4,532 research outputs found
O positivismo jurídico de Hart e as críticas à teoria imperativa do direito
No full textDissertação (mestrado) - Universidade Federal de Santa Catarina, Centro de Filosofia e Ciências Humanas, Programa de Pós-Graduação em Filosofia, Florianópolis, 2014.Esta dissertação tem o objetivo de apresentar dois tipos de positivismo jurídico, a saber, o imperativismo e o positivismo de Hart. Assim, faz parte do nosso objetivo principal apresentar a crítica de Hart ao imperativismo, em especial ao imperativismo da teoria de Austin e da de Bentham. O positivismo de Hart seria um novo começo depois de eliminar as imperfeições imperativas. Seria um recomeço positivista para valorizar outros elementos do Direito e não apenas o da coação e eliminar do escopo jurídico ordens do soberano, para, no lugar, incluir tipos de obrigações jurídicas diferentes que geram regras de diferentes tipos, como regras coativas, regras que conferem direitos e poderes, além da regra de reconhecimento. A regra de reconhecimento é a autoridade e é também a regra que reconhece os conteúdos jurídicos, apesar de ser também uma prática social de onde advêm os conteúdos capazes de se tornarem positivados e reconhecidos pelo sistema. Ao invés de sustentar uma regra que manifeste a autoridade do sistema, Austin apresenta apenas a prática social, o hábito, como sustentação de autoridade jurídica. No caso de Austin, entende-se que a autoridade jurídica seja constituída das ordens dadas pelo soberano junto de ameaças e promessas de danos. Para cumprir nossos objetivos,apresentamos, no capítulo inicial, os diferentes tipos de positivismo, ou seja, a maneira como os positivistas apresentam suas questões e quais são as questões-alvo da análise de Hart e de Austin. A tese do imperativismo é uma das formulações do positivismo, mas não é defendida por Hart e explicamos o porquê no capítulo segundo, assim como apresentamos um resumo do positivismo de Hart no capítulo final.Abstract : The purpose of this paper is to introduce two types of legal positivism,namely imperativism and Hart's positivism. Thus our main goal is to introduce Hart's critique to imperativism, as examples, the theory of Austin and Bentham. Hart?s positivism would be a new beginning after eliminating the imperfections inherent to imperativism. A positivist beginning valuing other elements to the essence of Law instead of pure coercion and eliminating from the legal scope sovereign orders and instead including types of legal obligations which generate different types of coercive rules, rules that confer rights and powers beyond the rule of recognition. The rule of recognition is the authority and the rule recognizes the legal contents able to become positivized and recognized by the system, Austin has only social practice and habit to support the legal authority, in the case of Austin, legal authority are the orders conveyed by the sovereign power along with threats and mention of damages. To accomplish our goals, we present in the first chapter the different types of positivism, that is, the way in which the positivists present their issues and which issues are within Hart and Austin's scope. The thesis of imperativism is one of the formulations of positivism, but this thesis is not advocated by Hart and we explain why in the second chapter as well as a summary of positivism in the last chapter
Lorenz Hart a poet on Broadway
No full textLorenz Hart: A Poet on Broadway presents the public triumphs of a true genius of the American musical theatre, and the personal tragedies of a man his friend the singer Mabel Mercer described as "the saddest man I ever knew." Author Frederick Nolan began researching this definitive biography in 1968, tracking down and interviewing Hart's friends and collaborators one by one, including a remarkable conversation with Richard Rodgers himselfA veritable who's who of Broadway's golden age, including Joshua Logan, Gene Kelly, George Abbott, and many more, recall their uncensored and often hilarious, sometimes poignant memories of the cigar-chomping impresario who composed some of the best lyrics ever concocted for the Broadway stage, but who remained forever lost and lonely in the crowds of hangers-on he attractedA portrait of Hart emerges as a Renaissance man and endearing bon vivant conflicted by his homosexuality and ultimately torn apart by alcoholis
The Wall
No full textView of the east wall; Lin was still a student when her design was chosen from a competition of 142 entries for a memorial to commemorate those who fought and died in the War and to ease tensions the War had provoked among the American public, government leaders, and war veterans. The memorial consists of a large, reflective granite wall, lowered into the earth to symbolize a scar, and inscribed with the names of the dead. [The figurative sculpture 'Three Servicemen' by Frederick Hart was selected in 1982 and cast in 1984. It is located 150 feet away from the wall. The Vietnam Women's Memorial was dedicated in 1993. The sculpture, designed by Texas native Glenna Goodacre, depicts three uniformed women with a wounded soldier.] Source: Union List of Artist Names [online notes]; http://www.getty.edu/research/conducting_research/vocabularies/ulan (accessed 2/8/2008
Lilly white sweet lilly white Farewell to thee my love [first line of chorus]
No full textstrophic with choruspiano and voiceCover is duplicated in 022.105.
Music is duplicated in 022.105.Johns Hopkins University, Levy Sheet Music Collection, Box
022, Item 104Words by C. Hart. Music by Frederick Buckley.[Buckley's Serenaders]Lith. of Sarony & Co. N.Y.; Pearson Eng'
Lilly white sweet lilly white Farewell to thee my love [first line of chorus]
No full textstrophic with choruspiano and voiceCover is duplicated in 022.105.
Music is duplicated in 022.105.Johns Hopkins University, Levy Sheet Music Collection, Box
022, Item 104Words by C. Hart. Music by Frederick Buckley.[Buckley's Serenaders]Lith. of Sarony & Co. N.Y.; Pearson Eng'
Frederick Douglass photograph
No full textFrederick Douglass (1818-1895) was a famous passenger on the Underground Railroad and worked as a station agent in Rochester, Monroe County, New York. After escaping slavery, he worked tirelessly for the cause of abolition and equal rights as an orator, author, and statesman
Hebron (Israel), men and children on steps of Sanctuary of Abraham
No full textChas. C. Hart at Abrahams Mosque, Hebron Palestine [Israel], Apr. 7, 1934 F.G.C.Also known as Haram al-Ibrahimi or the Tomb of the Patriarchs. Built between the 13th and 15th century.Haram al-Ibrahimi. (2012). ArchNet. Retrieved from http://archnet.org/library/sites/one-site.jsp?site_id=8037GrayscaleClapp Nitrate Negatives, Box
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