en el ascensor (1954/5) and La muerte soborna a Pandora (1956). They have been considered from a literary perspective of pointing out the connections between her literary production and her poetics and a linguistic perspective in the search for evidence of a "feminine writing" in a genre in which male writers predominate. The poetics has been reconstructed from diverse epitexts and metatexts, especially interviews and journalistic articles, and its concretion is analyzed in these two novels by the author who, by cultivating the detective genre, differentiated herself from other contemporary local women writers.
The objectives were oriented to consider a novel taken from the extensive work of this author that has been brought to the present day by Ricardo Piglia in his collection "Serie del Recienvenido" (2013); to describe the poetic relationship between author and literary production and, finally, to notice the gravitation of female gender issues in her police narrative. The methodological task consisted mainly in a heuristic instance of analysis of the literary discourse and the different epitexts and metatexts that contain her authorial poetics and the representations of her figure collected by the specialized journalism.Este trabajo tiene como objeto de análisis dos obras de la autora argentina María Angélica Bosco (1909-2006): La muerte baja en el ascensor (1954/5) y La muerte soborna a Pandora (1956). Se las ha considerado desde una perspectiva literaria de señalamiento de las conexiones entre su producción literaria y su poética y una perspectiva lingüística en la búsqueda de evidencias de una “escritura femenina” en un género en que predominan los escritores varones. La poética se ha reconstruido a partir de diversos epitextos y metatextos, especialmente entrevistas y artículos periodísticos, y se analiza su concreción en estas dos novelas de la autora que, al cultivar el género policial, se diferenció de otras escritoras locales coetáneas.
Los objetivos se orientaron a considerar una novela tomada de la extensa obra de esta autora que ha sido traída a la actualidad por Ricardo Piglia en su colección “Serie del recienvenido” (2013); describir la relación poética de autora y producción literaria y, finalmente, advertir la gravitación de las cuestiones de género femenino en su narrativa policial. La tarea metodológica consistió fundamentalmente en una instancia heurística de análisis del discurso literario y de los diferentes epitextos y metatextos que contienen su poética de autora y las representaciones en torno a su figura recogidas por el periodismo especializado
An infinite loop space structure for K-theory of bimonoidal categories
Get PDFThesis (Ph. D.)--Massachusetts Institute of Technology, Dept. of Mathematics, 2010.This electronic version was submitted by the student author. The certified thesis is available in the Institute Archives and Special Collections.Cataloged from student-submitted PDF version of thesis.Includes bibliographical references (p. 63-64).In recent work of Baas-Dundas-Richter-Rognes, the authors introduce the notion of the K- theory of a bimonoidal category R, and show that it is equivalent to the algebraic K-theory space of the ring spectrum KR. In this thesis we show that K(R) is the group completion of the classifying space of the 2-category ModR of modules over R, and show that ModR is a symmetric monoidal 2-category. We explain how to use this symmetric monoidal structure to produce a [Gamma]-(2-category), which gives an infinite loop space structure on K(R). We show that the equivalence mentioned above is an equivalence of infinite loop spaces.by Angélica María Osorno.Ph.D
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