1,721,014 research outputs found
DIFFERENT INTERPRETATION OF AMBIGUITIES SENTENCES (A Study of Class C the Second Semester Postgraduate Students Majoring English of State University of Semarang)
Full text linkAmbiguityis strictly speaking, used to describe aword, phrase, or sentence when it has more thanone interpretation.Sometimes we found many ambiguities sentences when we are reading or listen to the English sentences. Multiinterpretations not only happen from the English language learners, but also in native speakers themselves. Thisstudy investigated about is there any different interpretation of ambiguities sentences made by students of class c,second semester students of PPs Unnes?, and what types of ambiguous sentence majority missing in theirtranslating. The objectives of study were to know that the students of PPs Unnes have different interpretations whenthey are translating the ambiguities sentences and to identifying the types of ambiguities. This study used descriptivequalitative approach; ten postgraduate students from Class C PPs Unnes participated in this study as respondents.All were university students majoring in English. They were given 5 ambiguous sentences. Sentences includedifferent sources of ambiguity such as, structural ambiguity, and lexical ambiguity. The subjects were asked totranslate the sentences into Indonesian language. The result of study presented that participants who are not nativespeakers of English exhibited the different interpretations in translate both the given types of ambiguous sentences.Almost all of ten respondents have different interpretations in each ambiguous sentence. Most respondents showdifferent translating majority in lexical ambiguous sentences
PENGUATAN MASYARAKAT KONSUMEN ABAD KE-21: STUDI KASUS KONSUMERISME FAST FASHION DI INGGRIS
Full text linkThis article aims to understand the development of fashion consumerism in the United Kingdom (UK) with the focus: why fast fashion consumerism in the last two decades was very high? This study applied a post-structuralism paradigm, namely the Libidinal Economy concept from Jean-Francois Lyotard and a post-modernism paradigm on the Consumer Society from Jean Baudrillard. The method employed in the article is a case study in the UK in the last two decades. Data were collected from scientific writings, documents, news, and advertisements in media. The results show that fashion consumerism in the UK dated back to the 18th century; it strengthened in the first two decades of the 21st century, driven by libidinal economic activities and facilitated massively by technological advancements in both marketing and trades. The ability of multinational fast fashion companies to utilize the mass media to construct the social status of its consumers and to create “hyper-reality” needed by modern people nowadays seemed to surpass the awareness of British clothing consumers regarding the environmental impacts and global imbalances of the fast fashion industry. In this study, the application of the post-structuralism paradigm clarifies the relationship between technology, mass media, the expansion of capitalism and the consumption of fast fashion in British society, whereas the post-modernism paradigm highlights socio-cultural aspects that encouraged the creation of hyper-reality through fast fashion among the British. These findings contribute to the knowledge about the relationship between technology, media, and multinational fast fashion companies with the development of consumer society in the UK
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Penghentian Praktik Qard Beragun Emas Berdasarkan Surat Edaran Bank Indonesia Nomor 14/7/DPBS Tahun 2012 Pada Perbankan Syariah
No full textProduksi Dan Perilaku Produsen Dalam Perspektif Ekonomi Islam
Full text linkProduction is an activity carried out by humans in producing a product, both goods and services which are then used by consumers. Production activities in the Islamic perspective as a human effort to improve not only the physical condition of the material, but also morality, as a means to achieve the goal of life as outlined in religion, namely the happiness of the world and the hereafter. Producer behavior is an action of a producer to get the maximum profit possible by using some of the inputs he has. In the conventional economy, producers do not know the boundaries of halal and haram. Meanwhile, a Muslim producer cannot produce anything that is not halal. Muslim producers are not allowed to do harm to themselves or the community with the products they make. This research was conducted using a descriptive method with a qualitative approach. The results of this study indicate that Islamic economics has its own characteristics. Although in some respects there are certain similarities in its mechanism with conventional economics, it is impossible and never possible to compromise
Co-Living Space Kembaran
Full text linkMembangun atau memupuk empati terhadap sejarah bukanlah sesuatu yang mudah, berangkat dari ketertarikan kepada bangunan tradisional dan craftmanship.Perancangan ini didasari dari ideologi penulis, bahwa banyak hal menarik dari desain kelokalan yang dapat di eksplor, tidak hanya dari segi bangunan, furniture, material hingga keahlian ketukangan yang dapat dipadukan dalam sebuah interior. Disisi lain permasalahan dalam kepadatan penduduk atau urbanisasi di kota-kota besar menjadi issue, dimana diperkirakan ledakan penduduk usia produktif diprediksi 2030-2040 yang disebut sebagai potensi demografis. Dengan pertumbuhan urbanisasi yang cepat kemungkinan besar berkontribusi pada memburuknya kualitas keseimbangan ekosistem alam seperti kualitas udara, kecuali jika pemerintah beraksi untuk mengontrol emisi. Dari hal itu pemilihan material alam sekitar termasuk hal-hal yang yang meliputi ideologi penulis mengenai lokalitas daerah akan menjadi pembahasan perancangan yang akan diangkat.
