676 research outputs found
Una isla propia: sobre una novela poemática de Azorín
No full textLa isla sin aurora is a novel in which the author during his lifetime has collected his ideas regarding the creation of art and aesthetic pleasure. The novel became for Azorin not only a literary genre but also a genre of his life. Moreover, the poetry freed from a specific mould became the essence of people and things. The real writer has put aside the particular to delve into the universal meaning of our species. Each artist makes the journey through their particular island and upon arrival realizes that the most important work of the writer is the process of self discovery and self realisation.La isla sin aurora es una hermosa novela poemática en que su autor colecciona sus ideas sobre la creación artística y el placer estético, que había ido desgranando a lo largo de su vida. La novela, más que un género literario, supuso para Azorín un género de vida. Y la poesía, antes que un molde concreto, representa la esencia de seres y objetos. El verdadero escritor debe dejar de lado lo anecdótico para alcanzar el verdadero y universal significado de nuestra especie. Cada artista tiene que emprender travesía a su propia isla. Y cuando consiga desembarcar allí, al menos, habrá aprendido que la obra más importante de un escritor es el mismo proceso de su realización
Hacia una lectura escénica de diario de una enfermera de Isla Correyero
No full textResumen:
En el presente artículo se propone una lectura escénica del libro Diario de una enfermera de la española Isla Correyero, es decir, se sitúan y describen escenas y situaciones dramáticas paradigmáticas, presentes en el texto, las cuales se refieren especialmente a la experiencia de la muerte propia y de la muerte del otro. Como punto de entrada al conjunto de poemas, se destaca la hibridación del género lírico-poético con el discurso autobiográfico y memorialístico. A su vez, se sugieren posibles diálogos y relaciones intertextuales preliminares con Diario de muerte de Enrique Lihn y Veneno de escorpión azul de Gonzalo Millán.
Palabras claves: muerte; poesía; diario; Isla Correyero.
Abstract:
This article proposes a scenic reading of the book Diario de una enfermera written by the Spanish author Isla Correyero, i.e. the paradigmatic scenes in the text are located and described, which especially refer to the experience of one’s own death and the death of the other. As a starting point to the set of poems, the hybridization of the lyric-poetic genre with autobiographical and memorialistic speech is highlighted. At the same time, possible dialogues and preliminary intertextual relations with Diario de Muerte by Enrique Lihn y Veneno de escorpión azul by Gonzalo Millán are suggested.
Keywords: death; poetry; diary; Isla Correyero
Colección de varios papeles manuscritos que con motibo de haver salido a ley pública en el año de 1758 la ruidosa historia del famoso Predicador Fray Gerundio de Campazas escrivieron unos impugnandola y otros defendiéndola igualmente que se verdadero autor el Rmo. P. Joseph Fran.co de Ysla de la Compañía de Jesús, y al fin ban otros papeles que à diferentes assumptos escribió este celebre jesuita antes y después de extinguida la Compañía
No full textSin foliar. En el índice hay unos papeles al final de los que en realidad se han copiado en este vol.Encuadernación: Pasta española, desprendida la primera tapa y las primeras hojas. Rotul.: Papel varios | Marcas procedencia: Biblioteca Provincial y de la Universidad de SevillaContenido:(h.1-69)Prólogo de los papeles e índice.1.(h. 7-24) Amador de la Verdad, Fray. Carta de un Padre Carmelita Descalzo al Rmo. Padre Isla-. -1758.2.(h.24-33) Amador de la Verdad, Fray. -Progresos y aventuras del Desengañador de Predicadores Fray Gerundio de Campazas y primera mordedura, o dentallada que ha experimentado por el Fray Amador de la verdad-.3.(h.33-40). -Supino de Participio, Fray. -Justos merecidos elogios de Fr. Gerundio de Campazas por Fray Supino de Participio Romanae lírico-. Se asegura ser del P. Cotilla.5.