814 research outputs found
Una isla propia: sobre una novela poemática de Azorín
No full textLa isla sin aurora is a novel in which the author during his lifetime has collected his ideas regarding the creation of art and aesthetic pleasure. The novel became for Azorin not only a literary genre but also a genre of his life. Moreover, the poetry freed from a specific mould became the essence of people and things. The real writer has put aside the particular to delve into the universal meaning of our species. Each artist makes the journey through their particular island and upon arrival realizes that the most important work of the writer is the process of self discovery and self realisation.La isla sin aurora es una hermosa novela poemática en que su autor colecciona sus ideas sobre la creación artística y el placer estético, que había ido desgranando a lo largo de su vida. La novela, más que un género literario, supuso para Azorín un género de vida. Y la poesía, antes que un molde concreto, representa la esencia de seres y objetos. El verdadero escritor debe dejar de lado lo anecdótico para alcanzar el verdadero y universal significado de nuestra especie. Cada artista tiene que emprender travesía a su propia isla. Y cuando consiga desembarcar allí, al menos, habrá aprendido que la obra más importante de un escritor es el mismo proceso de su realización
Hacia una lectura escénica de diario de una enfermera de Isla Correyero
No full textResumen:
En el presente artículo se propone una lectura escénica del libro Diario de una enfermera de la española Isla Correyero, es decir, se sitúan y describen escenas y situaciones dramáticas paradigmáticas, presentes en el texto, las cuales se refieren especialmente a la experiencia de la muerte propia y de la muerte del otro. Como punto de entrada al conjunto de poemas, se destaca la hibridación del género lírico-poético con el discurso autobiográfico y memorialístico. A su vez, se sugieren posibles diálogos y relaciones intertextuales preliminares con Diario de muerte de Enrique Lihn y Veneno de escorpión azul de Gonzalo Millán.
Palabras claves: muerte; poesía; diario; Isla Correyero.
Abstract:
This article proposes a scenic reading of the book Diario de una enfermera written by the Spanish author Isla Correyero, i.e. the paradigmatic scenes in the text are located and described, which especially refer to the experience of one’s own death and the death of the other. As a starting point to the set of poems, the hybridization of the lyric-poetic genre with autobiographical and memorialistic speech is highlighted. At the same time, possible dialogues and preliminary intertextual relations with Diario de Muerte by Enrique Lihn y Veneno de escorpión azul by Gonzalo Millán are suggested.
Keywords: death; poetry; diary; Isla Correyero
Colección de varios papeles manuscritos que con motibo de haver salido a ley pública en el año de 1758 la ruidosa historia del famoso Predicador Fray Gerundio de Campazas escrivieron unos impugnandola y otros defendiéndola igualmente que se verdadero autor el Rmo. P. Joseph Fran.co de Ysla de la Compañía de Jesús, y al fin ban otros papeles que à diferentes assumptos escribió este celebre jesuita antes y después de extinguida la Compañía
No full textSin foliar. En el índice hay unos papeles al final de los que en realidad se han copiado en este vol.Encuadernación: Pasta española, desprendida la primera tapa y las primeras hojas. Rotul.: Papel varios | Marcas procedencia: Biblioteca Provincial y de la Universidad de SevillaContenido:(h.1-69)Prólogo de los papeles e índice.1.(h. 7-24) Amador de la Verdad, Fray. Carta de un Padre Carmelita Descalzo al Rmo. Padre Isla-. -1758.2.(h.24-33) Amador de la Verdad, Fray. -Progresos y aventuras del Desengañador de Predicadores Fray Gerundio de Campazas y primera mordedura, o dentallada que ha experimentado por el Fray Amador de la verdad-.3.(h.33-40). -Supino de Participio, Fray. -Justos merecidos elogios de Fr. Gerundio de Campazas por Fray Supino de Participio Romanae lírico-. Se asegura ser del P. Cotilla.5.(h.40-41) -Benagasi. -Contra Fr Gerundio : Soneto de Benagasi-.6.(h.41-80). -Padre de las Barvas Largas. -Carta del Padre de las Barvas largas al Reverendísimo Padre Isla-. 1758.7.(h.80-101) -Diálogo entre el cura de Zanganos y el Guardián de Loriana de la más extraña observancia de s. Francisco sobre Fr Gerundio de Campazas Alias Gotes-.8.