1,720,957 research outputs found
Seawater/C-cup: Fishy Trans Embodiments and Geographies of Sex Work in Newfoundland
In this work of autoethnographic research-creation, I think with my augmented breasts—beyond the medical archive and away from the clinic—as an embodied inquiry into trans geographies of sex work in the island world of Ktaqamkuk/Newfoundland, Canada. Employing the felt knowledges of my breasts in visuals and poetics, I illustrate fishy entanglements shared between my sex work and breast augmentation that have reframed my social and sexual embodiment. Engaging with my breasts as a contact zone of embodied dis/pleasure, economic promise, and social violence, I suggest that paying creative attention to trans women’s breasts might reimage notions of trans sex-working desire.Dans ce travail de recherche et de création autoethnographique, je pense avec mes seins élargis—au-delà de l’aspect médical et clinique—comme dans une enquête incarnée sur les transgéographies du travail du sexe dans le monde insulaire de Ktaqamkuk, à Terrre-Neuve au Canada. Utilisant visuellement et poétiquement les expériences tactiles de mes seins, j’illustre les relations complexes qui se sont établies entre mon travail sexuel et l’augmentation de mes seins qui ont transformé mon incarnation sociale et sexuelle. Examinant mes seins comme une zone de contact entre le dé/plaisir corporel, l’espoir de gain économique et la violence sociale, j’avance qu’un intérêt créatif pour les seins des femmes trans pourrait créer une nouvelle image des notions de désir dans le travail sexuel des trans
The Still Unfathomed Trans+Oceanic
For centuries, violence against mermaids has coexisted alongside slippery sexualizations in much of Newfoundland’s folk and popular cultures. This is demonstrated most grievously in colonist Richard Whitbourne’s 1620 text, A Discourse and Discovery of Newfoundland. The fishy reality of simultaneous disposability and desirability also mirrors the life histories of trans women and sex workers in the capital port city of St. John’s. Imagining mermaids as trans and sex-working ancestors in a province that has been structured by ecologies of fish trade, this work of research-creation drifts through precarious survival in the North Atlantic
Being After Being Has Washed Away
Thinking with an assemblage of Black, Indigenous, crip, decolonial, and trans feminist creative and theoretical work, this poem explores fishy felt knowledges of sex work, outmigration, colonial erasure, and archival absence in the lives of trans women from Ktaqamkuk/Newfoundland.En s’appuyant sur un assemblage de travaux créatifs et théoriques de féministes noires, autochtones, crip, décoloniales et transgenres, ce poème explore les expériences à sensation poisseuse du travail du sexe, de l’émigration, de l’anéantissement colonial et de l’absence d’archives dans la vie des femmes trans de Ktaqamkuk (Terre-Neuve)
Going Beyond Counting First Authors in Author Co-citation Analysis
The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Dispelling the Myths Behind First-author Citation Counts
We conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
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