(h.40-41) -Benagasi. -Contra Fr Gerundio : Soneto de Benagasi-.6.(h.41-80). -Padre de las Barvas Largas. -Carta del Padre de las Barvas largas al Reverendísimo Padre Isla-. 1758.7.(h.80-101) -Diálogo entre el cura de Zanganos y el Guardián de Loriana de la más extraña observancia de s. Francisco sobre Fr Gerundio de Campazas Alias Gotes-.8.(h.102-117) -Contra el famosos predicador Fray Gerundio de Campazs y contra su Author el P. Isla provandole varios y notables defectos que cometió en sus sermones-.9.(h.118-127) -Memorial de un Gerundio converso por la lectura del incomparable Fr Gerundio común desengañador de Predicadores bulgares en que pide Justicia seca en el Trivunal de la Misericordia. Obillejo del Padre Huerta-.10.(h.127-134) -Noticioso Fr. Gerundio de que le busca su Autor, le participa su paradero como también los trabajos que ha pasado, y repetidos tiros de la envidia que ha sufrido tomando l hilo del Obilleja del Padre Huerta-.11 (h.133-136) -Décimas del P. Isla en defensa de la Historia de Fr Gerundio con motibo de haver mandado suspender-.12.(h.136-139) -Seguidillas de un Nobicio de la Compañia escritas por la misma causa.-.13.(h.140-205) -Marquina, Matías. -Reparos de un Apostólico Romano a su Historia ruidosa y aplaudida de Fray Gerundio de Campazas (Alias Totes) por un Penitente del M.R, Padre Fr. Mathias Marquina del Orden de Menores Capuchinos de Sn. Fran.co de la Provª de las dos Castillas Coronista della en su Convento de Sn. Antonio del Padro de Madrid- / es obra del mismo P. Fr. Mathias MarquinaA 331/21
Tratament visual de la pelicula La Isla Mínima
No full text[ES] A través de este trabajo de fin de grado se pretende realizar un análisis de la dirección de fotografía de la producción de La Isla Mínima, película española del año 2014 dirigida por Alberto Rodríguez, escrita también por Rafael Cobos y Álex Catalán como director de fotografía .
Para ello se revisarán las referencias cinematográficas que el autor deja ver en las escenas, así como se analizarán todos los elementos que intervienen en la fotografía; los colores, los tipos de plano, su composición, la iluminación, las lentes y los movimientos de cámara.[EN] This project is based on the visual treatment of the direction of photography for the production of La Isla Mínima, a 2014 Spanish film directed by Alberto Rodríguez, also written by Rafael Cobos and Álex Catalán as the Director of photography.
The main idea of this work is to analyze what cinematographic references the author is influenced by, as well as all the elements that assemble the direction of photography of the film; types of shots, composition, lighting, lenses and camera movements.Bartual Latorre, S. (2022). Tratamiento visual de la película La Isla Mínima. Universitat Politècnica de València. https://riunet.upv.es/handle/10251/189221TFG
Una isla propia: sobre una novela poemática de Azorín
No full textLa isla sin aurora es una hermosa novela poemática en que su autor colecciona sus ideas sobre la creación artística y el placer estético, que había ido desgranando a lo largo de su vida. La novela, más que un género literario, supuso para Azorín un género de vida. Y la poesía, antes que un molde concreto, representa la esencia de seres y objetos. El verdadero escritor debe dejar de lado lo anecdótico para alcanzar el verdadero y universal significado de nuestra especie. Cada artista tiene que emprender travesía a su propia isla. Y cuando consiga desembarcar allí, al menos, habrá aprendido que la obra más importante de un escritor es el mismo proceso de su realización.La isla sin aurora is a novel in which the author during his lifetime has collected his ideas regarding the creation of art and aesthetic pleasure. The novel became for Azorin not only a literary genre but also a genre of his life. Moreover, the poetry freed from a specific mould became the essence of people and things. The real writer has put aside the particular to delve into the universal meaning of our species. Each artist makes the journey through their particular island and upon arrival realizes that the most important work of the writer is the process of self discovery and self realisation
