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NILAI MORAL DALAM FILM BIOGRAFI CONFUCIUS (孔子) KARYA HU MEI (胡玫)(PENDEKATAN SOSIOLOGI SASTRA)
Get PDFABSTRAK
NILAI MORAL DALAM FILM BIOGRAFI CONFUCIUS (孔子)
KARYA HU MEI (胡玫)
(Pendekatan Sosiologi Sastra)
Nama : Luluk Hidayati
NIM : 12020774037
Jurusan : S1 Pendidikan Bahasa Mandarin
Fakultas : Bahasa dan Seni
Nama Lembaga : Universitas Negeri Surabaya
Pembimbing 1 : Dr. Heny Subandiyah, M. Hum.
Pembimbing 2 : Galih Wibisono, B. A, M.Ed.
Tahun : 2016
Sastra tidak dapat dipisahkan dengan kehidupan masyarakat. Sebuah karya sastra yang diciptakan oleh pengarang yang notabene terlahir dalam kelompok masyarakat. Dari kehidupan bermasyarakatlah seorang pengarang menciptakan karyanya dan masyarakat pula yang menikmati karya tersebut. Sebuah karya sastra yang bermutu tentunya memuat suatu pesan atau nilai yang dapat menggugah perasaan bahkan tingkah laku penikmat karya sastra, nilai yang dimaksudkan yaitu nilai moral. Salah satu bentuk karya sastra yang mudah dipahami yaitu film. Di dalamnya terdapat nilai-nilai moral yang dapat diambil sebagai pelajaran hidup. Dalam film biografi Confucius (孔子) karya Hu Mei (胡玫) juga banyak nilai-nilai moral yang dapat diambil untuk pelajaran hidup. Inilah yang menjadi dasar penelitian ini.
Rumusan masalah dalam penelitian ini adalah: (1) bagaimanakah nilai moral hubungan manusia dengan Tuhan dalam film biografi Confucius (孔子) karya Hu Mei (胡玫); (2) bagaimanakah nilai moral hubungan manusia dengan manusia lain dalam film biografi Confucius (孔子) karya Hu Mei (胡玫); dan (3) Bagaimanakah nilai moral hubungan manusia dengan diri sendiri dalam film biografi Confucius (孔子) karya Hu Mei (胡玫).
Metode yang digunakan dalam penelitian ini adalah metode deskriptif kualitatif dengan menggunakan pendekatan sosiologi sastra. Sumber data penelitian ini adalah film biografi Confucius (孔子) karya Hu Mei (胡玫). Data penelitian ini berupa cuplikan monolog, kutipan-kutipan dalam bentuk dialog antar tokoh, narasi serta tingkah laku yang menggambarkan nilai moral yang berkaitan dengan permasalahan dalam penelitian. Metode analisis data menggunakan metode analisis isi (content analysis).
Hasil penelitian menunjukkan bahwa dalam film bigrafi Confucius (孔子) karya Hu Mei (胡玫) terdapat nilai moral hubungan manusia dengan Tuhan, hubungan manusia dengan manusia lain dan hubungan manusia dengan diri sendiri. Nilai moral hubungan manusia dengan Tuhan tampak pada kepercayaan pada Dzat di atasnya kepercayaan pada ajaran dan menjalankan tradisi. Ketiga bentuk moral tersebut termasuk jenis ajaran moral konfusius yang memenuhi ajaran moral 礼 (lĭ). Nilai moral hubungan manusia dengan manusia lain tampak pada sikap cinta kasih, kesetiaan, penghianatan, persahabatan dan kekeluargaan. Dimana persahabatan, kesetiaan dan kekeluargaan memenuhi ajaran moral礼 (lĭ) dan仁 (rén), penghianatan memenuhi ajaran moral 中庸 (zhōng yōng) dan cinta kasih memenuhi ajaran moral仁 (rén).Dan nilai moral hubungan manusia dengan diri sendiri tampak pada sikap harga diri, dendam, rendah hati, bijaksana dan bertanggung jawab. Dimana kelima bentuk moral tersebut memenuhi ajaran moral中庸 (zhōng yōng).
Kata Kunci : Nilai Moral, Film, Confucius
ABSTRACT
MORAL VALUE ON CONFUCIUS (孔子)BIOGRAPHY MOVIE BY HU MEI(胡玫)
(Sociology of Literature Approach)
Name : LulukHidayati
Student ID : 12020774037
Program : S1 Chinese Language Education
Faculty: Language and Art
Institution : Statue University of Surabaya
1st Advisor : Dr. Heny Subandiyah, M. Hum.
2nd Advisor : Galih Wibisono, B. A, M.Ed.
Year : 2016
Literature can not be separated from society life. A literature is created by an author from society groups. Based on society life, an author creates works and people around are the viewers. A good quality work has a special message or value that can make the viewers feeling good or even change the habitual life, which is moral value. One of the ways to enjoy literature work is by the movie. There are many moral values that can be reflected from a movie. On Confucius (孔子) biography movie by Hu Mei (胡玫), viewers can find and moral values for life and these are the basic of this research.
