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Traversing the boundaries? Art and film in Indonesia with particular reference to Perbatasan/boundaries: Lucia Hartini, paintings from a life
Full text linkThe repressive political conditions of the New Order state and the social dislocation caused by rapid industrial and technological development unquestionably affected the nature of artistic and cultural production in Indonesia. This thesis considers the dynamic of these conditions within a focused long-term study of the art and life of Indonesian "Surealis" painter, Lucia Hartini. My doctoral dissertation comprises this thesis and the forty-two minute documentary film Perbatasan / Boundaries: Lucia Hartini, Paintings from a Life (1999 – 2002) which I filmed in Indonesia and presents Lucia Hartini and her art in the context of her times from the historical standpoint of Reformasi and millennial change. Art historically, this thesis informs us of a wider journey, that of selected twentieth century Indonesian contemporary artists exploring concepts of simulacra, hyper-reality, the meta-real and the surreal through the stylistic use of photo-realism.
Lucia Hartini is known for her "Beautiful Surrealism". A founding member of the "Surealis Yogya", formed in 1985, she was the only woman from the original group to continue painting professionally from the late 1970s, throughout the New Order, and into the era of Reform. The consideration of Lucia Hartini's work in this thesis acknowledges the gradual shift in her concerns. Lucia's paintings respond to her natural and social environment, as well as to the challenges and dramatic changes in her life. This thesis charts the journey of her artistic maturation, so richly embodied in her third solo exhibition, "Irama Kehidupan / The Spirit of Life", in January 2002. Through a critical commentary on paintings selected from her oeuvre and the textual analysis of Perbatasan / Boundaries, I discuss Lucia Hartini’s subject matter, unique systems of image formation and use of detail, her particular contribution to the characteristic qualities of Indonesian "Surealisme". I regard the techniques, conceptual approaches and processes of filmmaking as intrinsic to this exploration, a methodological perspective arising from Hendro Wiyanto (2001) observation that Indonesia's "Surealis" artists present us with "reality bundled as a dream".
Lucia Hartini’s work raises questions of gender and personal transformation. This thesis argues that, for many years, the tensions created by the contrary forces of political repression and social transformation characterising much of New Order Indonesia, were reflected in her art. In a microcosmic-macrocosmic sense, Lucia and her art quietly contributed to attitudinal and social change in Indonesia. Works painted between 1986 and 1996 autobiographically chart a shift from personal distress to a growing sense of empowerment, followed by life-changing spiritual growth. I contextualize these paintings socially by studying the changing interstices between Lucia Hartini’s private life, her professional creative practice and the public persona she adopted in Indonesia’s emergent civilian society. My approach is informed by a conceptual framework based on difference, hybridity and its transformations, on the psychology of borderlands, negotiation and the transcendence of boundaries, witnessed through a study of the spiritual practice and quest for religious tolerance important to Lucia and evident in her art. This thesis reveals those boundaries which were transcended and those which remain negotiable.
