1,721,445 research outputs found
Pembelajaran Ekonomi dan Kearifan Lokal
Full text linkBuku ini terdiri atas lima bab yang disajikan secara teoretis dan praktis. Bab 1, konsep dasar ekonomi; Bab 2, kebutuhan, kelangkaan, dan pengalokasian sumberdaya; Bab 3, perilaku ekonomi konsumen, Bab 4, perilaku ekonomi produsen, dan Bab 5, Struktur pasar. Tidak dapat dipungkiri bahwa dalam penyusunan buku ini terdapat kekurangan sehingga penulis membutuhkan saran dari para pembaca untuk kesempurnaan buku ini
Konsep Dasar Ekonomi Pendekatan Nilai-Nilai Eco-Culture
Full text linkBuku ini terdiri atas empat bab yang disajikan secara teoretis dan praktis. Bab 1, konsep dasar ekonomi; Bab 2, kebutuhan manusia; bab 3, nilai-nilai dasar eco-culture, Bab 4, kegiatan ekonomi produsen dan konsumen. Tak dapat dipungkiri bahwa dalam penyusunan buku ini terdapat kekurangan sehingga penulis membutuhkan saran dari para
pembaca untuk kesempurnaan buku ini
El descenso de Inanna
No full textWe analyse one of the oldest original stories in the world, the descent of Inanna, Sumerian goddess of love and war, to the underworld. The poem narrates her descent, by the road of no return, to the kingdom of death, ruled by her sister Ereshkigal. It will be thanks to the intervention of her father Enki, God of the waters, that Inanna awakens and returns to life. We locate in the myth the different milestones of the hero's journey established by Campbell, focusing especially on the mystical weddings that constitute the zenith of the journey. We find in the myth of Inanna the representation of the Royal Wedding in the resurrection rite that Enki elaborates for Inanna. This would be equivalent to the union of the underworld with life, of the unconscious with the universal consciousness, in other words, to the renewing synthesis of the opposites. We also note the intimate connection of the concept of the navel of the world or axis mundi with the hero.Analizamos uno de los relatos originarios más antiguos del mundo, el descenso de Inanna, diosa sumeria del amor y la guerra, al inframundo. Narra el poema su descenso, por el camino sin regreso, al reino de la muerte, regido por su hermana Ereshkigal. Será gracias a la intervención de su padre Enki, Dios de las aguas, como Inanna despierte y vuelva a la vida. Localizamos en el mito los diferentes hitos del viaje del héroe establecidos por Campbell, centrándonos especialmente en las bodas místicas que constituyen el cenit del recorrido. Encontramos en el mito de Inanna la representación de las Bodas Reales en el rito de resurrección que Enki elabora para Inanna. Ello equivaldría a la unión del inframundo con la vida, del inconsciente con la conciencia universal, es decir, a la síntesis renovadora de los opuestos. Observamos también la íntima conexión del concepto de ombligo del mundo o axis mundi con el héroe
Inanna: A Modern Interpretation
Full text linkSumer has a culture lost to history. Currently, the University of Maine offers no courses about ancient Mesopotamia, one of the first civilizations. Over the years, historians have been translating the cuneiform tablets containing their religion and history. There has been one adaptation of those translations, by Diane Wolkstein in 1983 to bring the stories to a wider audience through a collection of stories around the goddess Inanna. Wolkstein’s Inanna is a second wave feminist icon but reliant on an essentialist idea of womanhood. This thesis seeks to broaden her audience, analyze the context in which Wolkstein produced her adaptation, and present the stories of Inanna from a modern perspective, through the process of writing and directing an adaptation of the myths of Inanna.
Theater is a platform that gives playwrights a way to share their adaptations of untold stories, and directors a place to interpret. It is a place to introduce new re-tellings of old stories with room for creativity at each stage. This stage adaptation considers Wolkstein’s Inanna, as well as tablet translations from Samuel Noah Kramer, to produce Inanna for a modern audience
Inanna - Whip Handle
No full textA decorative whip handle in the shape of a bull's horn. Designed to celebrate one of the oldest living tales of a fierce female figure, Inanna. Inspired by the Sumerian poem "Bull of Heaven" where a mythical beast resembling a bull is sent to attack Gilgamesh by the goddess Inanna.