The research questions of this research are (1) how is the moral value of human relationship to the God on Confucius (孔子) biography movie by Hu Mei (胡玫); (2) how is the moral value of human relationship and others on Confucius (孔子) biography movie by Hu Mei (胡玫); and (3) how is the moral value of human relationship and themselves on Confucius (孔子) biography movie by Hu Mei (胡玫).
The researcher used descriptive-qualitative method on the research with sociology of literature approach. The main source of the research is Confucius (孔子) biography movie by Hu Mei (胡玫). While the data of the research are monologue, parts of dialogue between characters, synopsis and behaviors related to the research problems. The analysis used content analysis method.
The result showed there are moral values of human relationship to the God, human relationship and others, also human relationship and themselves onConfucius (孔子) biography movie by Hu Mei (胡玫). The moral value of human relationship and The God can be reflected on belief of The One upon theories and traditions. The third moral values are beloging to礼 (lĭ) confucius moral theory. Next, the moral value of human relationship and others can be reflected on loving behaviors, loyalty, betrayal, friendship and family life. Where friendship, loyalty anda family life beloging to礼 (lĭ) and仁 (rén) confucius moral theory, betrayal beloging to中庸 (zhōng yōng) confucius moral theory and loving behaviors beloging to 仁 (rén) confucius moral theory. The last, moral value of human relationship and themselves can be seen from the pride, revenge, be humble, wise and responsible. The Fifth moral values beloging to中庸 (zhōng yōng) confucius moral theory.
Key Word : Moral Value, Movie, Confuciou
PRINSIP KESOPANAN GEOFFREY LEECH DALAM FILM CONFUCIUS《孔子》 KARYA HU MEI （胡玫）
Get PDFAbstrak Penggunaan bahasa sebagai alat komunikasi tidak lepas dari kesopanan berbahasa. Kesopanan berbahasa dapat dipelajari dalam karya sastra, salah satunya adalah film Confucius 《孔子》 Karya Hu Mei. Penelitian ini berfokus pada jenis maksim yang memenuhi prinsip kesopanan Leech serta fungsi tuturan yang memenuhi maksim prinsip kesopanan Leech dalam film Confucius 《孔子》karya Hu Mei . Peneliti menggunakan teori prinsip kesopanan Leech untuk menganalisis jenis maksim prinsip kesopanan dan teori tindak tutur ilokusi Searle untuk menganalisis fungsi tuturan. Metode penelitian ini adalah deskriptif kualitatif. Sumber data penelitian ini adalah tuturan tokoh yang mengandung maksim prinsip kesopanan Leech. Teknik analisis data menggunakan langkah-langkah sebagai berikut: (1) mereduksi data, (2) menyajikan data dan menganalisis data, (3) menarik kesimpulan berdasarkan analisis data. Hasil penelitian ini adalah sebagai berikut : dari 43 data maksim prinsip kesopanan yang ada, 17 tuturan mengandung maksim kesepakatan, 9 tuturan maksim kedermawanan, 6 tuturan maksim pujian, 4 tuturan maksim kearifan, 4 tuturan maksim kesederhanaan, dan 3 tuturan maksim kesimpatian. Dari data tersebut diperoleh 23 tuturan mengandung fungsi asertif, 12 tuturan fungsi direktif, 4 tuturan fungsi ekspresif, 3 tuturan fungsi komisif, dan 1 tuturan fungsi deklaratif. Kata Kunci: maksim, kesopanan, tuturan. Abstract The use of language is closely associated with language manner. Politeness language can be learnt in the literary works, one of them is movie Confucius 《孔子》 by Hu Mei （胡玫）. This research focus on the maxim type according to Leech’s manner principal and the maxim function Leech’s manner principal on Confucius 《孔子》movie by Hu Mei. The researcher using Leech’s manner principal to analyze the maxim type of manner principal and illocution speech action according to Searle to analyze speech function. This research method was descriptive qualitative. The research data resources was character’s speech which contained Leech’s manner principal. Data analysis technique applying steps as follow: 1) data reduction, 2) data analysis, 3) conclude analysis result. Research result were as follow: from 43 data of existing manner principal, 17 speeches contained agreement maxim, 9 benignity maxim speeches, 6 complement maxim speeches, 4 wisdom maxim speeches, 4 austerity/simplicity maxim speeches and 3 sympathy maxim speeches. Form these data obtained 23 speeches that contained assertive function, 12 speeches that contained directive function, 4 speeches that contained expressive function, 3 speeches that contained commisive function, and 1 speech that contained declarative function. Keywords: maxim, manner, speech
National innovative capacity in East Asia
No full textThe innovative capacity of a country is the basic driving force behind its economic performance; it provides a measure of the
institutional structures and support systems that sustain innovative activity. Recentwork, such as that by Furman, Porter and Stern
(FP&S) frames a concept of national innovation capacity measured by patenting rates, and estimates its institutional sources for a
group of 17 OECD countries. In this present paper, we extend and modify the FP&S approach by applying it to five “latecomer”
countries from East Asia, none of which was included in the FP&S study. First, we reproduce the FP&S methodology in relation
to the five East Asian countries, gathering comparable data over a comparable (but truncated) time period. While our results are
in broad agreement with the findings of FP&S, we document some important differences for latecomer East Asian economies: a
smaller number of national factors matter, and there seems to be an important (though subtle) role for public R&D expenditure.