Twice filming Lucia Hartini’s art, I was also affected by the dramatically different conditions of production prevailing in 1992 in New Order Indonesia and those possible between 1999 and 2001 during Reformasi. These differences are highlighted in the textual analysis of Perbatasan / Boundaries. Engaging comparisons between contemporary Indonesian art and Indonesian documentary and feature films, I discuss important attempts to solve the problems associated with restrictions on freedom of expression in paintings made prior to Reformasi. I consider the different uses of figurative realism to depict subjects deemed controversial by the state, and the creation of credible representations in art and convincing characterisations in filmmaking. The dramatically real yet poetic work of the Indonesian Neo-realist filmmakers of the 1950s exemplified one such solution. Their films and ideas prompted comparisons with the photo-realism, poetic intent and dramatic juxtapositional image making of the "Surealis Yogya". The relationship I perceive between Neo-realist cinematic practice and contemporary international documentary filmmaking encouraged me to make a documentary about Lucia rather than a purely creative or experimentally surreal work. Because of Reformasi and the changes wrought by Lucia’s personal development, Perbatasan / Boundaries: Lucia Hartini, Paintings from a Life (1999 – 2002) is the documentary which my first short experimental video, Pusaran / Vortex: From the Kitchen to Outer Space (1992 - 1993), made during the New Order, could not be
Srihana-Srihani: biografi Hartini Sukarno
No full textBuku Srihana-Srihani, Biografi Hartini Sukarno ini mengulas dengan cukup jeli kepribadian Hartini saat sebelum menjadi istri Sukarno, saat menjadi istri, dan pasca kejatuhan Sukarno. Sebuah kepribadian yang kukuh sehingga mampu menyelami dan menjadi pembimbing bagi kehidupan Sukarno di saat-saat krisis. Berkah kepribadian itu pula Hartini tetap kokoh dan tahan terhadap terpaan kritik
Srihana-Srihani Biografi Hartini Sukarno
No full textTerlahir dengan nama Siti Suhartini. Perempuan yang kemudian dikenal dengan nama Hartini ini dilahirkan di Ponorogo, Jawa Timur, 20 September 1924. Ia merupakan istri keempat Sukarno, setelah Siti Untari, Inggit Garnasih, dan Fatmawati.Hartini juga merupakan perempuan yang membuat The First Lady (Fatmawati) marah besar. Fat, harus meninggalkan istana karena keteguhan prinsipnya yang tidak mau dipoligami.Tidak hanya Fat yang marah. Pimpinan Pusat Perwari mengirimkan surat ajakan kepada organisasi perempuan khususnya yang ada di Jakarta mengambil sikap atas masalah perkawinan poligami Sukarno.Ya, kehadiran Hartini yang disebut Sukarno sebagai Srihani memang disambut dengan penentangan. Namun,Tien, begitu Sukarno menyebutnya, tetap teguh dan mendampingi Sukarno hingga akhir hayat.Kisah cinta Hartini dimulai ketika perjamuan makan yang diselenggarakan oleh Wali Kota Salatiga. Saat itu Sukarno bertanya siapa yang memasak perjamuan makan ini. Sambil malu-malu Hartini yang saat itu sudah bercerai dengan Suwondo, mengangkat tangannya. Dengan bangga, Sukarno memuji makanan Hartini tersebut.Sejak saat itu hubungan Sukarno-Hartini semakin erat. Sukarno sering mengirim surat untuk Hartini dengan nama Srihana. Dan Hartini disebut Srihani. Kisah cinta dua sejoli ini pun kemudian berlanjut dalam hubungan pernikahan.Dari sinilah Hartini menjadi seseorang yang sangat berpengaruh bagi Sukarno. Hartini berada di saat kondisi negeri yang dipimpin Sukarno dalam kondisi kritis. Yaitu era tahun 1950-1965an, saat-saat kejatuhan Sukarno. Hartini sebagai seorang istri tidak hanya mampu membangkitkan semangat dan gelora perjuangan bagi Sukarno. Sukarno semakin mapan melalui pidato-pidato heroic yang mampu membangkitkan semangat bangsa Indonesia adalah karena sentuhan kasih sayang dari Hartini.Hartini hadir bukan hanya sebagai seorang istri. Ia adalah seorang perempuan berdarah Jawa Timur yang tahu selera Bung Karno. Ia mampu menjadi teman, penasehat, sekaligus penguat dan peneguh bagi kegalauan Sukarno.Lebih dari itu, Hartini juga menjadi saksi sebuah revolusi peralihan yang menyudutkan Sukarno. Hartini tahu persis