1,721,428 research outputs found
Lembar Hasil Penilaian Sejawat Sebidang atau Peer Review Prosiding : Diskresi dalam Penegakan Hukum di Peradilan Agama_C.7_a.n. Islamiyati
No full textLembar Hasil Penilaian Sejawat Sebidang atau Peer Review Jurnal Ilmiah : Analisis Asas Keadilan pada Pembagian Harta Warisan Menurut Hukum Islam_C.4_a.n. Islamiyati
No full textLembar Hasil Penilaian Sejawat Sebidang atau Peer Review Buku : Access to Justice bagi Nasabah Perbankan Syariah (Perspektif Hak Spiritual Nasabah)_C.1_a.n. Islamiyati
No full textLembar Hasil Penilaian Sejawat Sebidang atau Peer Review Jurnal Ilmiah : Analisis Yuridis Nikah Beda Agama Menurut Hukum Islam di Indonesia_C.5_a.n. Islamiyati
No full textPELAKSANAAN PELAYANAN PEGAWAI KANTOR PELAYANAN PAJAK (KPP) PRATAMA BENGKALIS TERHADAP PENINGKATAN JUMLAH WAJIB PAJAK
Get PDFABSTRAK
PELAKSANAAN PELAYANAN PEGAWAI
KANTOR PELAYANAN PAJAK (KPP) PRATAMA BENGKALIS
TERHADAP PENINGKATAN JUMLAH WAJIB PAJAK
OLEH :
PUTRI ISLAMIYATI ALWI
01870624284
Penelitian ini dilaksanakan di Kantor Pelayanan Pajak (KPP) Pratama Bengkalis pada bulan Juni s.d Juli 2021. Penelitian ini dilakukan dengan tujuan untuk mengetahui bagaimana pelaksanaan Pelayanan yang dilakukan oleh Pegawai Kantor Pelayanan Pajak (KPP) Pratama Bengkalis dalam memberikan pelayanan kepada Wajib Pajak untuk melakukan kegiatan perpajakan. Pada masa pandemi Covid-19 saat ini Kantor Pelayanan Pajak (KPP) Pratama Bengkalis telah mengoptimalkan penerapan protokol kesehatan untuk mengurangi serta mencegah penyebaran virus Covid-19 dalam kegiatan di Kantor Pelayanan Pajak (KPP) Pratama Bengkalis. Untuk mendapatkan data dan informasi maka dalam penelitian ini diselesaikan dengan metode obsevasi, wawancara dan anaslisis data. Pelayanan yang diberikan oleh pegawai Kantor Pelayanan Pajak (KPP) Pratama Bengkalis telah mengikuti prosedur dan terus meningkatkan pelayanan demi kenyamanan Wajib Pajak dalam melakukan kegiatan perpajakan.
Kata Kunci : Pelayanan Perpajakan, Kantor Pelayanan Pajak (KPP) Pratama, Wajib Paja
Going Beyond Counting First Authors in Author Co-citation Analysis
Get PDFThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Lembar Hasil Penilaian Sejawat Sebidang atau Peer Review Jurnal Ilmiah: Tinjauan Yuridis tentang Relasi Suami IsteriMenurut KHI Inpres No. 1/1991_C.3_a.n. Islamiyati
No full textLembar Hasil Penilaian Sejawat Sebidang atau Peer Review Book Chapter : Kebijakan Pemerintah Kaitannya dengan Penegakan Hukum Perbankan Syariah di Indonesia _C.2_a.n. Islamiyati
No full textVariations on the Author
Get PDF“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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