13,160 research outputs found
L’espace : table ronde autour de Jacques Rivette
No full textLe texte reproduit la transcription d’une table ronde de 1969 consacrée au sujet de « “L’espace” au cinéma », à laquelle participaient les rédacteurs des Cahiers du cinéma (Jacques Aumont, Pascal Bonitzer, Pascal Kané, Jean Narboni, Sylvie Pierre et Jacques Rivette), restée inédite, accompagnée d’une présentation donnant le contexte historique du document. Le dactylogramme a été retrouvé dans le Fonds Jacques Rivette (déposé à la Cinémathèque française), et atteste du rôle joué par Rivette au sein de la revue dans les années 1968-1969, bien après avoir démissionné de sa position de rédacteur en chef. Le débat sur l’espace cinématographique constitue un complément à celui sur « le montage » paru en mars 1969, et, en s’inspirant des théories de Barthes, Althusser et Lacan parmi d’autres, il comprend des points de discussion tels que la scène primitive, l’espace mythique du western, le couple fiction/lieu et le motif de la clôture dans le cinéma moderne. De plus, il nous fournit un document précieux sur le processus de travail intellectuel collectif pratiqué par les Cahiers pendant la période politisée de la revue.The text reproduces the transcription of a 1969 round-table dedicated to the issue of « Space » in the cinema, which featured the editors of Cahiers du cinéma (Jacques Aumont, Pascal Bonitzer, Pascal Kané, Jean Narboni, Sylvie Pierre et Jacques Rivette), but which is published here for the first time, accompanied by an introduction presenting the document’s historical context. The typescript was found in the Fonds Jacques Rivette (deposited with the Cinémathèque française), and attests to the role played by Rivette within the journal in the years 1968-1969, well after he had his left his position as editor-in-chief. The debate on cinematic space constitutes a complement to its counterpart on montage (which was published in Cahiers in March 1969), and, drawing inspiration from the theories of Barthes, Althusser and Lacan among others, it includes points of discussion such as the primal scene, the mythical space of the western, the fiction/place duality and the motif of closure in modern cinema. Moreover, it provides us with a valuable document of the process of collective intellectual labour practised by Cahiers during the journal’s politicised period
Pascal Payen et l'Enquête d'Hérodote : Pascal Payen, Les îles nomades ; conquérir et résister dans l'Enquête d'Hérodote.
No full textAnnequin Jacques. Pascal Payen et l'Enquête d'Hérodote : Pascal Payen, Les îles nomades ; conquérir et résister dans l'Enquête d'Hérodote.. In: Dialogues d'histoire ancienne, vol. 23, n°2, 1997. pp. 299-302
Samuel Beckett and the Writers of Port-Royal
No full textIt has been observed that ‘the literary influences on Beckett have been far more important than has been acknowledged, and more important indeed, than the philosophical influences’ (Smith 2002: 3). The truth of this statement is evidenced by the description that scholars have given of Samuel Beckett’s relationship to seventeenth century French classicism. To date, critical interest has been limited for the most part to the figure of the philosopher René Descartes on the (fragile) grounds that Beckett was exclusively concerned with the Cartesian imperative of clarity and order, the fundamental dualism between body and mind, and Nominalism.
Together with the assumption that Beckett’s vision was essentially Cartesian, his literary filiation with Pascal was suggested by critics, but only in terms of Beckett’s formal approach to the theatre. In his short article on En attendant Godot in 1953, the playwright Jean Anouilh was among the first reviewers to suggest that Beckett’s drama synthesizes the encounter between ‘classicism’ and a ‘modern’ form of art. It is well known that Beckett retained a lifelong admiration for Pascal – indeed, Pascal was one of his ‘old chestnuts’ (Knowlson 1997: 653). Little attention has been paid, however, to the originality of Pascal’s thought, the specific nature of his prose, and the impact these might have had upon Beckett’s mature work, especially the trilogy and the subsequent short prose. Yet, in the literary and philosophical context of post-war France, Beckett’s filiation with Pascal, their corresponding preoccupations, were evident to his contemporaries, who identified Pascal as an underlying presence in his works
Jacques Gravier 1946-1994
No full textBlondeau Pascal. Jacques Gravier 1946-1994. In: Norois, n°166, Avril-Juin 1995. pp. 361-362
Interview with Pascal Lamy (President Emeritus of the Jacques Delors Institute, former European Trade Commissioner, former Director-General of the World Trade Organization)
No full textThis in-depth interview is focused on Pascal Lamy's career and European commitment, Economic and Monetary Union, European economic governance, competitiveness in the European Union and the European social model.
Audiovisual interview recorded on 2 February 2017 at the headquarters of the Jacques Delors Institute in Paris.Resources on the European Socio-Economic mode
Le troisième centenaire de la mort de Blaise Pascal
No full textJacques Emile. Le troisième centenaire de la mort de Blaise Pascal. In: Revue Philosophique de Louvain. Troisième série, tome 60, n°67, 1962. pp. 414-416
Jacques Lepart (25 juillet 1947 - 4 juillet 2020)
No full textMarty Pascal. Jacques Lepart (25 juillet 1947 - 4 juillet 2020). In: Ecologia mediterranea, tome 46 n°2, 2020. pp. 117-123
Dibie (Pascal) La Tribu sacrée. Ethnologie des prêtres
No full textCheyronnaud Jacques. Dibie (Pascal) La Tribu sacrée. Ethnologie des prêtres. In: Archives de sciences sociales des religions, n°86, 1994. pp. 278-279
Hervé Bourges et Pascal Josephe Un amour de télévision
No full textMousseau Jacques. Hervé Bourges et Pascal Josephe Un amour de télévision . In: Communication et langages, n°79, 1er trimestre 1989. p. 127
Vittorio Martino, B. Pascal nella unità del suo pensiero
No full textDecerf Jacques. Vittorio Martino, B. Pascal nella unità del suo pensiero. In: Revue Philosophique de Louvain. Troisième série, tome 63, n°79, 1965. p. 481
- …