Perancangan akan menggunakan pendekatan metode Design Thinking, memulai proses pemikirannya tidak dengan pendekatan terhadap masalah, melainkan memulai
proses kreatifnya melalui empathy terhadap kebutuhan manusia. Disisi lain ada prinsipprinsip yang memperkuat perancangan yang akan dikaitkan ATUMICS dan konsep sustainability
WAKAMONO KOTOBA BEREMOTIF DALAM SERIAL DRAMA GOMEN NE SEISHUN! ; TINJAUAN PRAGMATIK
Full text linkABSTRAK
WAKAMONO KOTOBA BEREMOTIF DALAM
SERIAL DRAMA GOMEN NE SEISHUN! ; TINJAUAN PRAGMATIK
Oleh : Humaira
Kata Kunci : Wakamono kotoba, emosi, aspek situasi tutur
Penelitian ini mengkaji wakamono kotoba beremotif dalam serial drama Gomen ne Seishun!. Tujuan dari penelitian ini adalah untuk mengetahui jenis dan makna dari wakamono kotoba beremotif.
Penelitian ini merupakan penelitian kualitatif yang bersifat deskriptif. Data pada penelitian ini diperoleh dari serial drama Jepang yang berjudul Gomen ne Seishun! tahun 2014. Penelitian ini terdiri atas tiga tahap. Pertama, tahap penyediaan data, peneliti menggunakan metode simak dengan teknik sadap, teknik simak bebas libat cakap, dan teknik catat. Kedua, pada tahap analisis data peneliti menggunakan metode padan, yaitu metode padan pragmatis dengan teknik Pilih Unsur Penentu (PUP). Terakhir, pada tahap penyajian hasil analisis data peneliti menggunakan metode informal. Teori yang digunakan pada penelitian ini adalah teori aspek-aspek situasi tindak tutur oleh Leech (1983) dan teori ML-Ask oleh Ptaszynski (2009).
Berdasarkan hasil analisis data ditemukan enam jenis emosi wakamono kotoba beremotif yaitu: yorokobi (ukeru, mune kyuun, kusowarota), suki (unmee), kowai (kimoi, yabee), odoroki (maji, yabai), ikari (ikeshaashaa, zakenna, urusee), dan iya (eroi, uzai, maitta). Adapun makna dari wakamono kotoba beremotif yang sering muncul adalah mengungkapkan rasa senang terhadap lawan tutur, mengungkapkan rasa suka terhadap lawan tutur, mengungkapkan rasa takut terhadap lawan tutur, mengungkapkan rasa kaget terhadap lawan tutur, mengungkapkan kemarahan kepada lawan tutur, serta mengungkapkan kebencian kepada lawan tutur.
ABSTRACT
WAKAMONO KOTOBA EMOTIVE IN DRAMA
SERIES GOMEN NE SEISHUN! ; PRAGMATIC ANALYSIS
By : Humaira
Keywords : Wakamono kotoba, emotion, aspect of speech situation
This research aims to analyze wakamono kotoba emotive in drama series Gomen ne Seishun. The purpose of this research is to find out the types and the meaning of wakamono kotoba emotive.
This research is a qualitative descriptive research. Data of this research was collected from Japanese drama series which is titled Gomen ne Seishun in 2014. This research has three steps. The first step is the collection phase of the data, used simak method with sadap, simak bebas libat cakap, and catat technique. The second step, in data analysis phase used padan method with padan pragmatic method match with pilih unsur penentu (PUP) technique. The last step, in presentation phase of the result of data analysis, researcher used informal methods. The theories used in this research are the aspects of speech situation’s theory by Leech (1983) and ML-Ask’s theory by Ptaszynski (2009).
Based on the results of data analysis, the researcher found that six types of emotions of wakamono kotoba emotive : yorokobi (ukeru, mune kyuun, kusowarota), suki (unmee), kowai (kimoi, yabee), odoroki (maji, yabai), ikari (ikeshaashaa, zakenna, urusee), dan iya (eroi, uzai, maitta). Moreover, the meaning of emotion of wakamono kotoba emotive are expressing sense of joy to the listeners, expressing fondness to the listeners, expressing sense of fear to the listeners, expressing sense of surprise to the listeners, expressing anger to the listeners, and expressing dislike to the listeners.
要旨
「ごめんね青春!」だというドラマにおける感情の若者言葉について
語用論の分析
ウマイラ
キーワード：若者言葉、感情、発話の状況
本研究は「ごめんね青春!」だというドラマに感情の若者言葉を分析する。本研究の目的は、感情のタイプおよび感情の若者言葉の意味を発見する。
本研究の使用される方法は定性的で、記述的だという方法に提示した。本論文のデータは2014年に「ごめんね青春!」のドラマから採集した。本研究は三段階がある。最初はデータを収集する際にはsimakの方法を使用し、sadapの手法およびsimak bebas libat cakap の手法およびcatatの手法を使用した。次に分析法としてはpadan pragmatisの方法を使用し、Pilihan Unsur Penentuの手法を使用した。最後にデータの分析の結果はインフォーマルの方法で記述した。また、本研究におけるLeech (1983) の発話の状況の理論およびPtaszynski (2009) のML-ASKの理論を使用した。
研究の結果によると感情の若者言葉のは六つの感情のタイプが発見した：喜び「ウケる、胸キューン、クソわろた」、好き「うんめー」、 怖い「キモイ、ヤベッ」、驚き「マジ、ヤバイ」、怒り「いけしゃあしゃあ、ざけんな、うるせえ」、厭「エロい、ウザい、参った」。さらに、ドラマでよく表した若者言葉の意味は聞き手に喜びを表し、聞き手に好みを表し、聞き手に怖がりを表し、聞き手に驚きを表し、聞き手に怒りを表し、聞き手に厭を表した
Appropriate Similarity Measures for Author Cocitation Analysis
Full text linkWe provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
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