These findings have important implications for successful catch-up strategies.We supplement these aggregate findings with firmand
institution-level data from Taiwan, where the breakthrough to innovation has arguably proceeded farther than in any other
East Asian country. In these ways, we shed light on the process through which a latecomer country is able to close the gap with
the more developed countries, by channeling resources towards the raising of its innovative capacity
Going Beyond Counting First Authors in Author Co-citation Analysis
Get PDFThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Get PDF“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
Get PDFWe provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Dispelling the Myths Behind First-author Citation Counts
Get PDFWe conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
PESAN MORAL DALAM FILM CONFUSIUS 孔子 Kong Zi KARYA HUMEI 胡玫 Hu Mei KAJIAN ANALISIS WACANA
Get PDFKata kunci : Moral, Film Confusius, Analisis Wacana Film merupakan sebuah karya yang didalamnya terdapat pesan-pesan moral yang ditampilkan melalui dialog atau simbol simbool dalam properti yang digunakan. Peneliti mengupas film confusius 孔子 karya humei 胡玫 hu mei guna menemukan pesan moral yang terkandung didalamnya. kajian Pada penelitian ini menggunakan analisis wacana yang fokus pada dialog dialog dalam film. Pembahasan bertujuan menjelaskan hubungan antar kalimat. Dari beberapa pendapat diatas dapat disimpulkan bahwa wacana membentuk komunikasi bahasa baik lisan maupun tulisan yang disusundengan menggunakan kalimat yang teratur, sistematis dan terarah sehingga kalimat yang satu dengan yang lainnya kan menjadi satu kesatuan yang yang memunyai makna. Penelitian ini merupakan penelitian kualitatif deskriptif dengan menganisis dialog demi dialog guna menemukan pesan moral dalam film. Berdasarkan analisis data peneliti menemukan pesan moral yang terkandung didalamnya. Penelitian ini menggunakan. Wujud pesan moral dalam struktur makro yang ditemukan oleh peneliti tentang pesan moral yang ada pada film confusius 孔子 peneliti menemukan bebrapa data. Terdapat pesan moral tentang kemanusiaan sebagai ini dari cerita secara keseluruhan. Yang menjadi ini dari alur cerita yang telah disajikan oleh pengarang melalui film. Wujud moral dalam struktur mikro juga ditemukan beberapa data dalam penelitian ini. Ditunjukka dengan adanya dialog dialog yang menyampaikan pesan secara implisit atau penyampaian pesan secara tidak langsung yang ingin disampaikan oleh pengarang melalui karyanya yang disajikan dalam bentuk film. Dalam perkataannya melalui dialog dalam film confusius 孔子 tokoh confusius 孔子 kerap menyampaikan kalimat yang menyoimpan makna tersembunyi. Dilihat dari kognisi sosial dalam film ini serat dengan informasi tentang moralitas yang ada dalam masyarakat. Hal ini terjadi saat confusius 孔子 berkeliling kepenjuru negeri untuk mengajarkan tentang etika dan kebaikan.AbstrackKeywords: Moral, Confucius Film, Discourse Analysis Film is a work in which there are moral messages that are displayed through the dialogue or symbol simbool in the property used. The researcher examined the Confucian film 孔子 by Humei 胡 玫 hu mei to find the moral message contained in it. study This study uses discourse analysis which focuses on dialogue dialogue in films. The discussion aims to explain the relationship between sentences. From some of the opinions above it can be concluded that the discourse forms language communication both oral and written which is interrupted by using regular, systematic and directed sentences so that the sentences from one to the other become one entity that has meaning. This research is a descriptive qualitative research by analyzing dialogue after dialogue to find moral messages in the film. Based on data analysis, researchers found a moral message contained in it. This study uses.The form of a moral message in the macro structure found by researchers about the moral messages that exist in the confusion film 孔子 the researcher found some data. There is a moral message about humanity as this from the whole story. Which becomes this from the storyline that has been presented by the author through the film. Moral forms in microstructure also found some data in this study. It was indicated by a dialogue dialogue that conveyed the message implicitly or the delivery of messages indirectly that the author wanted to convey through his work which was presented in the form of a film. In his words through dialogue in the film confusion 孔子 confusion figures usi often convey sentences that save hidden meanings. Seen from social cognition in this film fiber with information about morality that exists in society. This happened when Confucius traveled around the country to teach about ethics and kindness
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