ketika Sukarno “dipaksa†menandatangani Surat Perintah Sebelas Maret (Supersemar). Menurut penuturan Hartini, berkali-kali Sukarno mengeryitkan dahi dan berkata keberatan sebelum akhirnya menandatangi surat tersebut. Pasca-kejatuhan Presiden RI pertama ini, Hartini pun tetap setia mendampingi masa tahanan rumah. Ia tetap setia bersama Sukarno walaupun saat itu Sukarno juga mempunyai Ratna Sari Dewi. Ia pun tetap setia dan tidak menikah lagi dengan orang lain sepeninggal Sukarno. Ia seakan ingin membuktikan ucapannya. Bahwa, Hartini mencintai Sukarno, bukan mencintai seorang presiden.Buku Srihana-Srihani, Biografi Hartini Sukarno ini mengulas dengan cukup jeli kepribadian Hartini saat sebelum menjadi istri Sukarno, saat menjadi istri, dan pasca kejatuhan Sukarno. Sebuah kepribadian yang kukuh sehingga mampu menyelami dan menjadi pembimbing bagi kehidupan Sukarno di saat-saat krisis. Berkah kepribadian itu pula Hartini tetap kokoh dan tahan terhadap terpaan kritik.Maka tidak aneh jika, John D. Legge menyebut Hartini sebagai satu dari tiga istri Sukarno yang paling berpengaruh, setelah Sarinah dan Inggit Garnasih. Pernikahan Srihana-Srihani (Sukarno-Siti Suhartini), telah membuka fase baru yang lebih mantan baik dalam kehidupan pribadi maupun politik Sukarno. Hartini, sebut Legge di masa itu mampu menjadi daya psikologis bagi Sukarno.Pada akhirnya, buku ini semakin menambah kepustakaan perempuan-perempuan yang berpengaruh dalam karir Sukarno yang digarap secara apik dan rinci. Selamat membaca
Fauna Tungau Macrochelidae (Mesostigmata: Acari) dan asosiasinya dengan Kumbang Kotoran di Gunung Sawal, Ciamis, Jawa Barat
No full textPenelitian tentang tungau Macrochelidae (Mesostigmata: Acari) telah dilakukan di Cagar Alam Gunung Sawal,
Ciamis, Jawa Barat. 3 marga, 8 spesies tungau dari famili Macrochelidae dikoleksi dan berasosiasi dengan kumbang
kotoran. Marga tungau yaitu: Holostaspella (H. oblonga Hartini & Takaku, 2010), Neopodocinum [N. bosschai
(Berlese, 1901) dan N. subjaspersi Hartini & Takaku, 2003] dan Macrocheles [M. dispar (Berlese, 1910); M.
jabarensis Hartini & Takaku, 2003; M. kraepelini (Berlese, 1905); M. pumilus Hartini, Dwibadra & Takaku, 2009
dan M. sukabumiensis Hartini & Takaku, 2003]. Kumbang kotoran Scarabaeidae berasosiasi dengan tungau
Macrochelidae dilaporkan 3 marga dan 10 spesies, yaitu: Catharsius, Copris dan Onthophagus. Nilai niche overlap
kumbang kotoran mendekati 100% pada O. (O.) orientalis terhadap O. (O.) javaecola (96,97%) menunjukkan
bahwa dua spesies sebagai alat transportasi dapat memberikan jumlah besar tumpangan pada spesies yang sama dari
tungau Macrochelida
Realitas mimpi pada lukisan Lucia Hartini
No full textLucia Hartini adalah salah stau dari beberapa pelukis wanita di Indonesia yang berada di Yogyakarta, ia juga seorang pelukis yang berhasil mengungkapkan kembali mimpi-mimpinya kedalam lukisan-lukisannya. Berdasarkan latar belakang tersebut, maka dalam penulisan ini akan ditujukan khusus mengenai keterkaitan/hubungan antara mimpi-mimpi dengan tema yang dipilih Lucia Hartini dalam karya seni lukisnya
Macrocheles sumbaensis Hartini and Takaku 2005
No full textMacrocheles sumbaensis Hartini and Takaku, 2005 Macrocheles sumbaensis Hartini and Takaku, 2005 in Hartini et al. 2005: 206–207, figs 6–11. Material examined. Km 23: 1 female, Acacia mangium plantation, 23 December 2006, ex residue in vial. Diagnosis. Dorsal shield oval, surface ornamented with distinct reticulation and punctations; 28 dorsal setae; setae j1, Z4, Z5, and S5 pilose distally; J5 entirely pilose; other setae simple. Sternal shield with granular ornamentation, short lines and punctation in edges of shields; epygynial shield ornamented with punctate reticulation. Habitat. This species has been collected from scarab beetles of the genus Aphodius and from the histerid beetle Pachylister lutarius (Erichson, 1834). Distribution. Indonesia [Sumba and Kalimantan (new record)].Published as part of Dwibadra, Dhian, Takaku, Gen, Ôhara, Masahiro & Ueda, Akira, 2014, Mites of the Family Macrochelidae (Acari: Gamasida) from Sungai Wain, East Kalimantan, Indonesia, pp. 43-57 in Species Diversity 19 (1) on page 48, DOI: 10.12782/sd.19.1.043, http://zenodo.org/record/458493