MAN (Reino Unido) (Isla). Mapas generales. 1:65000 (1784)
No full textDedicatoria : "To the High Puissant and Most Noble Prince Jhon Duke and marquis of Atholl Marquis & Earl of Jullibardin ... This Map or Plan of the isle of Man is Most humbly Inscribed by his Grace's Most obliged most devoted and most humble Servant Peter Fanin ..."Escala gráfica de 10 millas estatutarias [= 24'8 cm]. Orientado con lisOrografía de perfil. Sondas batimétricas y fondeaderosEn el margen izquierdo, leyenda que explica la situación de la isla y en el superior nota explicativa sobre los peligros de la costa de la mismaTítulo en cartela con motivos marinos. Sobre la dedicatoria se representa un escudoInserta : "A View of the Southside of Douglas Harbour from His Grace the Duke of Athol's House". "Douglas Harbour". Escala [ca. 1:4550], 400 yards [= 8 cm
Hacia una lectura escénica de diario de una enfermera de Isla Correyero
No full textResumen:
En el presente artículo se propone una lectura escénica del libro Diario de una enfermera de la española Isla Correyero, es decir, se sitúan y describen escenas y situaciones dramáticas paradigmáticas, presentes en el texto, las cuales se refieren especialmente a la experiencia de la muerte propia y de la muerte del otro. Como punto de entrada al conjunto de poemas, se destaca la hibridación del género lírico-poético con el discurso autobiográfico y memorialístico. A su vez, se sugieren posibles diálogos y relaciones intertextuales preliminares con Diario de muerte de Enrique Lihn y Veneno de escorpión azul de Gonzalo Millán.
Palabras claves: muerte; poesía; diario; Isla Correyero.
Abstract:
This article proposes a scenic reading of the book Diario de una enfermera written by the Spanish author Isla Correyero, i.e. the paradigmatic scenes in the text are located and described, which especially refer to the experience of one’s own death and the death of the other. As a starting point to the set of poems, the hybridization of the lyric-poetic genre with autobiographical and memorialistic speech is highlighted. At the same time, possible dialogues and preliminary intertextual relations with Diario de Muerte by Enrique Lihn y Veneno de escorpión azul by Gonzalo Millán are suggested.
Keywords: death; poetry; diary; Isla Correyero
The Translator's Task: Recreating the Textual Atmosphere of Isla Cofre Mítico by Eugenio Fernández Granell
No full textIn this dissertation, I introduce the Spanish painter, poet, essayist, and novelist Eugenio Fernández
Granell and his seminal surrealist work, Isla cofre mítico. Granell was born in Galicia, Spain, in
1912 and can easily be described as a key figure within the surrealist movement in the second half
of the twentieth century. Isla cofre mítico was Granell’s first published book, and it is the fullest
published discussion about André Breton’s short work Martinique charmeuse de serpents, giving
followers of Surrealism a deeper understanding of Breton’s time in Martinique.
When you first pick up Granell’s book Isla cofre mítico, you are immediately struck by the cover’s
fantastic, mythical creature composed of vibrant colors and amorphous features. The image is a
pictorial representation of Granell’s island book that is Isla cofre mítico. The book represents the
act of translation in all senses of the word. In it, Granell translates his violent experiences from the
Spanish Civil War into words and images. He translates the foreign sights and sounds of the
Caribbean geography and culture as he tries to make sense of the place that becomes his temporary
home. He translates his experience of the world in the aftermath of the Second World War. For
Granell, the aesthetic vision of André Breton is the only mode of expression capable of translating
his experiences and thoughts into visual images and words.
