1,478 research outputs found
On names in Mažuranić’s epic The Death of Smail-Agha Čengić (Smrt Smail-age Čengića)
No full textIako sam o leksikografskoj obradi Mažuranićeve pjesni Smrt Smail-age Čengića već pisao, ostalo je podosta toga o čemu još treba progovoriti. Tom dijelu pripada i rasprava o imenima u Mažuranićevoj Smrti. Ovo je, čini mi se, ponajbolja prigoda da se o tome prozbori u članku koji je posvećen Svečaru.Starting from his overall lexicographic approach to Mažuranić’s epic The Death of Smail-Agha Čengić, the author focuses his attention here on the analysis of its corpus of names. Most studies of the epic to date have not paid special attention to the onomastic material although it was partly incorporated into Benešić’s Dictionary of the Croatian Literary Language. The author believes that a dictionary of words used in an individual literary work or in complete works of an author, i.e. a Writer’s Dictionary, should contain all the words with their meanings, including proper names (anthroponyms, place names and ethnonyms), especially since proper names as a category do not rank very low on a frequency scale. Even if a name appeared only once in a given work (e.g. in Mažuranić’s The Death of Smail-Agha Čengić), it should nevertheless be included in a dictionary. In compiling a complete dictionary of Mažuranić’s poem The Death of Smail- Agha Čengić, the author has found that the poem contains slightly less than 6.000 words (including all word forms), or 1.661 headwords used in 1.134 verses and 5 cantos of the epic: Agovanje, Noćnik, Četa, Harač and Kob. The corpus contains approximately eighty forms of onomastic names and their adjectival derivations, which can be considered as onomastic headwords. The author lists names in the alphabetical order together with the number of their occurrences and variants (in brackets), thus presenting their collocations as well. They will subsequently be listed according to semantic categories and frequency
Smrt Smail-age Čengijića kao jezičkoumjetničko djelo - lingvistika i poetika naslova
No full textV nastojaščej stat'e rassmatrivaetsja tekstologija poëmy 'Smert' Smail-agi Čengiiča' I. Mažuraniča, a imenno: fonetiko-fonologičeskaja i stihovedčeskaja rekonstrukcija zaglavija
Prirodno pravo u Smrti Smail-age Čengića: Mažuranićev “fuit tyrannus”
No full textU radu se Mažuranićev spjev Smrt Smail-age Čengića tumači u kontekstu naslijeđa ideja Francuske revolucije koja prvi put postavlja političku slobodu kao pravo i svrhu društva i države. To tumačenje povezuje Mažuranićev književni i publicistički s državnopravnim angažmanom u kojem je kao državnik i reformator osuvremenio hrvatsko školstvo i pravni sustav. Smrt Smail-age Čengića u tom se kontekstu razumije izvan osnovnog referencijalnog sloja, kao tekst koji na alegorijskoj razini apostrofira modernističku ideju povijesnog progresa koji nužno svrgava svaku tiraniju. Zagovarajući prirodno pravo kao načelo funkcioniranja svake vlasti, Mažuranić istodobno opravdava revolucionarni teror kao izraz “božanskog nasilja” (die göttliche Gewalt, kako će ga poslije nazvati Walter Benjamin) koje, oslobođeno osobnog interesa, “neposredno i neiskvareno”, djeluje bez potrebe za ostvarivanjem osobne osvete ili vlastitog koncepta pravde
Razlikovanje usmenoga i pisanoga stila na primjeru Smrti Smail-age Čengića Ivana Mažuranića
No full textOvaj rad istražuje obilježja usmene književnosti u spjevu Ivana Mažuranića, Smrt Smail-age Čengića. Spjev govori o agi koji je poginuo u bitki s Crnogorcima. Taj se događaj zbio u stvarnosti 1840. godine. Početak rada govori o općenitoj društveno-političkoj situaciji 19. stoljeća. Usmena je književnost bila važna u stvaranju književnog kanona i standardizaciji jezika. Spjev se nastavio na dubrovačku ranonovovjekovnu štokavicu, i jezik i stil usmene književnosti, iako se podjela između toga dvoga ne može čvrsto odrediti. U radu se izdvajaju obilježja usmenih epskih pjesama. Najzanimljivije su bile junačke pjesme jer su tematizirale osmansko-kršćanski sukob. Elemenata tih pjesama ima i kod Mažuranića. Junačke pjesme dakako imaju glavnog junaka kojega kite viteške i borbene vještine. Za Smail-agu se tako nešto ne može tvrditi. Njegovo je junaštvo sporno. Pisana se i usmena književnost razlikuju. Promatranje je tih razlika vodilo prema teoriji primarne usmenosti koju su iznijeli Walter J. Ong i Eric A.Havelock. Njezin je glavni oblik komunikacije usmena komunikacija i ona ne poznaje pismo ni u kojem obliku. Istaknuta su mnoga obilježja usmenosti u spjevu, no jasno je da je riječ samo o oponašanju, a ne o pravoj usmenosti
"The Byronic poem", "The Death of smail-age Čengić" and "The Field Grobnik"
