856 research outputs found
Hydrologic budget of the Harney Basin groundwater system, Southeastern Oregon
No full textby C. Amanda Garcia [and seven others]."Prepared in cooperation with the Oregon Water Resources Department."This archived document is maintained by the State Library of Oregon. It is for informational purposes and may not be suitable for legal purposes.Includes bibliographical references.Mode of access: Internet from the State Library of Oregon U.S. Government Publications Collection.Text in English
Groundwater resources of the Harney Basin, southeastern Oregon
No full textauthors: Stephen B. Gingerich, C. Amanda Garcia, and Henry M. Johnson.Title from PDF caption (viewed on November 22, 2022).This archived document is maintained by the State Library of Oregon. It is for informational purposes and may not be suitable for legal purposes.Includes bibliographical references (page 6).Mode of access: Internet from the State Library of Oregon U.S. Government Publications Collection.Text in English
Partner Facilitation and Partner Interference in Individuals' Weight Loss Goals
No full textDrawing on the logic of the relational turbulence model, this study examined the ways in which romantic partners facilitate and interfere with individuals’ weight loss goals. Participants (N = 122) described the ways in which their romantic partner had recently helped or hindered their weight loss at four times over the course of 2 months. We conducted a content analysis of responses to identify themes of partner facilitation (Research Question 1 [RQ1]) and partner interference (RQ2) in individuals’ weight loss goals. Results revealed seven themes of partner facilitation: (a) partner enabling diet, (b) motivation and encouragement, (c) emotional support and positive reinforcement, (d) exercising together, (e) partner enabling exercise, (f) dieting together, and (g) relationship influence and priorities. Four themes of partner interference emerged in the data: (a) inability to plan for healthy meals, (b) inability to control the food environment, (c) preventing or discouraging exercise, and (d) emotional or relational discouragement.Peer reviewe
Groundwater resources of the Harney Basin, southeastern Oregon
No full textReport -- Plate 1. Location of Selected Geographic Features, Wells, Springs, Streamgaging Stations, Section Traces, and Sampling Locations, Harney Basin, Southeastern Oregon -- Plate 2. Water-Table Contour Map, 2018, Harney Basin, Southeastern Oregon -- Plate 3. Water-Level Contour Map for Wells Greater than 100 Feet Deep, 2018, Harney Basin, Southeastern Oregon.by Stephen B. Gingerich, Henry M. Johnson, Darrick E. Boschmann, Gerald H. Grondin, and C. Amanda Garcia ; prepared in cooperation with the Oregon Water Resources Department.Title from PDF title page (viewed on May 2, 2022).This archived document is maintained by the State Library of Oregon. It is for informational purposes and may not be suitable for legal purposes.Includes bibliographical references.Mode of access: Internet from the State Library of Oregon U.S. Government Publications Collection.Text in English
The Little Princess Finds Her Crown
No full textAmanda S. Andrews, MBA is a devotee of all things royal! As a community leader and creative, she travels the U.S. empowering others to gain confidence and discover the king and queen within. She is the Author and Illustrator of The Little Princess Finds Her Crown, CEO of The Queen’s Guide to Life, and Founder of Queen Camp, Inc (a 501(c)(3) organization). She is a sought-after inspirational speaker and has been a featured keynote, facilitator, and panelist for events across the country. Amanda holds a Bachelor of Science and Masters in Business Administration from Lincoln University of Missouri.https://bluetigercommons.lincolnu.edu/lu-alumni-bhm/1000/thumbnail.jp
New Dance Works 1, 2007
No full textabstract: The ASU School of Dance presents New Dance Works 1 October 11 - 14 with works by dance MFA candidates Christina Harrison, Nicole Manus, and Emily Wright performed at the Dance Studio Theatre.tableOfContents: Video: Part 1 close
Ode the the Blues Nudes (00:00 - 05:28)
- Christina Harrison (Choreographer, Lighting Designer, Set Designer, Dancer)
- Allison with one (Music)
- Mark C. Ammerman (Lighting Designer, Set Designer)
- Jacqueline Babcock (Costume Designer)
- Amanda Franco (Dancer)
- Marha E. Howe (Dancer)
The Road Home (05:31 - 14:19)
- Melissa Rolnick (Choreographer)
- Michael Brooks (Music)
- Kronos Quartet (Music)
- Mark C. Ammerman (Lighting Designer)
- Nicole Manus (Dancer)
Not Yet (14:30 - 31:39)
- Emily Wright (Choreographer, Videographer)
- Hammock (Music)
- Waterdeep (Music)
- 100 Portraits (Music)
- Adrienne Turner (Spoken Text)
- Robert Kaplan (Sound Designer)
- Carolyn Koch (Lighting Designer)
- Sara Parish (Costume Designer)
- Mark C. Ammerman (Set Designer)
- Samantha Basting (Dancer)
- Sara Jean Malan-McDonald (Dancer)
- Jessica Mumford (Dancer)
- Janie Ross (Dancer)
- Kristin Tovson (Dancer)
- Julia A. Vessey (Dancer)
- Holly Wooldridge (Dancer)
- Avery Yanez (Dancer)
Video: Part 2 close
The Musical Joke: a table duet (00:09 - 09:22)
- Nicole Manus (Choreographer)
- Wolfgang Amadeus Mozart (Music)
- Jordan Richman (Musician, violin I)
- Stephen Helms (Tillery (Musician, violin II)
- Carolyn Koch (Lighting Designer)
- Galina Mihaleva (Costume Designer)
- Lindsey Bauer (Dancer, violin I)
- Samantha Basting (Dancer, violin II)
Sonata (09:36 - 14:55)
- Karen Schupp (Choreographer)
- Johann Sebastian Bach (Music)
