311 research outputs found
MRI of Paraspinal Gossypiboma: Look for the Barium Sulfate Filament
No full textGossypiboma is a rare post-surgical complication comprising a retained surgical gauze surrounded by a foreign body reaction. Although usually presenting on magnetic resonance imaging (MRI) with low T1 signal, high central and low peripheral signal on T2, and bandlike peripheral enhancement, MR appearance is often non-specific. The barium sulphate filament within a surgical gauze presents on MR as a curvilinear thread which is dark on both T1 and T2 sequences. Scrutinizing the MR images is critical to identify the filament and to pinpoint the diagnosis of gossypiboma. Teaching Point: A paraspinal mass on postoperative spine MRI should be carefully searched for a hypointense contorted wire (the barium sulfate filament), as it may be the characteristic finding to evocate the diagnosis of gossypiboma
[Recueil de planches publiées par Jan Galle]
No full text• Vita, passio, et resurrectio Jesu Christi, varijs Iconibus à celeberrimo pictore Martino de Vos expressa, ab Adriano Collart nunc primum in aes incisis. - Anvers : Jan Galle, - 51 planches.
• Acta apostolorum, elegantiss. monochromatis a duobus praestantiss. pictorib. belgis summo artificio delineata a Martino Hemskerchio Harlemensi nempe, qui ea inchoaverat, et Johanne Stradano Brugensi qui ea absolvit / Marten van Heemskerk et Jan Van Der Straet. - Anvers : Jan Galle, [après 1582]. - 4e édition. - 34 planches.
• Vita B. Mariae Virginis / Ioan. Strada, Adrianus Collaert. - Anvers : Jan Galle, - 17 planches.
• Le Christ et les apôtres / I. H Wiercx. - 1574. - 14 planches.
• Icones illustrium feminarum novi testamenti, a Philippo Gallaeo collectae atque expressae : a Cornelio Kiliano Dufflaeo versibus breviter explanatae. - Anvers : Jan Galle, 1636. - 3e édition. - 16 planches.
• Icones illustrium feminarum veteris testamenti, a Philippo Gallaeo collectae atque expressae : a Cornelio Kiliano Dufflaeo versibus breviter explanatae. - Anvers : Jan Galle, 1636. - 3e édition. - 20 planches.
• Icones prophetarum veteris testamenti, a Ioann Stradano delineatae, à Ioanne Galleo excusae. à Corn. Galleo sculptae. - Anvers : Jan Galle, .- 27 planches
• Josias rex Juda / Ioan Galle excudit. Martinus Herskerck inventor. - 8 planches. - Le Christ et les apôtres / Gerard Segher. - Mart. vanden Enden. - 14 planche
Die drei Bäume ANNY SEGHERS (Odmiany lęku)
No full textAls ANNA SEGHERS 1940 mit ihrer Familie versuchte, aus dem von der deutschen Wehrmacht besetzten Teil Frankreichs zu fliehen, schrieb sie Die drei Bäume, drei kurze Texte, die sich mit Angstgefühlen auseinandersetzen – es sind die Angst vor Verfolgung, vor Führungslosigkeit und vor Entfremdung. In der SEGHERS-Forschung haben diese kurzen Geschichten kaum Beachtung gefunden – sehr zu Unrecht, wie die Verfasserin anhand ihrer jahrzehntelangen Erfahrungen im Umgang mit den kurzen Geschichten darstellt.In 1940, when ANNA SEGHERS and her family tried to flee the part of France occupied by the German Wehrmacht, she wrote Die drei Bäume; three short texts dealing with feelings of fear – that is, the fear of persecution, of lack of leadership, and of alienation. In research into SEGHERS, these short stories have received little attention – unjustifiably so, as the author shows, based on her decades of experience in dealing with the short stories.Gdy ANNA SEGHERS razem ze swoją rodziną próbowała w 1940 r. uciec z zajętych przez niemiecki Wehrmacht terenów Francji, napisała trzy krótkie teksty Die drei Bäume (Trzy drzewa). Teksty te zajmują się lękiem i pytają, w jaki sposób można sobie z nim radzić – chodzi o lęk przed prześladowaniem, lęk przed brakiem osoby, której można zaufać i lęk przed wyobcowaniem. Literatura naukowa o SEGHERS nie zwróciła uwagi na te teksty – niesłusznie. Autorka artykułu przywraca je pamięci opierając się na kilkudziesięcioletnich badaniach poświęconych krótkim opowiadaniom
Literaturtipp: Jan Seghers "Die Akte Rosenherz"
No full text" .... Der Stoff, den Seghers in seinem neuen Roman "Die Akte Rosenherz" verarbeitet hat, ist eine reale Geschichte, die er in äußeren Details verändert und, wo bliebe sonst die kriminalistische Befriedigung, im Gegensatz zur Frankfurter Polizei auch aufgeklärt hat: den Mord an der, wie es seinerzeit hieß, "Lebedame" Helga Matura, die im Roman den Namen Rosenherz bekommen hat. Ein Fall, der neun Jahre nach der Ermordung von Rosemarie Nitribitt erneut für Spekulationen in der Boulevardpresse s..
Die Umerziehung in Anna Seghers\u27 Der Ausflug der toten Mädchen
No full textThis thesis analyzes the story Der Ausflug der toten Mädchen by Anna Seghers (1900-1983) through an examination of Seghers\u27s ideas on reeducating the German people after the Second World War.