No full textGeorge Gordon Byron proslavio se zbog svoje notorne reputacije, izraţene u njegovu najuspjelijem djelu, Hodočašću Childea Harolda, koje je i jedan veliki doprinos knjiţevnosti romantizma. Predstavio je novi literarni tip, tzv. „byronsku poemu“, koji je imao odjeka i u hrvatskoj knjiţevnosti u djelima najistaknutijih pisaca hrvatskog narodnog preporoda, Ivana Maţuranića i Dimitrija Demetra. Demetrovo Grobničko polje nerijetko se naziva prvom hrvatskom inaĉicom „byronske poeme“, a neporecive su i dodirne toĉke Maţuranićeve Smrti Smail-age Čengića i Hodočašća Childea Harolda. Tragovi demonskog junaka kod Smail-age i Batu-kana, romantiĉki pejsaţ i kombiniranje epskih, lirskih i dramskih elemenata samo su neke od njih. U Maţuranićevu i Demetrovu djelu prisutni su i elementi hrvatske knjiţevne tradicije, prvenstveno gundlićevske. Spoj tradicijskog i romantiĉkih teţnji posluţio je za izgradnju originalne estetike i projekciju ilirske ideologije u tim reprezentativnim ostvarenjima hrvatskog romantizma.George Gordon Byron became famous for his notorious reputation, expressed in his most successful work, Childe Harold's Pilgrimage, which is also a great contribution to the literature of Romanticism. He introduced a new literary type, so-called Byronic poem, which had an impact on Croatian literature in works of the most prominent writers of Croatian National Revival, Ivan Maţuranić and Dimitrije Demeter. Grobničko polje is frequently called the first Croatian version of Byronic poem, but the similarities between Maţuranić’s Smrt Smail-age Čengića and Childe Harold’s Pilgrimage are indisputable, as well. Traces of the demonic hero in Smail-aga and Batu-kan, the romantic nature and combination of epic, lyric and elements of drama are just some of them. Maţuranić’s and Demeter’s work present the elements of Croatian literary tradition, primarily the one of Gundulić. In that representative pieces of Croatian Romanticism, connecting the tradition with romantic tendencies, served for establishing the original aesthetics and as a projection of Illyrian ideology
Investigation of the effect of modular construction details on the lateral behaviour of cold-formed steel framed shear walls
No full textThis paper investigates the effect of modular construction details on laterally-loaded cold-formed steel (CFS) framed shear walls sheathed with wood-and cement-based panels by means of finite-element (FE) analyses. Shell FE-based models have been developed in ABAQUS with the aim of accurately capturing the behaviour, strength and stiffness as well as the corresponding failure modes of CFS framed shear walls subjected to monotonic lateral load (i.e., wind). User-defined element subroutines were adopted for precise modelling of sheathing-to-CFS screws shear behaviour. The proposed modelling protocol is validated using experimental test results, where an acceptable concordance (4% difference) has been achieved. Subsequently, the effect of modular construction details, which go beyond the scope of the current lateral design provisions (AISI S400), on the lateral behaviour of CFS framed shear walls is assessed. In particular, this paper investigates the impact of: (i) floor and ceiling ledger beams on the interior face of the shear wall, (ii) sheathing boards having different sizes from the overall shear wall and thus the presence of both vertical and horizontal seams, (iii) cement particle boards at the bottom stripe of the shear wall and (iv) different screw spacing in the top and bottom stripes from the middle part of the shear wall. The key parameters, which have most affected the lateral behaviour, were identified, and based on that, rules have been established for optimizing the screws pattern and sheathings layout efficacy in the above -described lateral load resisting system. The obtained results shed light on the capability of the developed modelling protocol to be used as a virtual test bench, particularly in offsite mass production and manufacture (DfMA), for the development of a new CFS framed wall system for lateral stability of lightweight modular houses
Ivan Mažuranić and his Contribution to Croatian Literature: For the 170th Anniversary of the Epic Poem The Death of Smail-Age Čengić
