7,887 research outputs found
EFL CD-ROMs: mapping the types of language activities in digital media
No full textDissertação (mestrado) - Universidade Federal de Santa Catarina, Centro de Comunicação e Expressão. Programa de Pós-Graduação em Letras/Inglês e Literatura Correspondente.The study aimed at mapping the types of language activities of two CD-ROMs, one that accompanies the EFL/ ESL coursebook Interchange Third Edition 1 and one that accompanies the EFL/ ESL coursebook Touchstone 2. To achieve this aim, a framework of types of language activities, based on Hughes and Weir, was created. The analysis of the language activities of the CDs consisted of identifying the main features of each activity, comparing them to the features of the activity types described in the framework and finally, categorizing each activity of each CD as one of the activity types of the framework. The results of the analysis showed that the framework was insufficient because some activities in the CDs did not fit any of the types listed. Also, the results showed that Interchange CD-ROM offers more variety in terms of types of language activities, even though there are more activities in Touchstone CD-ROM. Another finding is that in spite of the variety of types of activities, there are an expressive number of Multiple choice activities in Interchange. Finally, neither of the CDs offers writing activities.Este estudo teve como objetivo mapear os tipos de atividade de língua encontrados em dois CD-ROMs, um que acompanha o livro didático de inglês como língua estrangeira Interchange Third Edition 1 e outro que acompanha o livro didático de inglês como língua estrangeira Touchstone 2. Para atingir este objetivo, uma taxonomia de tipos de atividades de língua, com base em Hughes e Weir, foi criada. A análise das atividades de língua dos CDs consistiu da identificação das principais características de cada atividade, da comparação dessas características com as dos tipos de atividade descritos na taxonomia e finalmente, da categorização de cada atividade dos CDs como pertencente a um certo tipo de atividade dentre aqueles listados na taxonomia. Os resultados da análise mostraram que a taxonomia foi insuficiente porque algumas atividades encontradas nos CDs não puderam ser encaixadas em nenhum dos tipos listados. Além disso, os resultados mostraram que o CD-ROM da série Interchange oferece uma variedade maior de tipos de atividades, apesar de haver mais atividades no CD da série Touchstone. Outra conclusão é que apesar da variedade encontrada na série Interchange, há um expressivo número de atividades de múltipla escolha. Finalmente, nenhum dos CDs traz atividades de produção escrita
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Dark Formations: music by Ed Hughes
No full textAn audio CD (2 Disc set) released in the USA in June 2012 by the Metier label. It comprises the following works by Ed Hughes: Quartet, Chamber Concerto, 'Dark Formations', 'Strike!', Sextet, 'Light Cuts Through Dark Skies', 'Orchids' and 'A Buried Flame'. Several of the works were conceived as engagements with other media (for example with silent film, and photographs). The CD is supplied with an illustrated booklet, including an essay on the music by the pianist Richard Casey
Hughes, CD
No full textWorkers operating heavy machinery at the construction site of the Hughes apartment homes.https://digitalcommons.usf.edu/gandy_street/5764/thumbnail.jp
Hughes Cookout, CD
No full textA cookout outside a Hughes Supply warehouse, with three men standing together in the parking lot.https://digitalcommons.usf.edu/gandy_commercial/10991/thumbnail.jp
Available sources of online information. Situation report in 1992.
No full textTelephassa (1992) was an information project, funded by
the European Commission in which participated the
Katholieke Universiteit Brabant (project leader), Universitat Autònoma de Barcelona, University of Patras,
Synar (Audiovisuele, Grafische & Interactive Produkties)
and Digital. One of the activities were a series of seminars that were carried out in Barcelona, Tilburg and Patras. This report corresponds to one of the seminar sessions. In it, a classified and brief overview of the information sources available is presented. Within this frame, attention is focused on electronic information sources, and some of their features are discussed. Volume figures are provided for the various online market sectors. Future new trends are pointed out, according to the recent developments in that time, when internet was still unknown. Some of the topics are: types of information sources, online remote access, online markets, cd-roms, gateways, technology integration
Assistive technologies after stroke: self-management or fending for yourself? A focus group study
No full textBackground: assistive Technologies, defined as “electrical or mechanical devices designed to help people recover movement” have demonstrated clinical benefits in upper-limb stroke rehabilitation. Stroke services are becoming community-based and more reliant on self-management approaches. Assistive technologies could become important tools within self-management, however, in practice, few people currently use assistive technologies. This study investigated patients’, family caregivers and health professionals’ experiences and perceptions of stroke upper-limb rehabilitation and assistive technology use and identified the barriers and facilitators to their use in supporting stroke self-management. Methods: a three-day exhibition of assistive technologies was attended by 204 patients, family caregivers/friends and health professionals. Four focus groups were conducted with people purposively sampled from exhibition attendees. They included i) people with stroke who had used assistive technologies (n?=?5), ii) people with stroke who had not used assistive technologies (n?=?6), iii) family caregivers (n?=?5) and iv) health professionals (n?