Size: 150mm (L) x 40mm (W) at the widest and 14mm at the narrowest tip. Materials: Copper, sterling silver, animal horn, leather. Fabrication: Anticlastic forming, riveting and hand fabrication.Jewellery Art & Design 1st Year Display ProjectmythologyanticlasticMesopotamian goddes
"La danza di Inanna". Confusione, danza e gioco nell'aspetto guerriero di Inanna / Ištar
No full textIn questo studio sono analizzate alcune peculiarità dell’aspetto guerriero di Inanna / Ištar, una delle divinità più antiche e complesse dell’antica Mesopotamia. Lo scopo è di investigare in che modo l’esperienza della guerra fosse organizzata grazie ai nessi simbolici che legavano la dea alla sfera della confusione, della danza e del gioco. L’analisi è condotta tenendo conto di miti, inni e preghiere dal III al I millennio a.C.; una particolare attenzione è posta allo studio di performance o oggetti legati tramite metonimia o metafora all’esercizio guerriero di Inanna / Ištar, quali la danza gūštu, gli strumenti pukku e mekkû e i giochi della corda, delle pedine e degli astragali.This study focuses on the warrior aspect of Inanna / Ištar, one of the oldest and most complex Mesopotamian deities. The aim is to investigate how the experience of warfare was organized through the symbolic connections that linked this goddess to the sphere of confusion, dance and play. The analysis is conducted taking into account myths, hymns and prayers from the third to the first millennium BC; particular attention is paid to the study of performances or objects linked through metonymy or metaphor to the warlike exercise of Inanna / Ištar, such as the gūštu dance, the pukku and mekkû instruments, and the games of rope, pawns and astragals
Enheduanna, the “World’s First Author”: An Analysis of Ninmešarra (the Exaltation of Inanna) and Inninšagurra (Queen of Vast Heart): General Article
No full textThis article discusses two written works by Enheduanna of Akkad. The aim is to understand the texts through a close reading and draw out any information offered about Enheduanna herself. The first text is Ninmešarra, or the Exaltation of Inanna. This is the most famous of Enheduanna’s authored works. It discusses her exile from Ur and acts as a praise hymn for Inanna. The textual analysis highlights the significance of Enheduanna’s writing style and use of first-person narration in conveying her experience of expulsion. The second text discussed is Inninšagurra, or Queen of Vast Heart. While it offers fewer instances of first-person narration, it still highlights a sense of internal struggle that can be related to what is known of Enheduanna’s life. These texts are thematically similar in their depictions of Inanna and the author, which this article discusses in terms of the question of early first-person narration as a form of autobiographical writing
Ecology of the Erotic in a Myth of Inanna
Full text linkMyths of Mesopotamian Goddess Inanna, planet Venus in the ancient Sumerian pantheon, have
been useful in psychological processes of contemporary women. A lesser-known myth, “Inanna and
Shukaletuda,” includes sexual transgression against the deity and ties the deified erotic feminine
with fecundity and sacredness of fields and trees. Interpretation of Inanna’s love poems and poems of
nature’s justice contextualizes ecofeminist relevance to psychological issues. Deconstruction of rich
imagery illustrates menstrual power as female authority, erotic as a female aesthetic bringing order,
and transgender as sacred office of transformation. Meador’s (2000) interpretation of three Inanna
poems by a high priestess of ancient Ur provides four new archetypes for women that situate an axis
for further understanding of “Inanna and Shukaletuda.
El mito de Inanna y Šukaletuda: Violencia sexual en Sumer
Full text linkO seguinte artigo trata o tema da violência sexual através do mito sumério de Inanna e Šukaletuda, onde a deusa Inanna é estuprada pelo mau jardineiro Šukaletuda, estabelecendo um paralelismo entre o crime sexual cometido contra a deusa e aqueles que estão sendo hoje moeda comúm nos conflitos armados do Oriente Médio, especialmente na Síria.
- …
