314 research outputs found
Detection of mercury ions using L-cysteine modified electrodes by anodic stripping voltammetric method
No full text
Unsatisfaction: Joni Mitchell, Joan Báez, Patti Smith
No full textDesde pequeña aprendí a asociar la música hecha por mujeres con lo ligero, repetitivo y superficial, y la música hecha por hombres con la calidad, la seriedad, lo virtuoso. Desde los catorce años aprendí a preferir a Metallica sobre Julieta Vengas. Luego de varios años de haber internalizado esto, cerca de terminar las tres disciplinas que estudié en la universidad y con una perspectiva sobre el género más incisiva, vislumbré que en mi música no había mujeres: yo solo escuchaba a hombres. Hombres gigantes, hermosos, hombres que habían contado historias en seis minutos: tragedias, injusticias, desamores. Hombres de Premios Nobel y dignos de reverencias: Bob Dylan, Leonard Cohen, Roger Waters, Lou Reed. Eran irrepetibles, y fue exactamente esto lo que me hizo preguntarme: dónde están las mujeres?, las hay como ellos?, igual de grandes, agudas y recordadas? Este es un texto, podría ser una novela aliada con la crónica, que se agarra de tres mujeres fundamentales en mi vida: Joni Mitchell, Patti Smith y Joan Baez, para contar una historia propia (que realmente son muchas historias). Ellas me prestan su vida, su música, sus narrativas y sus letras para contar tres periodos de mi vida llenos de música, guitarras, figuras masculinas, experiencias límite y confinamiento tanto físico como mental. En lo que ellas alimentan una narración propia, mía, la historia reciente de mi vida, si se quiere, la narración también amplifica su mundo, la grandeza y las particularidades de cada una. Con la incidencia que ellas tienen en mi vida pretende darse la incidencia que ellas tienen en el mundo. Cómo era ser mujer en su época?, cómo era ser mujer en la música en su época?, qué tienen ellas que decirnos que no nos narran los imaginarios masculinos?, cuáles son las narrativas de estas tres mujeres?Since I was a little kid, I learned to associate lightness, repetitiveness and superficiality with music made by women, and quality, seriousness, virtuosity with music made by men. At fourteen years old I learned to prefer Metallica over Julieta Venegas. After a decade of internalizing this, close to finishing the three disciplines that I studied in my undergraduate years and with a more incisive perspective on gender, I glimpsed that there were not women in my music: I only listened to men. Giant, beautiful men that had told stories in six minutes: tragedies, injustices, heartbreaks. Men of Nobel Prizes and worthy of reverences: Bob Dylan, Leonard Cohen, Roger Waters, Lou Reed. They were one-off, which was exactly what made me ask myself: Where are the women? Are there any like them, as big and as searing and as remembered as them? This is a piece, could be a novel befriended to a chronicle, that holds on to three fundamental women in my life: Joni Mitchell, Patti Smith and Joan Baez, in order to tell my own story (that really are a multiplicity of stories). They lend me their lives, their music, their narratives and their lyrics for me to articulate three periods in my life full of music, guitars, masculine figures, borderline experiences and confinement, physical and mental. As they nurture my own narrative, the story of my recent life, if you will, such narrative also amplifies their own universe, their greatness as well as the particularities in each one. The incidence they have in the world is intended to show through the incidence they have in mine. What was it like to be a woman at their time? What was it like to be a woman in music at their time? What do they have to tell us that male imaginaries do not tell us? What are the narratives of these three women?LiteratoPregrad
Preparation and characterization of zirconia-alumina system via solution and solid phase mixing method
No full textPemrograman C dan implementasinya
No full textBuku ini akan mengantarkan Anda untuk menjadi seorang programmer C yang berkualitas dengan memahami esensi dan konsep yang terdapat di dalam bahasa C. Pembahasan dalam buku ini juga disertai dengan teori dan implementasi C ke dalam pemrograman port, baik paralel maupun serial; yaitu untuk tampilan 8 buah LED, membangkitkan speaker PC, menggerakkan motor DC dan Stepper, dan juga tampilan LCD dua baris 16 karakter. Penulis berharap buku ini dapat menjadi referensi yang memudahkan Anda dalam mempelajari pemrograman C secara cepat
PERANCANGAN E-COMMERCE DALAM MENINGKATKAN PENGELOLAAN USAHA PENJUALAN
Get PDFOver time, the development of technology in this digital era is growing very rapidly, so that our lives are made easier with the emergence of various kinds of applications. The problem in this research is that the company has difficulty in monitoring sales developments, the company has difficulty in developing markets to other areas, customers must come to the location to buy goods and pay cash. The purpose of this research is to design a web-based sales application for MSMEs. The method used in conducting the analysis is using SWOT while at the design stage using the waterfall method with UML tools. Applications designed to help MSMEs optimize their product sales activities, as well as make it easier for customers to place orders and payments and also increase and expand their business. The result of this research is that this UMKM e-commerce web application can help in monitoring orders, payments, and orders delivery
White metal FG casting ready to be made into a brooch
No full textI thought I was bidding on one item made up of 88 parts. Imagine my surprise when a heavy box came with eighty-eight such pieces. I gather that each is waiting for a hand to paint it and for a pin to be laid across the support mounted on the back. Click on the image to see a larger version.1 button depicting Doré's illustration of "The Little Fish and the Fisherman," 3/4" in diameter. $12 from Joni Goldbarg through Ebay, April, '99
Projector-camera calibration with non-overlapping fields of view using a planar mirror
No full textProjector-camera systems have numerous applications across diverse domains. Accurate calibration of both intrinsic and extrinsic parameters is crucial for these systems. Intrinsic parameters include focal length, distortion parameters, and the principal point, while extrinsic parameters encompass the position and orientation of the projector and camera. A non-overlapping projector-camera system is required in certain scenarios due to practical limitations, physical arrangements, or specific application requirements. These systems pose a more complex calibration challenge because the devices have no direct correspondences or overlapping fields of view, necessitating intermediate objects or methods. This paper proposes a calibration method for non-overlapping projector-camera systems using a planar mirror. The method involves a straightforward process that requires a calibrated camera and a separate mirror calibration step. In this setup, the projector displays a pattern on a planar calibration board, and the camera has an indirect view of this calibration board through the mirror. Using homography, 3D-2D correspondences of the projector are established, enabling the calibration of the system. This method is empirically evaluated using real-world setups and quantitatively assessed in a synthetic environment. The results demonstrate that the proposed method achieves precise calibration across various setups, proving its effectiveness. This approach is an easy-to-use and accessible calibration process for non-overlapping projector-camera systems, made possible by a mirror.This research was partly funded by the European Union
(HORIZON MAX-R, Mixed Augmented and Extended Reality Media
Pipeline, 101070072), the Flanders Make’s XRTwin SBO project
(R-12528), the Special Research Fund (BOF) of Hasselt University
(R-14360) and the specialized FWO fellowship grant (1SHDZ24N).
Data availability The datasets generated during and/or analyzed during
the current study are available from the corresponding author on
reasonable request
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