No full textAutor daje osvrt na pjesnički rad Ivana Mažuranića (1814. – 1890.) istaknutog htvatskog književnika i političara rođenog u Novom Vinodolskom i poznatog kao ban-pučanin zbog svojeg neplemićkog porijekla. Članak je nastao u povodu nekoliko nedavnih obljetnica vezanih uz njegov život, 125 godina od njegove smrti (1890.) te 170 godina od nastanka njegovog najznačajnijeg knjiženog djela, epa „Smrt Smail-age Čengića“ (1845.). Bio je izuzetna osoba u kojoj se sjedinilo domoljblje, talent pjesnika i politička mudrost. Uspješno je nadopunio završne dijelove Gundulićeva djela „Osman“ i pritom oživio autentičan Gundulićev pjesnički stil. Pjesništvom se intenzivno bavio tijekom jednog desetljeća, od 1835. do 1845. kada nastaje ep „Smrt Smail-age Čengića“. Pisao je o ljudskom nasilju i oholosti, a u književnom i političkom djelovanju nadahnula ga je borba Iliraca za uvođenje hrvatskog kao službenog jezika u Hrvatskom saboru 1847. godine.The author presents an overview of the work of Ivan Mažuranić (1814-1890) the prominent Croatian writer and politician born in Novi Vinodolski and famous as ban-commoner due to his non-aristocratic origin. The article was written upon the occasion of the recent anniversaries connected to his life, 125 years since his death (1890) and 170 years from the creation of his most important literally work, the epic poem ‘The Death of Smail-Age Čengić’ (1845).He was an exceptional person in whom patriotism, a talented poet and political wisdom were all combined. He successfully completed the final parts of Gundulić’s work ‘Osman’ and in doing so revived Gundulić’s authentic poetic style. He dealt intensively with poetry for a decade, from 1835 to 1845 when the epic poem ‘The Death of Smail-Age Čengić’ was created. He wrote about human violence and arrogance, and in literally and political activities the fight of the Illyrians for the introduction of Croatian to be the official language in the Croatian parliament in 1847 inspired him
GAVELLA’S READER’S VIEW ON THE POEM DEATH OF SMAIL-AGA ČENGIĆ
No full textThis paper analyses Gavella’s essay called Poetic structure of Mažuranić’s Smail-aga (1961) which, based on the example of canonical literary text, summarizes the author’s principal and theoretical views about the relationship between literature and dramatic performance. Following his insight that dramatization of a literary text, in the first place, requires a reading-interpretative effort kept within the frames of textual analysis of linguistic material, the second part of this paper represents the reading of controversial textual points in Mažuranić’s poem in the light of Gavella’s interpretative guidelines. At the same time, metatextual signals are shown to be essential for understanding Smail-aga, the analysis of the correlation between narrator and author, the status of the storyteller, and the associated shift in understanding of poetic language from constative to performative
Testing the evolutionary link between submillimetre galaxies and quasars: CO observations of QSOs at z~2
No full textWe have used the IRAM Plateau de Bure millimetre interferometer and the UKIRT 1–5 μm Imager Spectrometer (UIST) to test the connection between the major phases of spheroid growth and nuclear accretion by mapping CO emission in nine submillimetre-detected QSOs at z= 1.7–2.6 with black hole (BH) masses derived from near-infrared spectroscopy. When combined with one QSO obtained from the literature, we present sensitive CO(3–2) or CO(2–1) observations of 10 submillimetre-detected QSOs selected at the epoch of peak activity in both QSOs and submillimetre (submm) galaxies (SMGs). CO is detected in 5/6 very optically luminous (MB∼−28) submm-detected QSOs with BH masses MBH≃ 109–1010 M⊙, confirming the presence of large gas reservoirs of Mgas≃ 3.4 × 1010 M⊙. Our BH masses and dynamical mass constraints on the host spheroids suggest, at face value, that these optically luminous QSOs at z= 2 lie about an order of magnitude above the local BH–spheroid relation, MBH/Msph, although this result is dependent on the size and inclination of the CO-emitting region. However, we find that their BH masses are ∼30 times too large and their surface density is ∼300 times too small to be related to typical SMGs in an evolutionary sequence. Conversely, we measure weaker CO emission in four fainter (MB∼−25) submm-detected QSOs with properties, BH masses (MBH≃ 5 × 108 M⊙), and surface densities similar to SMGs. These QSOs appear to lie near the local MBH/Msph relation, making them plausible ‘transition objects’ in the proposed evolutionary sequence linking QSOs to the formation of massive young galaxies and BHs at high redshift. We show that SMGs have a higher incidence of bimodal CO line profiles than seen in our QSO sample, which we interpret as an effect of their relative inclinations, with the QSOs seen more face-on. Finally, we find that the gas masses of the four fainter submm-detected QSOs imply that their star formation episodes could be sustained for ∼10 Myr, and are consistent with representing a phase in the formation of massive galaxies which overlaps a preceding SMG starburst phase, before subsequently evolving into a population of present-day massive ellipticals
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