3,272 research outputs found
El Tlacuache Núm. 348 (2009). 348 Año 9 (2009) enero. El Tlacuache
No full textCecilio Agustín Robelo (1839-1916) un singular personaje:adoptado y adaptado en Morelos por Elvira Pruneda. - Autores y actores de la Independencia y la Revolución 1810-1910 por Braulio Hornedo Rocha. - Tesis mínimas sobre la cuestión indígena por Gilberto López y Rivas
The people behind the papers - Maurício Rocha-Martins and Mariana Silveira.
No full textRetinal ganglion cells connect the retina to the brain, and their degeneration underlies glaucoma, which is the leading cause of irreversible blindness in humans and currently untreatable. Replacement of lost cells could be achieved by in vivo reprogramming of endogenous cells in the retina, a strategy explored by authors of a new paper in Development who focus on a transcription factor renowned for its reprogramming ability in other contexts. We caught up with first author Maurício Rocha-Martins and his former supervisor Mariana Silveira, Professor at the Federal University of Rio de Janeiro in Brazil, to find out more about the story
. 1096 Año 22 (2023) septiembre. El Tlacuache
No full textLas festividades dan cuenta de una diversidad de formas de relaciones sociales y de vinculación social con el territorio. Se ha destacado el papel que han tenido para generar momentos de convivencia y cooperación colectiva. Las personas brindan a la comunidad trabajo, dinero, productos y/o aportan capital social (es decir, facilitar algún trámite o el uso de algún espacio en la localidad).- Territorialidad y festividad. Celebración a Santo Domingo de Guzmán en Oaxtepec por Tania Alejandra Ramírez Rocha y Patricia Ramírez Ramírez.Jaripeo. Fotografía: Patricia Ramírez Ramírez, Oaxtepec, Morelos, 2023
Literary Strategies in Rui Rocha
No full textInteressa a este artigo perquirir as estratégias, de hibridismo, alegoria e voz poética, usadas pelo autor, Rui Rocha, para compor alguns dos poemas de suas obras Taotologias e A oriente do silêncio, apontando o modo como as cenas imagéticas apresentam-se como arte final.
ABSTRACT
This article investigates the hybridism strategies, allegory strategies and poetic voice strategies, who Rui Rocha author uses to compose some of his poems. He wrote Taotologias and A oriente do silêncio. And also, this article wants to demonstrate the way in which scenes helps to make the final art of those books.
Keywords: Hybridism, Allegory, Poetic voice.This article investigates the hybridism strategies, allegory strategies and poetic voice strategies, which writer Rui Rocha uses to compose some of his poems. He wrote Taotologias and A oriente do silêncio . Moreover, this article demonstrates the
way in which scenes help to make the final artwork of those books
El Tlacuache Núm. 921 (2020). 921 Año 19 (2020) febrero. El Tlacuache
No full textEl devenir de la infancia en México por Tania Alejandra Ramírez Rocha
Literature and affections: Interview with Fernando Rocha
No full textFernando Rocha é paulistano, graduado em Letras, professor na rede municipal de ensino de São Paulo, fotógrafo, autor dos livros Sujeito sem verbo, Os Laços da fita, Afetos e Pouca Pele, este último publicado recentemente. Possui textos em diversos sites, como: Mallarmagens, Amaité Poesias & Cia, Diversos e Afins, Revista Gueto, Incomunidade, Letras Inacabadas e Letras et Cetera.Nesta entrevista, gentilmente concedida para a Opiniães via correspondência eletrônica no mês de maio, Fernando Rocha expõe suas ideias acerca da intrincada relação entre a literatura e os afetos, desde o processo criativo até a recepção da obra pelos leitores.Fernando Rocha is from São Paulo, graduated in Literature, professor in the municipal network of education of São Paulo, photographer, author of the books Sujeito sem verbo, Os Laços da fita, Afetos and Pouca Pele, the latter recently published. He has texts on several websites, such as: Mallarmagens, Amaité Poesias & Cia, Various and the like, Gueto Magazine, Incomunidade, Letras Inacabadas and Letras et Cetera.In this interview, kindly granted to Opinià £ es via electronic correspondence in the month of May, Fernando Rocha presents his ideas about the intricate relationship between literature and affections, from the creative process to the reception of the work by the readers
As imagens em trase e os personagens povoadores no cinema de Glauber Rocha
