1,720,998 research outputs found
Atemloses Pfeifkonzert : warum Helene Fischer beim DFB-Pokalfinale gnadenlos ausgepfiffen wurde
Die gnadenlosen Pfiffe gegen Helene Fischer bei ihrem Auftritt im Berliner Olympiastadion in der Halbzeitpause des DFB-Pokal-Finales 2017 zwischen Borussia Dortmund und Ein-tracht Frankfurt wirkten in den Medien noch einige Zeit nach. Viele Menschen – Fußball-Fans, Schlager-Fans und auch völlig Unbeteiligte – stellten die Frage: Hat Sie das wirklich verdient? Im vorliegenden Beitrag werden vier Erklärungsansätze vorgestellt und erläutert, warum Helene Fischer beim Pokalfinale ausgepfiffen wurde und der Aufritt des Schlagerstars an dieser Stelle deplatziert war
ELIPSIS DALAM LIRIK LAGU PADA ALBUM FARBENSPIEL YANG DINYANYIKAN OLEH HELENE FISCHER
Gallmann (2004:894) elipsis merupakan sarana untuk meringankan komunikasi dari campuran redundansi atau sesuatu yang dapat diprediksi. Istilah ini berasal dari kata Yunani kuno atau dapat diterjemahkan sebagai suatu "kelalaian" pada kalimat. Pada terjemahan ini dapat menyesatkan, jika salah satu "kelalaian" tersebut mengandung kata atau kalimat yang memiliki sifat normatif: elipsis bukan berarti sebuah kalimat yang "tidak lengkap", atau kalimat yang harus benar-benar diselesaikan. Rumusan masalah penelitian ini adalah: Bagaimanakah penggunaan elipse pada kalimat yang terdapat dalam lirik lagu yang dinyanyikan oleh Helene Fischer pada album Farbenspiel? Tujuan dari penelitian ini adalah untuk Mendeskripsikan penggunaan elipse pada kalimat yang terdapat dalam lirik lagu yang dinyanyikan oleh Helene Fischer pada album Farbenspiel. Farbenspiel merupakan album ke enam dari Helene Fischer, menduduki posisi pertama di minggu pertama pada tangga album Media Control resmi di Jerman sejak dirilisnya album tersebut pada tanggal 4 Oktober 2013 dan bertahan selama tiga tahun berturut-turut di puncak tangga lagu Jerman. Pada penelitian ini, teori yang digunakan peneliti adalah teori elipsis yang dikemukakan oleh Sowinski pada tahun 2012. Metode yang digunakan dalam penelitian ini adalah pendekatan kualitatif yaitu penelitian yang tidak menggunakan perhitungan secara numerik. Terdapat 46 baris yang mengandung elipsis pada empat lirik lagu dengan uraian sebagai berikut; pada lirik lagu Atemlos Durch Die Nacht terdapat 12 baris kalimat yang mengandung elipsis, pada lirik lagu Te Quiero terdapat empat baris kalimat yang mengandung elipsis, pada lirik lagu Mit Keinem Anderem terdapat 14 baris kalimat yang mengandung elipsis, dan pada lirik lagu Ein Kleines Glück terdapat 16 baris kalimat yang mengandung elipsis.
(Kata Kunci : Elipsis, Lirik Lagu, Farbenspiel
Analisis Makna Denotasi dan Konotasi Pada Lirik Lagu ‘Atemlos Durch Die Nacht’ Karya Helene Fischer
This study aims to analyze the denotative and connotative meanings found in the lyrics of the song “Atemlos durch die Nacht” by Helene Fischer. A song is an effective medium for conveying messages and emotions through a combination of melody and lyrics. The lyrics of “Atemlos durch die Nacht” were chosen because of their deep emotional expression and the song’s historical significance as one of Germany’s most successful songs. The research employs a qualitative descriptive method focusing on semantic analysis to identify the literal (denotative) and implied (connotative) meanings in each line of the song’s lyrics. Data were collected through document analysis, and each lyric was interpreted according to its contextual meaning. The findings show that each lyric of the song contains both denotative and connotative meanings that express feelings of freedom, love, and enthusiasm. The denotative meanings present the literal interpretations of the words, while the connotative meanings reveal emotional and symbolic associations related to human experiences of joy, affection, and liberation. In conclusion, the study highlights that linguistic elements in song lyrics can serve as powerful tools for expressing human emotions and cultural values through layers of meaning
Going Beyond Counting First Authors in Author Co-citation Analysis
The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Dispelling the Myths Behind First-author Citation Counts
We conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
koamabayili/VECTRON-author-checklist: VECTRON author checklist
We have done our best to complete the author checklist relating to the use of animals in the hut study. Note that the objective for the hut study was to evaluate the IRS treatment applications for residual efficacy against Anopheles mosquitoes, including the local An. coluzzii mosquito population. Cows were only used to attract mosquitoes into the huts and no tests were carried out directly on the cows. The author checklist is intended for use with studies where experiments are carried out on animals, which is why we have had such difficulty in completing this for the hut study, as many of the questions do not relate to how the cows were used
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