This thesis consists of four chapters. The first chapter includes an introduction, a biography of Anna Seghers and a summary of Der Ausflug der toten Mädchen. The second chapter discusses the guilt of the Germans for the crimes against humanity committed during the Second World War. Anna Seghers does not see the German people as a homogeneous whole, but rather she distinguishes in her verdict of guilty between the groups of active Nazis, passive conformists, and the non-conformistsThe third chapter analyzes Seghers\u27s models for the reeducation of the German people after the war. Seghers considers the non-conformists to be the most capable for the task of conveying values such as worth and dignity of every individual to the former Nazis and passive conformists. The final chapter focuses on the stylistic techniques Seghers uses as the weapons of an author in the struggle to reeducate the German people
Anna Seghers: from the Exile of Herself to the Proper Name
No full textThis dissertation intends, throught a study of the novel Transit and the short story The Excursion of the Dead Girls, by the german writer Anna Seghers, to investigate totalitarianism and its consequences, more especifically, the exile. Hospitality, hostility, the perception of the foreigner as an intruder and his isolation in himself are relevant themes in the context of exile. The biographical space is also explored in Seghers’ narratives, since the autobiographical elements are characteristic in the author’s literature, which serves as testimony and as archive of an important period of the 20th century. Anna Seghers inserts facts of her life and even her name in her texts. When a name is signed someone may be held accountable. The author signs her name and this way she resists. Anna Seghers’ literature serves a greater purpose than just the telling of her individual experience. It serves to strenghten moral conscience of the entire society.Sem bolsaEsta dissertação pretende, por meio de um estudo do romance Em Trânsito e do conto O Passeio das Meninas Mortas, da escritora alemã Anna Seghers, investigar o totalitarismo e as suas consequências, mais especificamente, o exílio. Hospitalidade, hostilidade, a percepção do estrangeiro como intruso e o seu isolamento em si próprio são temas relevantes no contexto de exílio. O espaço biográfico também é explorado nas narrativas de Seghers, uma vez que elementos autobiográficos são característicos da literatura da autora, a qual serve como testemunho e como arquivo de um período importante do século XX. Anna Seghers insere fatos de sua vida e até o seu nome em seus textos. Quando um nome é assinado alguém pode ser responsabilizado. A autora assina o nome e assim ela resiste. A literatura de Anna Seghers serve a um propósito maior do que somente o de contar as suas experiências individuais. Ela serve para fortalecer a consciência moral de toda a sociedade
La nascita dell’autore e la resurrezione letteraria dei morti “Die Toten auf der Insel Djal. Eine Sage aus dem Holländischen nacherzählt von Antje Seghers”
No full textThis article deals with the issue of authorship in Anna Seghers’ oeuvre. Starting from her first short story “Die Toten auf der Insel Djal. Eine Sage nacherzahlt von Antje Seghers”, which was published anonymously in 1924, the issue of authorship proves to be one of the most important in Seghers’ poetics. The narrator of this uncanny story about death and resurrection bears the name which a few years later was to be the pseudonym adopted by Netty Reiling, i.e. Anna Seghers. By means of this literary device the future “Anna Seghers” seems to arise from her own fiction, as though the author was produced by the text itself. In other words, the question posed by Michel Foucault in his famous essay “What is an author?” can find an interesting literary prefiguration in Anna Seghers’ writings
Anna Seghers: from the Exile of Herself to the Proper Name
No full textThis dissertation intends, throught a study of the novel Transit and the short story The Excursion of the Dead Girls, by the german writer Anna Seghers, to investigate totalitarianism and its consequences, more especifically, the exile. Hospitality, hostility, the perception of the foreigner as an intruder and his isolation in himself are relevant themes in the context of exile. The biographical space is also explored in Seghers’ narratives, since the autobiographical elements are characteristic in the author’s literature, which serves as testimony and as archive of an important period of the 20th century. Anna Seghers inserts facts of her life and even her name in her texts. When a name is signed someone may be held accountable. The author signs her name and this way she resists. Anna Seghers’ literature serves a greater purpose than just the telling of her individual experience. It serves to strenghten moral conscience of the entire society.Sem bolsaEsta dissertação pretende, por meio de um estudo do romance Em Trânsito e do conto O Passeio das Meninas Mortas, da escritora alemã Anna Seghers, investigar o totalitarismo e as suas consequências, mais especificamente, o exílio. Hospitalidade, hostilidade, a percepção do estrangeiro como intruso e o seu isolamento em si próprio são temas relevantes no contexto de exílio. O espaço biográfico também é explorado nas narrativas de Seghers, uma vez que elementos autobiográficos são característicos da literatura da autora, a qual serve como testemunho e como arquivo de um período importante do século XX. Anna Seghers insere fatos de sua vida e até o seu nome em seus textos. Quando um nome é assinado alguém pode ser responsabilizado. A autora assina o nome e assim ela resiste. A literatura de Anna Seghers serve a um propósito maior do que somente o de contar as suas experiências individuais. Ela serve para fortalecer a consciência moral de toda a sociedade
"Op de geschilderde bloemen van Pater Seghers" (Jan Vos). Échange de poésies latines et néerlandaises célébrant le peintre de fleurs Daniel Seghers s.j.
No full textL’envoi d'un tableau du jésuite Daniel Seghers au prince d'Orange Frédéric-Henri de Nassau en 1644-1645 a marqué le début d'un échange intense de poésies entre deux écrivains : Constantin Huygens, secrétaire des princes d’Orange, et Jacobus Caterus, un jésuite qui écrit au nom de l'artiste. La confrontation des poèmes, qui se répondent, permet de contraster deux conceptions différentes de l'art
Can interventions for reducing sedentary behavior of office workers in Belgium influence low back pain?
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