1,721,465 research outputs found
Edna Jane Anderson
No full textPalo Alto resident Edna Jane Anderson passed away on Tuesday, July 19th, 2022
Mary Jane Anderson
No full textPosed, in front of Old Main. (On verso: [Sticker: Engraving ordered by Arkansas Alumnus, 27 Sep. 61 from Sun Engraving Company, Parsons, Kansas.] Mary Jane Anderson - Miss Arkansas.)Slide no. 132.
Jane Anderson
Get PDFBIOGRAPHICAL INFORMATION: Jane Anderson Caucasian female born May 23rd, 1957. Her father was a mechanical engineer. Her mother was a stay-at-home mom. She had two older sisters, one older brother, and one younger sister. SUBJECTS DISCUSSED: The close relationships her family had with her neighbors on Stanford Avenue. The neighborhood composition of their house on Princeton Avenue. Anderson tells stories of the various pets she had growing up and how they became meals. Anderson describes how her family was economically comfortable, but still lived frugally. She talks about her experience in Catholic school and early confirmations. She still describes herself as a believer, but not Catholic; she describes some discomfort around clergy growing up. She goes on to describe the neighborhood, how everyone would watch out for each other and stores she would visit after school. She describes the values held by her neighbors. Anderson describes her time in school and some disconnection she felt at the time. She also speaks on the relationships she has maintained to this day. Lastly, Anderson talks about global issues of the time. She describes history happening on TV: the Kennedy funeral and spacecraft launches. She also describes some fears at the time: the Cuban Missile Crisis, the Doomsday Clock, and abductionshttps://digitalcommons.csp.edu/tc-ohp_interviews_stp/1038/thumbnail.jp
BJC Style Show with students modeling hats
No full textBJC Style Show with students modeling hats.
"Bonnets in the Wind - T'will be a brisk wind that whisks these hats from their lofty perches...(left to right): Cherie Neustad in her perky gay straw, Louis Ann Smith in her sophisticated white felt, Wilma Brandvik in her white cloche, and Sarah Jane Anderson in her saucy cream felt." Bismarck Tribune May 195
Non-Expert Programmers in the Generative AI Future
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Molly Q Feldman & Carolyn Jane Anderson. 2024. Non-Expert Programmers in the Generative AI Future. In Proceedings of the 3rd Annual Meeting of the Symposium on Human-Computer Interaction for Work (CHIWORK '24), June 25-27, 2024, Newcastle upon Tyne, United Kingdom. ACM, New York, NY, USA. https://doi.org/10.1145/3663384.366339
Jane Anderson: The Nazi Georgia Peach
Get PDFThe thrill-packed life of a little-known Georgian, Jane Anderson, proves that truth is stranger than fiction.
Anderson led an amazing life filled with exciting adventures, daring deeds, breathtaking escapades, and romantic interludes, a life stranger than the dreams of most people. She changed her name several times. She often traveled across the United States, and lived in Georgia, Arizona, Texas, Colorado, and New York City. She criss-crossed the Atlantic ocean in ships numerous times; in Europe she visited 20 countries and lived in London, Paris, Spain, Germany, and Austria. As a young woman she was blessed with a stunning physical attractiveness. She had two husbands, numerous fiances, and innumerable lovers. She was at one time or another in her life a writer, a journalist, a war correspondent, a gorgeous seductress, a demi-monde, a suspected spy, an alcoholic, a drug addict, and a Nazi propagandist. She hobnobbed with distinguished political and military leaders on the international stage. She was a member of the inner circle of such famous writers as Joseph Conrad and H. G. Wells. Once she was arrested in Spain on a spying charge and nearly shot. On another occasion she was arrested for treason against the United States, becoming one of only four American women charged with treason during World War II, and the only Georgia woman charged with treason in this century
How Beginning Programmers and Code LLMs (Mis)read Each Other
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Sydney Nguyen, Hannah McLean Babe, Yangtian Zi, Arjun Guha, Carolyn Jane Anderson, and Molly Q Feldman. 2024. How Beginning Programmers and Code LLMs (Mis)read Each Other. In Proceedings of the CHI Conference on Human Factors in Computing Systems (CHI ’24), May 11–16, 2024, Honolulu, HI, USA. ACM, New York, NY, USA. https://doi.org/10.1145/3613904.364270
Going Beyond Counting First Authors in Author Co-citation Analysis
Get PDFThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Get PDF“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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