7,385 research outputs found
Infecciones urinarias BLEE en adultos mayores con HBP en el servicio de hospitalización del Hospital Luis Negreiros Vega en el año 2021-2022
La hiperplasia benigna de próstata es causa frecuente de desarrollo de ITU BLEE en pacientes hospitalizados. Hay evidencias que la aparición de ITU BLEE en el adulto mayor, puede presentar una frecuencia elevada, un cuadro clínico severo y complicaciones de acuerdo con la edad y grado de HBP del paciente.
Este estudio sigue la línea de investigación de Infecciones Urinarias Blee en pacientes con hiperplasia benigna de próstata, se prioriza el análisis de factores biológicos, sociales y ambientales. Esta área específica ha sido detallada en las Prioridades Nacionales de Investigación en Salud en el Perú para el período 2019-2023, un documento elaborado por el Instituto Nacional de SaludSubmitted by Mónica Barrueto ([email protected]) on 2024-04-29T15:42:13Z
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Previous issue date: 2024Tesi
Rodrigo\u27s Roundelay: Hernandez v. Texas and the Interest-Convergence Dilemma
In this chronicle Rodrigo meets with his mentor before a party and the two discuss celebratory jurisprudence Their discussion focuses on Hernandez v Texas as a milestone for Latino civil rights After discussing the historical background against which the Supreme Court decided the case they conclude that the groundbreaking decision arrived as a result of concerns in high circles over Latin American communism and peoples movements and the risk of the same in the United State
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Rodrigo\u27s Roundelay: Hernandez v. Texas and the Interest-Convergence Dilemma
In this chronicle Rodrigo meets with his mentor before a party and the two discuss celebratory jurisprudence Their discussion focuses on Hernandez v Texas as a milestone for Latino civil rights After discussing the historical background against which the Supreme Court decided the case they conclude that the groundbreaking decision arrived as a result of concerns in high circles over Latin American communism and peoples movements and the risk of the same in the United State
Gimnasio auditorio Rodrigo Valle Hernández
Video panoramico de la proyecció del Gimnasio de Cetys Universidad Campus TijuanaRecorido de la proyección del Gimnasio Rodrigo Valle Hernandez en 3
Pasar la bola
Documental sobre el amor por el Club Social y Deportivo Sayago, el barrio y el basketball de Luis Nicodemo.Directo: Federico Gutiérrez; editor: Federico Gutiérrez; cámara: Diego Curutchet, Rodrigo Hernandez; producción: Diego Curutchet; DF: Rodrigo Hernandez; entrevistados: Luis Nicodemo, Diego Nicodemo, Sergio Gutiérrez, Federico Gutierrez
Entrevista com Rodrigo Pederneiras, coreógrafo do Grupo Corpo (MG - Brasil)
Entrevista realizada em 21 e 22 de setembro de 2012, quando da vinda do Grupo Corpo a Porto Alegre, como parte de sua turnê nacional. Constituiu instrumento de pesquisa na dissertação de mestrado do Programa de Pós-Graduação em Artes Cênicas da Universidade Federal do Rio Grande do Sul: “COREOGRAFIA ‘21’ DO GRUPO CORPO: 21 percepções sobre o processo de criação cênica”. Acomodados nas poltronas da plateia do Teatro do SESI, enquanto os bailarinos faziam aula no palco, o entrevistado e a autora aprofundam o objeto de estudo (o processo coreográfico do balé “21”) e visitam outros temas que mostram alguns pontos de vista do coreógrafo do Grupo Corpo, Rodrigo Pederneiras. A entrevista foi editada para fins de adequação ao espaço editorial, sem prejuízo ao conteúdo.Interview conducted on 21 and 22 September 2012, when Grupo Corpo came to Porto Alegre (south of Brazil), as part of its national tour. This interview constituted a research instrument in the master’s degree dissertation of the Performing Arts Program at the Federal University of Rio Grande do Sul: “CHOREOGRAPHY ‘21’ BY GRUPO CORPO: 21 insights into the process of scenic creation.” Taking place in the seats of Teatro do SESI, while dancers were on stage class, the respondent and the author deepen the object of study (the choreographic process of “21”) and visit other issues that show some views of Grupo Corpo’s choreographer, Rodrigo Pederneiras. (Edited in order to be appropriated to editorial rules, no prejudice to the content)
Entrevista com Rodrigo Pederneiras, Coreógrafos do Grupo Corpo (MG – Brasil)
Entrevista realizada em 21 e 22 de setembro de 2012, quando da vinda do Grupo Corpo a Porto Alegre, como parte de sua turnê nacional. Constituiu instrumento de pesquisa na dissertação de mestrado do Programa de Pós-Graduação em Artes Cênicas da Universidade Federal do Rio Grande do Sul: “COREOGRAFIA ‘21’ DO GRUPO CORPO: 21 percepções sobre o processo de criação cênica”. Acomodados nas poltronas da plateia do Teatro do SESI, enquanto os bailarinos faziam aula no palco, o entrevistado e a autora aprofundam o objeto de estudo (o processo coreográfico do balé “21”) e visitam outros temas que mostram alguns pontos de vista do coreógrafo do Grupo Corpo, Rodrigo Pederneiras. A entrevista foi editada para fins de adequação ao espaço editorial, sem prejuízo ao conteúdo.Interview conducted on 21 and 22 September 2012, when Grupo Corpo came to Porto Alegre (south of Brazil), as part of its national tour. This interview constituted a research instrument in the master’s degree dissertation of the Performing Arts Program at the Federal University of Rio Grande do Sul: “CHOREOGRAPHY ‘21’ BY GRUPO CORPO: 21 insights into the process of scenic creation.” Taking place in the seats of Teatro do SESI, while dancers were on stage class, the respondent and the author deepen the object of study (the choreographic process of “21”) and visit other issues that show some views of Grupo Corpo’s choreographer, Rodrigo Pederneiras. (Edited in order to be appropriated to editorial rules, no prejudice to the content)