No full textPara Glauber “o Cinema Novo é um projeto que se realiza na política da fome, e sofre, por isto mesmo, todas as fraquezas consequentes de sua existência” (ROCHA, 2004, p. 67). É assim que o transe que aqui pretendemos delimitar, quando visto a partir de uma ambivalente condição que o compreende ao mesmo tempo como doença e como cura, multiplica suas formas: há o transe da fome, capaz de produzir meios famintos, esgotados; o transe religioso, forjado no seio de um tempo messiânico; o transe do ébrio, que faz incidir sobre um plano de organização um plano dionisíaco, o transe da música, capaz de trazer, em seus elementos mínimos, um passado para dentro do presente; o transe da falação, que desmonta os dizeres em um rumorejar da linguagem. Ao cinema glauberiano interessou as vidas errantes e os meios doentes. Nesta tese, investigamos este transe, em Glauber Rocha, a partir de uma série de desdobramentos dos insights produzidos por Gilles Deleuze (2006) no breve texto chamado O Cinema Político Moderno. Segundo o autor, a especificidade deste cinema está centrada em sua capacidade de fazer devir nas imagens “um povo por vir” (DELEUZE, 2006, p. 281). Assim, as imagens que aqui investigamos, atualizadas em distorções, deformidades, vultos, rastros de um eterno fazer-se e desfazer-se das formas, são como maquinações da desabituação de um Brasil colonial e normativo, reconstruído na agitação de uma matéria vibrante a partir de processos heterogenéticos. Metodologicamente, as imagens em transe foram pensadas segundo três componentes: a primeira delas, constituída por motivos territoriais, organiza-se segundo codificações primárias nos fluxos de matéria, são feixes luminosos, gradientes de cor, granulações de película que são agenciadas segundo sínteses conectivas. A segunda componente, como meio de inscrição, é formulada no seio das descrições em transe, das narrações rituais e das narrações em transe, produtoras de meios de registro que deixam ver imagens ao mesmo tempo atuais e virtuais: desenquadramentos, descentramentos, narrações falsificantes e espacialidades em transe. A última componente decorre de uma descodificação generalizada que faz comunicarem-se fragmentos de matéria fílmica: são fonações, grafismos, gestos, matérias sublinguísticas que, ao serem associadas, mantêm as desterritorializações em estados de conjunção. Estas três componentes das imagens em transe se desenvolverão segundo questões suscitadas pelo que chamamos, para fins metodológicos, de personagens povoadores, que são personagens cuja colocação de problemas traz às imagens inquirições propriamente cinemáticas. São eles: O Cancioneiro, O Gago, O Cego Vidente, O Tirano, O Messias.To Glauber Rocha (2004), “the Cinema Novo is a project that emerges in the politics of hunger, and suffers, for this very reason, all the weaknesses resulting from its existence” (p. 67). The trance, seen as a disease as well as a cure, multiplies its forms: there is the famine trance, capable of producing a communication channel from hungry and exhaustion, the religious trance, forged inside a messianic time, the inebriation trance, which turns an organization dimension into a Dionysian dimension, the music trance, capable of bringing, in its minimal elements, a past into the present, the rustle trance which dismantles the words in a rustling language. Glauber Rocha cinema was interested in wandering lives and deteriorated communication channels. This thesis aims to investigate this trance, in Glauber Rocha, based on the insights produced by Gilles Deleuze (2006) in text called The Modern Political Cinema. According to the author, this cinema has the ability to produce a to become in the images of “a people to come” (DELEUZE, 2006, p. 281). The images that we investigate here are similar as machinations of the withdrawal of a colonial and normative Brazil, reconstructed in the agitation of a vibrant matter (distortions, deformities, shapes, traces of an eternal making and undoing of shapes) created with heterogeneous procedures. As a method, the trance images are classified by three components. The first one, constituted by territorial reasons, is organized in primary encodes level, in the flows of substance. They are light beams, color gradients, film granulation that are brought together in consonance with connective syntheses. The second component, as an inscription channel, is formulated in the interior of trance descriptions, in the procedural narrations and trance narrations, producing recording media that show present and virtual images: mismatches, decentralization, falsifying narrations and trance domains. The last component results from a generalized decoding that makes interconnect fragments of film material. They are phonation, graphics, gestures and sublinguistic materials when associated keep the deterritorializations in states of conjunction. These three components of trance images will be developed according to the interrogations brought by the inhabiting characters: the Singer, the Stutterer, the blind Psychic, the Tyrant, the Messiah