Isla cofre mítico is a visual, textual, and auditory experiment in translation for the original author
and for me, the translator. In Isla cofre mítico, Granell translates the soundscapes of the island
through the sounds created in and between words. He translates French passages from André
Breton’s Martinique charmeuse de serpents into Spanish, as well as passages from other literary
texts and historical documents. He translates images into words, and he juxtaposes words to
produce sound and create meaning. How does one approach the translation of such a complex
work? This dissertation presents an analysis of the complex textual environment of Granell’s text
as well as my interpretive act of translation. I present a number of considerations for the translation
process, including approaches to recreating complex patterns of repetition and textual musicality.
I highlight the problematic role of textual ambiguity created by the author as translator from French
into Spanish and my role as translator from Spanish into English. I also bring in translators who
have contributed to the discussion of translation as an act of violence, and I attempt to demonstrate
that Granell challenges previous notions of translation violence through his clashes of textual
juxtapositions
Episode 35: Alexis Castellanos, Author of “Isla to Island”, and Her Panel Presentation during the Operación Pedro Pan Two-Day Event
No full textIn Part 1 of “Operación Pedro Pan: The Voices and Stories of Cuba’s Child Exodus—A Knights HistoryCast Mini-Series,” the Department of History’s Sebastian Garcia talked with Alexis Castellanos, an author, illustrator, graphic novelist, and a panelist at the esteemed, conspicuous, and powerful “Operación Pedro Pan: Honoring the Cultural, Historical Legacy of Cuba’s Child Exodus” Two-Day Program that Florida Humanities, UCF’s Department of English and Department of Modern Languages and Literatures sponsored (see https://cah.ucf.edu/pedro-pan/ for more details on sponsors and the program in general).
Sebastian structured this specific episode on Alexis Castellanos’ Isla to Island, a wordless graphic novel grounded by her personal family history and the history of Operación Pedro Pan (Operation Peter Pan). By analyzing such a historic event through the medium of fiction, Sebastian argued that this is one of the most unique Knights HistoryCast episodes of all time. Naturally, their conversation expanded to what she talked about during her panel presentation in Panel One, Day 1 of the event that featured “internationally renowned scholars that discussed the political, historical, and cultural legacy of Operación Pedro Pan (1960-1962).” (https://cah.ucf.edu/pedro-pan/)
To purchase Isla to Island (strongly recommend), check out: https://islatoisland.com/.
To find out more about Alexis and her professional work, check out her website at https://alexiscastellanos.com/https://stars.library.ucf.edu/knightshistorycast/1034/thumbnail.jp
Marina Martín Garcia
No full textIsla Martín Garcia is founded on a rock outcrop in the Río de la Plata which is a natural protected area between Argentina and Uruguay. Due to the extension of the runway at the local airport, wetlands between Isla Timoteo Domínguez and Isla Martín Garcia developed during the last decades. The bay, where the old port was located, was loaded with sediment. After the waters between the two islands sedimented, Isla Hércules is formed and a channel is created. For the location of the marina, three possible options are selected: at the pier, south of Isla Hércules and in the sedimented bay north of Isla Martín Garcia. By using a multi criteria analysis, a marina at the pier is chosen as the best option because of its small dredging area and minor environmental impact. In consultation with the consultative authorities, a marina at the bay is chosen as the elaborated alternative. The recovery of the old situation in which the marina is located in the bay is the main reason for this choice.Implementation of the marina at Isla Martín Garcia involves cooperation between two parties: the government and a second investor. The government is responsible for the island, and a certain amount of liquidity is required to boost tourism on the island. A second party, like a private investor, is introduced for the maintenance and exploration of the project. This cooperation needs to invest 22.9 million dollars; this includes the 16.4 million dollars for the government and 6.5 million dollars for the second party. Without involving an external investor the internal rate of return (IRR) is 1.77% which is very low. When involving a private investor the IRR increases, the external investor receives an IRR of 7.71 % over the entire lifetime of the marina.Hydraulic EngineeringCivil Engineering and Geoscience
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