Entrevista com Rodrigo Pederneiras, coreógrafo do Grupo Corpo (MG - Brasil)
Entrevista realizada em 21 e 22 de setembro de 2012, quando da vinda do Grupo Corpo a Porto Alegre, como parte de sua turnê nacional. Constituiu instrumento de pesquisa na dissertação de mestrado do Programa de Pós-Graduação em Artes Cênicas da Universidade Federal do Rio Grande do Sul: “COREOGRAFIA ‘21’ DO GRUPO CORPO: 21 percepções sobre o processo de criação cênica”. Acomodados nas poltronas da plateia do Teatro do SESI, enquanto os bailarinos faziam aula no palco, o entrevistado e a autora aprofundam o objeto de estudo (o processo coreográfico do balé “21”) e visitam outros temas que mostram alguns pontos de vista do coreógrafo do Grupo Corpo, Rodrigo Pederneiras. A entrevista foi editada para fins de adequação ao espaço editorial, sem prejuízo ao conteúdo.Interview conducted on 21 and 22 September 2012, when Grupo Corpo came to Porto Alegre (south of Brazil), as part of its national tour. This interview constituted a research instrument in the master’s degree dissertation of the Performing Arts Program at the Federal University of Rio Grande do Sul: “CHOREOGRAPHY ‘21’ BY GRUPO CORPO: 21 insights into the process of scenic creation.” Taking place in the seats of Teatro do SESI, while dancers were on stage class, the respondent and the author deepen the object of study (the choreographic process of “21”) and visit other issues that show some views of Grupo Corpo’s choreographer, Rodrigo Pederneiras. (Edited in order to be appropriated to editorial rules, no prejudice to the content)
Development of novel light-based molecular tools for biomedical applications
Submission published under a 24 month embargo labeled 'U of I Access', the embargo will last until 2026-08-01The student, Rodrigo Tapia Hernandez, accepted the attached license on 2024-05-08 at 10:52.The student, Rodrigo Tapia Hernandez, submitted this Dissertation for approval on 2024-05-08 at 11:02.This Dissertation was approved for publication on 2024-05-16 at 14:59.DSpace SAF Submission Ingestion Package generated from Vireo submission #20783 on 2025-02-04 at 21:15:31Light is an important tool that can be applied in a wide range of chemical and biological applications. Light can provide both spatial and temporal control over chemical processes that we can exploit to help us better understand the chemical processes in biological systems. This can be achieved through the use of targetable colorimetric and fluorescent probes, as well as light-mediated chemical reactions in photolabile molecules, which can be used to deliver analytes, probes, and even therapeutics in a localized region of interest. In addition, light has the advantage of being a non-invasive trigger, and by tunning the power and wavelength it can be used safely without causing any damage or distress to healthy cells or tissues. The development of these tools has played an important role in biomedical applications, for example: basic studies to understand biological processes; disease monitoring through molecular imaging; direct light-mediated therapy with photothermal therapy, photodynamic therapy, and activatable drug release. In this work, Chapter 1 will give an introduction on the importance of light as a tool in both chemical and biological processes. In addition, examples of how modifications to dyes can be exploited for various imaging techniques, including a modern imaging modality known as photoacoustic imaging. Chapter 2 will expand on the photoacoustic effect, which takes advantage of the imaging depth that ultrasound imaging provides with the specificity of light as the excitation source. This chapter also presents a method of introducing this imaging modality to laboratories without expensive instrumentation. In Chapter 3, a novel photodegradable nano-hydrogel will be introduced for the delivery of multiple types of cargo in cells and in vivo. The ability to use NIR-light to improve the spatiotemporal control of release of a chemotherapeutic can be of great advantage to improve both the efficacy of the drug and its biosafety by reducing off-target interactions. Appendix C also presents the development of an enzyme mediated delivery of methylene blue, a popular molecule that can be used as a photosensitizer as a therapeutic to treat cancer, and specifically target M1 polarized macrophages which are known to be present in the tumor microenvironment
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