1,721,002 research outputs found
Popular politics, populism and the leaders: Access without participation? The cases of Italy and UK
The leader and the democratic control. The role of media. Parties and leaders in Italy. Need for participation? Parties and leaders in UK. Climate change and leadership.The leader and the democratic control. The role of media. Parties and leaders in Italy. Need for participation? Parties and leaders in UK. Climate change and leadership.Refereed Working Papers / of international relevanc
Popular politics, populism and the leaders. Access without participation? The cases of Italy and UK
Leadership and new trends in political communication: selected Papers
Political Communication in the Age of Web 2.0. Press and Beyond. Leadership, Campaigns and Theoretical Frames. Intersections.Political Communication in the Age of Web 2.0. Press and Beyond. Leadership, Campaigns and Theoretical Frames. Intersections.Refereed Working Papers / of international relevanc
La leadership politica. Media e costruzione del consenso
Che rapporto c’è fra comunicazione di massa e crescita di leader populisti? Qual è il ruolo della televisione e dei social media nell’affermazione della leadership politica?
Dai media tradizionali a Internet, dalla retorica di Margareth Thatcher a quella di Berlusconi, fino ai casi di leadership “alternative”, capaci di costruire consenso in maniera orizzontale e deliberativa, il volume analizza, sia dal punto di vista storico sia da quello delle pratiche della comunicazione politica, i casi del Regno Unito e dell’Italia, ed esplora i difficili rapporti fra comunicazione, costruzione del consenso, affermazione della leadership, modelli di democrazia.
Uno spazio particolare, infine, è dedicato all’analisi del rapporto fra leadership politica e climate change: un rapporto che, ancora una volta, assume senso e legittimità sociale nella cornice definita dai media
La leadership politica : media e costruzione del consenso
Describes the nature of political leadership as represented in the popular media
Going Beyond Counting First Authors in Author Co-citation Analysis
The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
The evolution of Litigation public relations in England, 1992-2010
Litigation PR, as a distinct type of legal communications, is about fighting a case both through the law courts and in public, ‘in the court of public opinion’. Litigation PR practitioners offer effective communications techniques to ensure that the client’s image is completely aligned with the legal representative’s efforts and the litigation strategy, while ensuring the legal team’s and the client’s messages are understood outside the courtroom in different legal jurisdictions during the legal process.
This research intends to provide an overview to a series of external forces as well as the main internal drivers in order to explain when and how the new the new institution of Litigation PR evolved in England. As such, this thesis intends to be among the first accounts of the rise and evolution of Litigation PR, this new and, arguably, under-researched branch of PR in England.
The evolution in England reflects distinct communication, legal, political, economic and historical traditions. Therefore, it will be claimed in the thesis that the history of Litigation PR in England has an entirely independent historical evolution than that of the new branch in the US where this PR specialist practice originally evolved in the 1980s.
The research gives greater explanation as to why the English common law legal system and London as the Litigation PR capital of England are extensively investigated. Accordingly, the thesis also focuses on describing the context within which Litigation PR development took place, the unique features of Litigation PR in England and the consequences of the particular jurisdiction on the practice of this new PR branch. As a historical analysis the thesis also investigates and introduces the economic and legal reforms of the 1980s that provided a uniquely fruitful business climate for the rise and development of the new PR branch, particularly in London.
This detailed historical inquiry explores the emergence and evolution of Litigation PR in England in a certain period, from 1992 to 2010. The thesis uses qualitative historical methodology, including analyses of primary as well as secondary sources to introduce the topic addressed. Interviews were undertaken with key senior lawyers, judges and PR practitioners. Accordingly, this historical inquiry interprets the key events, personalities, institutions, as well as the attributes of the legal communications market in London and how these were shaped by Thatcherite liberalization and economic policies from the mid-1980s. The thesis also presents the evolution and significant changes of the civil and criminal procedural rules inevitable to the practice of Litigation PR, and as such, has also determined the historical evolution and the theoretical background of the new branch of PR in England
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