- Carolyn Koch (Lighting Designer)
- Galina Mihaleva (Costume Designer)
- Emily Wright (Dancer)
The Defining Line (15:10 - 28:25)
- Christina Harrison (Choreographer)
- Dustin O'Halloran (Music)
- Mark C. Ammerman (Lighting Designer)
- Jacqueline Babcock (Costume Designer)
- Erica Downes (Dancer)
- Amanda Franco (Dancer)
- Martha E. Howe (Dancer)
- Jean Kelley (Dancer)
- Beverly Kerr (Dancer)
- David Trujillo (Dancer)
Video: Part 1 wide
Ode the the Blues Nudes (01:05 - 06:34)
- Christina Harrison (Choreographer, Lighting Designer, Set Designer, Dancer)
- Allison with one (Music)
- Mark C. Ammerman (Lighting Designer, Set Designer)
- Jacqueline Babcock (Costume Designer)
- Amanda Franco (Dancer)
- Marha E. Howe (Dancer)
The Road Home (06:35 - 15:24)
- Melissa Rolnick (Choreographer)
- Michael Brooks (Music)
- Kronos Quartet (Music)
- Mark C. Ammerman (Lighting Designer)
- Nicole Manus (Dancer)
Not Yet (15:36 - 32:41)
- Emily Wright (Choreographer, Videographer)
- Hammock (Music)
- Waterdeep (Music)
- 100 Portraits (Music)
- Adrienne Turner (Spoken Text)
- Robert Kaplan (Sound Designer)
- Carolyn Koch (Lighting Designer)
- Sara Parish (Costume Designer)
- Mark C. Ammerman (Set Designer)
- Samantha Basting (Dancer)
- Sara Jean Malan-McDonald (Dancer)
- Jessica Mumford (Dancer)
- Janie Ross (Dancer)
- Kristin Tovson (Dancer)
- Julia A. Vessey (Dancer)
- Holly Wooldridge (Dancer)
- Avery Yanez (Dancer)
Video: Part 2 wide
The Musical Joke: a table duet (00:03 - 09:06)
- Nicole Manus (Choreographer)
- Wolfgang Amadeus Mozart (Music)
- Jordan Richman (Musician, violin I)
- Stephen Helms (Tillery (Musician, violin II)
- Carolyn Koch (Lighting Designer)
- Galina Mihaleva (Costume Designer)
- Lindsey Bauer (Dancer, violin I)
- Samantha Basting (Dancer, violin II)
Sonata (09:19 - 14:37)
- Karen Schupp (Choreographer)
- Johann Sebastian Bach (Music)
- Carolyn Koch (Lighting Designer)
- Galina Mihaleva (Costume Designer)
- Emily Wright (Dancer)
The Defining Line (14:46 - 28:01)
- Christina Harrison (Choreographer)
- Dustin O'Halloran (Music)
- Mark C. Ammerman (Lighting Designer)
- Jacqueline Babcock (Costume Designer)
- Erica Downes (Dancer)
- Amanda Franco (Dancer)
- Martha E. Howe (Dancer)
- Jean Kelley (Dancer)
- Beverly Kerr (Dancer)
- David Trujillo (Dancer)Originally created October 11-14, 200
A interação texto/imagem em duas traduções de Flicts para o inglês
No full textDissertação (mestrado) - Universidade Federal de Santa Catarina, Centro de Comunicação e Expressão, Programa de Pós-Graduação em Estudos da Tradução, Florianópolis, 2013.Abstract : This study aims to investigate two translations of FLICTS, first children's book written by Ziraldo and first full-colored album for children produced in Brazil, with a view to discussing the different interactions between text and image that might occur within the translation of children's literature. Considered a landmark in Brazilian Children's Literature since its launch in 1969, its British version was translated by Silvia Caruana and published by the publishing house Roger Schlesinger in 1973 and its American English version was translated by Daniela Pinto, originally published by Melbooks in 1984 - subsequently also published by Editora Melhoramentos and commercialized in Brazil. The theoretical framework informing the study is based on the interface of Descriptive Translation Studies, Translation of Children's Literature and the Grammar of Visual Design. By the analyses of a multimodal corpus and a dossier about the history of this printed book, it was possible to note that the several changes along FLICTS publishing history have made up other possible readings on this work
The human-dog relationship in early medieval England and Ireland (c. AD 400-1250)
No full textThis thesis aims to explore the human-dog relationship in early medieval England and Ireland (c. AD 400-1250) and so develop an improved understanding of how people perceived and utilised their dogs. In 1974, Ralph Harcourt published a seminal paper reviewing the metrical data for archaeological dog remains excavated from British antiquity. Nearly forty years on, many more dog bones have been excavated and recorded. His results from the Anglo-Saxon period illustrated that the degree of skeletal variability had reduced after the end of the Roman occupation, with an increase in the average size. He also observed two distinct groups in the estimated shoulder height measurements.The key areas that have been considered include: dog functionality, morphology, and treatment. Influences that may have led to changes in people’s perception of dogs during this time period have been examined. Differences between England and Ireland are assessed, but variation in recording methods has meant the data obtained on the Irish dogs were limited. An interdisciplinary approach has been taken, combining archaeological, historical and anthrozoological information. New evidence has shown that humans’ relationships with dogs were more complex and varied than previous research would suggest, especially in the treatment of dogs at their death. This was particularly evident in England, where a change in the burial location of dogs was observed from the end of the seventh century, and could be linked to the development of Christianity and its negative teachings towards the dog. More metrical data from English sites have shown that the two distinct groups observed in Harcourt’s Anglo- Saxon results were no longer apparent
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