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    Jacques Lacan and an encounter with fashion

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    PhDThis thesis is a psychoanalytic engagement with fashion. It follows from established work in literature, film and visual art, and deploys psychoanalysis, particularly the work of Jacques Lacan, as a critical theory in order to interpret a particular cultural form. It departs from other psychoanalytic cultural criticism in that it takes fashion as the object of study. Although fashion is not art there are moments where it can be discussed in the same terms as art, and it is with these moments that this thesis is concerned. The instances of fashion under discussion are selected from the unusual, innovative, avant garde fashions that are seen in galleries and museums, in the bi-annual, international Fashion Week shows, and in photography editorials in fashion magazines. Kristeva’s notion of the avant garde as a mechanism by which intractable gender conventions can be critiqued is central to my definition of the feminine in fashion as pertaining to feminine subjects, usually but not exclusively women, as pertaining to and contingent upon the body, in particular the female body, and, in a specifically Lacanian idiom, as following an impossible and contradictory logic. These three definitions of femininity allow for a reading of fashion that will anchor fashion to the category of the feminine, while also rejecting any notion of that category as in any way either biologically or anatomically determined, or reliant on social structures for its resonances and its meaning. If psychoanalysis is concerned with what cannot be said, then so is fashion, but despite the best efforts of both, the unsayable remains precisely that. Fashion is predicated on leaving contradictions intact, and a psychoanalytic reading of fashion demonstrates what these contradictions are and how they operate not just as instances of avant garde creative forms but also, and more importantly, as instances of the unspeakable impossibility of human subjectivity, writ large on the human body itself

    Jacques Lacan, “O Outro” de André Breton

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    Tradução do texto Jacques Lacan, “l’Autre” de André Breton, de Jacqueline Chénieux-Gendron, na qual a autora problematiza articulações existentes entre o pensamento de Jacques Lacan e André Breton. Translation of paper entitled Jacques Lacan, “l’Autre” de André Breton, written by Jacqueline Chénieux-Gendron, in which the author discusses intersections between the thought of Jacques Lacan and that of André Breton

    Jacques Lacan: stages of formation

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    This is a book review of: Elisabeth Roudinesco (1997) Jacques Lacan, translated by Barbara Bray, Polity Press, Cambridge. It is a critical account of the intellectual formation of the ideas and practices of the influential French psychoanalyst Jacques Lacan

    André Masson e Jacopo Zucchi attraverso Jacques Lacan: osservare a distanza Amore e Psiche

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    Andrè Masson è invitato da Jacques Lacan una mattina del 1961, a realizzare uno schizzo a partire dal dipinto di Jacopo Zucchi conservato alla Galleria Borghese. Masson realizza lo schizzo e per Lacan costituirà il punto di partenza del Seminario dedicato alla lettura di Amore e Psiche e del dipinto di Jacopo Zucchi. Il capitolo analizza lo schizzo di Masson e lo inserisce nel contesto culturale e storico-artistico dell'epoca

    Nixon's “full-speech”: imaginary and symbolic registers of communication

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    Communicative interchanges play a foundational role in establishing the social. This being said, communicative behaviour can also lead to stalemates and conflict in which demands of recognition outweigh the prospect of hearing or saying anything beyond what is thought to be known. This paper foregrounds a dimension of communication often neglected by approaches prioritizing mass communications and new media technologies, namely the psychical and inter-subjective aspects of communicative exchange. More directly, this paper introduces and develops a Lacanian psychoanalytic theory of two interlinked registers of communicative behaviour. The first of these is the imaginary: the domain of one-to-one inter-subjectivity and behaviour that serves the ego and functions to consolidate the images subjects use to substantiate themselves. The second - far more disturbing and unpredictable - is the symbolic. It links the subject to a trans-subjective order of truth, it provides them with a set of socio-symbolic co-ordinates, and it ties them into a variety of roles and social contracts. In an elaboration of these two registers, illustrated by brief reference to Nixon’s admission of guilt in his interviews with David Frost, I pay particular attention to both the potentially transformative symbolic aspect of communicative behaviours and the ever-present prospect that such relations will ossify into imaginary impasses of mis-knowing (méconnaissance) and aggressive rivalry

    Jacques Lacan. Psicoanálisis y política.

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    Reseña de Jacques Lacan. Psicoanálisis y política, de Yves Charles Zarka (Buenos Aires: Ediciones Nueva Visión, 2004).

    The specular image and its implications in psychotic disorders

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    reservedLa tesi si propone di presentare gli aspetti chiave della formulazione teorica di Jacques Lacan circa l'immagine speculare. Segue poi il tentativo di descrivere almeno un caso clinico di disturbo psicotico in una prospettiva psicoanalitica; l'obiettivo è quello di mettere in evidenza i possibili apporti teorici della clinica dell'immagine speculare

    Anika Rifflet-Lemaire, Jacques Lacan

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    Robert Jean-Dominique. Anika Rifflet-Lemaire, Jacques Lacan. In: Revue Philosophique de Louvain. Quatrième série, tome 72, n°14, 1974. p. 390

    Le structuralisme de Jacques Lacan

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    Corvez Maurice. Le structuralisme de Jacques Lacan. In: Revue Philosophique de Louvain. Troisième série, tome 66, n°90, 1968. pp. 282-308

    Anika Rifflet-Lemaire, Jacques Lacan

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    Robert Jean-Dominique. Anika Rifflet-Lemaire, Jacques Lacan. In: Revue Philosophique de Louvain. Quatrième série, tome 72, n°14, 1974. p. 390
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