Hartini cerahkan peluang wanita Kedah
Full text linkSintok - Jaringan tunggal Ketua Pasukan Wanita Kedah, Noor Hartini Jasni sudah cukup untuk menewaskan pencabar tradisi, Perak 1-0 pada saingan keempat Kumpulan B Piala Tun Sharifah Rodziah 2016 di Padang Universiti Utara Malaysia (UUM), semalam
Conversation between two maids
No full textThis is a recording of two women, Ernawati and Hartini at Keron's house. Ernawati is a 36 year old woman, born and grew up in Pondok Prasi. She is married to a man from the same village. She finished elemenatry school and now works as a baby sitter. Hartini is 28 years old. She was born and grew up in Pondok Prasi, married to a man from the village.They are talking about their job as maids. The recording ends with Khairunnisa collecting metadata from the speakers. Muhammad Jaelani assisted with the recording. Video was recorded on Panasonic HC-V770, audio on Marantz PMD561 with an Audio Technica AT8022 Stereo Microphone.Ampenan, Lombok, West Nusa Tenggara province, Indonesi
Macrocheles persimilis Hartini, Dwibadra and Takaku 2007
No full textMacrocheles persimilis Hartini, Dwibadra and Takaku, 2007 Macrocheles persimilis Hartini, Dwibadra and Takaku, 2007: 82–83, 85, fig. 3. Material examined. Km 22: 1 female, 23 December 2006, ex residue in vial. Km 24: 1 female, 26 December 2006, ex residue in vial. Diagnosis. Dorsal shield oval, attenuate posteriorly; surface ornamented with distinct reticulations and punctations; lateral margin smooth; dorsal shield with 28 pairs of setae; j1–4 pilose distally; j5, j6, z1, z5, z6, and J2 simple; other dorsal setae pilose; sternal shield with one or two l. arc. Habitat. This species has been collected from the scarab beetle genus Onthophagus. Distribution. Indonesia [Sulawesi and Kalimantan (new record)].Published as part of Dwibadra, Dhian, Takaku, Gen, Ôhara, Masahiro & Ueda, Akira, 2014, Mites of the Family Macrochelidae (Acari: Gamasida) from Sungai Wain, East Kalimantan, Indonesia, pp. 43-57 in Species Diversity 19 (1) on page 48, DOI: 10.12782/sd.19.1.043, http://zenodo.org/record/458493
Macrocheles entetiensis Hartini and Takaku 2005
No full textMacrocheles entetiensis Hartini and Takaku, 2005 Macrocheles entetiensis Hartini and Takaku, 2005 in Hartini et al. 2005: 204–206, figs 1–5. Material examined. Km 18: 5 females, 23 December 2006, ex Onthophagus schwaneri, residue in vial. Km 22: 8 females, 23 December 2006, ex residue in vials. Km 23: 4 females, 23 December 2006, ex O. limbatus Herbs, 1789; 8 females, Imperata cylindrical (L.) grassland, 17–22 December 2007, ex O. uedai Ochi and Kon, 2006 and residue in vials. Km 24: 33 females, 23 December 2006, ex O. limbatus and residue in vials. Diagnosis. Female. Dorsal setae j1 pilose distally; j3 and z4 thickened and pilose distally; j5, j6, z5, z6, and J2 simple; other dorsal setae pilose distally or pilose in distal half. Sternal shield with distinct l. ang., l. arc., l. m. t., and l. o. p.; l. o. p. disjunct from l. m. t. and not bifurcate. Habitat. This species has been collected from the scarab beetle genera Aphodius, Catharsius, and Onthophagus. Distribution. Indonesia [Timor, Sumba, Flores, Sumbawa, Java, and Kalimantan (new record)].Published as part of Dwibadra, Dhian, Takaku, Gen, Ôhara, Masahiro & Ueda, Akira, 2014, Mites of the Family Macrochelidae (Acari: Gamasida) from Sungai Wain, East Kalimantan, Indonesia, pp. 43-57 in Species Diversity 19 (1) on page 45, DOI: 10.12782/sd.19.1.043, http://zenodo.org/record/458493
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