A Comparison of Arabic Numeral Allographs Written by Adults from English Speaking vs. Non English Speaking Countries
No full textThe purpose of this investigation was to examine the claim that when Arabic numerals appear on a
questioned document, such as a check or passport application, it may be possible to determine if the document
was written by a foreign author. In line with prediction, the evidence revealed reliable differences among
certain numerical allographs produced by adults in Belarus, Canada, Germany, Italy, and Spain. Despite these
findings, however, the evidence further revealed the need for caution when using copybook information to make
this determination
El Tlacuache Núm. 926 (2020). 926 Año 19 (2020) marzo. El Tlacuache
No full text- La participación de la niñez en los huehuenches de Tlayacapan por Tania Ramírez Rocha y Patricia Ramírez Ramírez
WOKÓŁ KANONIZACJI ŚWIĘTEGO ROCHA
No full textThe difficulties concerning St Rocco’s canonisation commenced in the Middle Ages, largely due to the missing papal bull. Taking into account the popular piety and the need for establishing the rules of the canonisation process, a number of popes were searching for an optimal solution to this problem. This paper presents selected Holy See documents signed by a dozen of pontiffs spanning from the 10th till the 16th century which detail the canonisation procedure. Another set of sources regarding St Rocco’s case are his oldest hagiographies: Vita sancti Rochi by Francesco Diedo, Acta Breviora by an anonymous German author and La vie et légénde de Monseigneur saint Roch by Jehan Phelipot. They help to answer the question whether St Rocco was declared saint at the Council of Constance (1414–1418) or not. Finally, the liturgical sources as well as certain works of art point at the widespread cult of St Rocco as a protector against the Black Death. In conclusion, the author of this article offers a possible path to find the lost canonisation bull that might put an end to the questions arising around the saint. Problem kanonizacji świętego Rocha sięga swoimi początkami wieków średnich. Szczególnie odnotować należy problem braku bulli kanonizacyjnej informującej Kościół Powszechny o dokonanej przez papieża kanonizacji. Ta, w przeciągu wieków, w swojej formie przybierała różnego rodzaju rozwiązania; różniła się zasadniczo kanonizacja wieków średnich od kanonizacji nowożytnej. Wielu papieży wypowiadało się na ten temat szukając optymalnego rozwiązania. Z jednej strony sprostania zapotrzebowaniom wiernych, z drugiej ujednolicenia procedur doprowadzających do wymaganego celu. Taki zamiar osiągnięto za sprawą wielu papieży wypowiadających się w różnego rodzaju dokumentach Stolicy Apostolskiej, które zostały w niniejszym artykule chociaż częściowo uwzględnione. Przedstawienie procedur doprowadzających do aktu kanonizacji, począwszy od wieku X po wiek XVI, zajmowało wysiłki kilkunastu papieży. To o nich wspominamy szczególnie w kontekście nieistniejącej dziś bulli kanonizacyjnej świętego Rocha. Poszukiwania okoliczności jej powstania i ogłoszenia przedstawiamy w kontekście materiałów źródłowych; już nie tylko bulli papieskich, ale istniejących najstarszych hagiografii świętego, począwszy od Vita sancti Rochi Francesca Dieda, księgi Anonima niemieckiego, Acta Breviora, aż po La vie et légénde de Monseigneur saint Roch Jehana Phelipota. Pojawiające się w nich punkty wspólne życiorysu świętego Rocha, ale i różnice, pozwalają na przeprowadzenie analizy odpowiadającej na pytanie, czy kanonizacja świętego Rocha dokonała się podczas Soboru w Konstancji (1414–1418), czy też w innych okolicznościach. Ponadto przedstawione zostały w niniejszym opracowaniu argumenty pośrednie, które w odróżnieniu od historycznych jednoznacznie, od czasów śmierci świętego, przyczyniały się do powstania jego kultu. Są to argumenty liturgiczne, o powszechnej dla Kościoła rozpiętości, jak i argumenty artystyczne, dokumentujące święte życie patrona od zarazy dżumy. W wielu miejscach, dzięki obrazom i rzeźbom, silna wiara w szybkim czasie stała się elementem propagującym kult świętego nie tylko w Europie. Artykuł kończy hipoteza ukierunkowana na trop odnalezienia – zdaniem autora – zaginionej bulli, która rozwiązałaby powstałe i narastające wokół świętego Rocha wątpliwości
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