=?6). The audio-taped focus groups were facilitated by a moderator and observer. All participants were asked to discuss experiences, strengths, weaknesses, barriers and facilitators to using assistive technologies. Following transcription, data were analysed using thematic analysis. Results: all respondents thought assistive technologies had the potential to support self-management but that this opportunity was currently unrealised. All respondents considered assistive technologies could provide a home-based solution to the need for high intensity upper-limb rehabilitation. All stakeholders also reported significant barriers to assistive technology use, related to i) device design ii) access to assistive technology information and iii) access to assistive technology provision. The lack of and need for a coordinated system for assistive technology provision was apparent. A circular limitation of lack of evidence in clinical settings, lack of funded provision, lack of health professional knowledge about assistive technologies and confidence in prescribing them leading to lack of assistive technology service provision meant that often patients either received no assistive technologies or they and/or their family caregivers liaised directly with manufacturers without any independent expert advice. Conclusions: considerable systemic barriers to realising the potential of assistive technologies in upper-limb stroke rehabilitation were reported. Attention needs to be paid to increasing evidence of assistive technology effectiveness and develop clinical service provision. Device manufacturers, researchers, health professionals, service funders and people with stroke and family caregivers need to work creatively and collaboratively to develop new funding models, improve device design and increase knowledge and training in assistive technology us
Author Co-Citation Analysis (ACA): a powerful tool for representing implicit knowledge of scholar knowledge workers
No full textIn the last decade, knowledge has emerged as one of the most important and valuable organizational assets. Gradually this importance caused to emergence of new discipline entitled ―knowledge management‖. However one of the major challenges of knowledge management is conversion implicit or tacit knowledge to explicit knowledge. Thus Making knowledge visible so that it can be better accessed, discussed, valued or generally managed is a long-standing objective in knowledge management. Accordingly in this paper author co- citation analysis (ACA) will be proposed as an efficient technique of knowledge visualization in academia (Scholar knowledge workers)
Portfolio of recorded performances and exegesis: Messiaen’s musical language for the jazz pianist - an exploration through performance.
No full textMoving beyond Gunther Schuller’s Third Stream amalgamation of classical and jazz, this study explores whether the musical language of Olivier Messiaen can make a valid contribution to jazz piano performance. Initially, my project sought to answer such questions as: What elements of the musical language of Messiaen already exist in the jazz vocabulary? Am I able to extend this further? What are the timbral structures and pianistic effects within Messiaen’s musical language? What will be the most effective application of Messiaen’s musical language to jazz piano performance? Endeavouring to answer the final question led me to consider such aspects as whether the project should be limited to quoting Messiaen motifs, arranging Messiaen melodies, replacing jazz harmonic structures on standards with examples from Messiaen’s musical language or whether it would be better to approach the research conceptually. The work of Hubert Nuss provided encouraging reassurance that this was not an impossible task. In order to articulate this conception, the initial challenge was to decide how the classical and jazz worlds might meet in a ‘Messiaen’ technique. The approach adopted was similar to that used for undergraduate jazz study, namely, immersion in the piano scores and recordings of Messiaen’s music as well as by live performances. This was followed by the development and assessment of a contrived approach when specific techniques, such as tonal colourings or harmonic structures, were developed through prepared exercises and consciously included in my performance. It was then compared with an intuitive approach when no such precise parameters were established. This submission consists of CD recordings of two public recitals and an exegesis. It documents the development of this Messiaen technique and discusses its application in my performances. It also demonstrates the ways that Messiaen’s musical language can be used within jazz piano performance to provide a colour that distinguishes jazz piano performance in a competitive field.Thesis (M.Mus.) -- University of Adelaide, Elder Conservatorium of Music, 201
Spinal anaesthesia for brachytherapy for carcinoma of the cervix a comparison of two dose regimes of hypebaric bupivacaine
No full textIncludes abstract.Includes bibliographical references.The main purpose of the study was to help establish the best dose regimen of hyperbaric bupivacaine, when combined with intrathecal fentanyl, for spinal anaesthesia for brachytherapy for carcinoma of the cervix. This procedure is performed as a day case at Groote Schuur Hospital
Exploring Emptiness: An Investigation of MA and MU in My Sonic Composition Practice
No full textThe commentary investigates Japanese aesthetics of space, silence and emptiness - ma and mu - that informed my compositional practice during the research period 2012 - 2015. The portfolio comprises text compositions and sound installations in which forms of micro events and sustained events are employed. Throughout, the emphasis is on my personal engagement with, and manifestation of emptiness that concerns a particular model of listening and perception.
Chapter 1 discusses six primary research areas: ma and mu, material, text, form, listening and perception. Firstly, I introduce ma and mu by examining noh culture and Zeami's teaching of senu hima (where there is no-action) in the context of my personal approaches to music. The following subjects are then used to contextualise my PhD practice by means of examples from various composers and visual artists. Here, these particular and enigmatic concepts are explored through Japanese art as well as Western contemporary works by Alvin Lucier, Eliane Radigue and those of the Wandelweiser collective.
Part 2 provides contextual commentaries on selected compositions from the portfolio that mostly articulate my aesthetics in relation to the topics covered in Chapter 1. koso koso addresses my methodologies to investigate the essence of senu hima, followed by treow that discusses my approach to materials and the importance of space. I move on to grade two and grade two extended in order to examine text scores, and then, look into Espèces d'espaces 03 and 04 as examples of musical forms that I employ.
Finally, listening and perception are investigated through the compositions gnome and con.de.structuring. Throughout, I describe how my works explore emptiness as a result of my particular emphasis on listening over composing
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