(h.102-117) -Contra el famosos predicador Fray Gerundio de Campazs y contra su Author el P. Isla provandole varios y notables defectos que cometió en sus sermones-.9.(h.118-127) -Memorial de un Gerundio converso por la lectura del incomparable Fr Gerundio común desengañador de Predicadores bulgares en que pide Justicia seca en el Trivunal de la Misericordia. Obillejo del Padre Huerta-.10.(h.127-134) -Noticioso Fr. Gerundio de que le busca su Autor, le participa su paradero como también los trabajos que ha pasado, y repetidos tiros de la envidia que ha sufrido tomando l hilo del Obilleja del Padre Huerta-.11 (h.133-136) -Décimas del P. Isla en defensa de la Historia de Fr Gerundio con motibo de haver mandado suspender-.12.(h.136-139) -Seguidillas de un Nobicio de la Compañia escritas por la misma causa.-.13.(h.140-205) -Marquina, Matías. -Reparos de un Apostólico Romano a su Historia ruidosa y aplaudida de Fray Gerundio de Campazas (Alias Totes) por un Penitente del M.R, Padre Fr. Mathias Marquina del Orden de Menores Capuchinos de Sn. Fran.co de la Provª de las dos Castillas Coronista della en su Convento de Sn. Antonio del Padro de Madrid- / es obra del mismo P. Fr. Mathias MarquinaA 331/21
The morphology and structure of the Hannibal Bank fisheries management zone, Pacific Panama using acoustic seabed mapping
No full textSt. Andrews University, Fundación MarViva, The Nature Conservancy and the Smithsonian Tropical Research Institute provided the funding for this research.The Hannibal Bank sits within the Coiba UNESCO World Heritage Site in Pacific Panama and is also a fisheries management zone. Despite the protected status of the area and the importance of the Bank for commercial fish species such as snapper and tuna, the seamount has received no detailed survey except some collection of organisms. This study mapped the major topographic features and complexity of the Hannibal Bank seamount using acoustic remote sensing. A survey area of around 125km2 was defined using existing charts and side-scan sonar data were collected during July 2008. A bathymetric output was imported to ArcGIS where a digital bathymetric model and slope map were created. The Benthic Terrain Modeler (BTM) extension for ArcGIS was used to calculate bathymetric position index and rugosity, and used to create a map of zones representing the various seabed morphology zones. The Hannibal bank is an elongated, triangular guyot (flat topped seamount), which ranges in depth from 53m to 416m, covers an area of 76km2 and is 14.4km long and 7.1km wide. Hannibal bank is composed of steep slopes, more gentle slopes, top of the seamount, crests (elevated ridges at the top of the pinnacles), rugose areas (on crests, top of seamount and slope), gullies and pinnacles. The bank is asymmetric in nature with the Northerly side having a relatively gentle slope with gullies across the surface compared to the SouthWest side which is far steeper and more rugose. There are two pinnacles to the North and South East of the bank that range in depth from 180 to 333m. Rocky substrate makes up 22.6km2 of the bank and sediment 37.8km2 . The bank and its steeply sided, rugose areas and pinnacles provide upright structures which can disrupt and topographically enhance currents, increasing productivity. The rugose areas of Hannibal Bank should be primary targets for further research efforts as they may contain corals and their rugosity indicates that these should be some of the highest faunal diversity areas of the bank. Hannibal Bank is likely to come increasing pressure in the future through climate change and fishing and this study has produced valuable information to assist in the future mapping and management of habitats, associated species and fisheries.Peer reviewe
Tratament visual de la pelicula La Isla Mínima
No full text[ES] A través de este trabajo de fin de grado se pretende realizar un análisis de la dirección de fotografía de la producción de La Isla Mínima, película española del año 2014 dirigida por Alberto Rodríguez, escrita también por Rafael Cobos y Álex Catalán como director de fotografía .
Para ello se revisarán las referencias cinematográficas que el autor deja ver en las escenas, así como se analizarán todos los elementos que intervienen en la fotografía; los colores, los tipos de plano, su composición, la iluminación, las lentes y los movimientos de cámara.[EN] This project is based on the visual treatment of the direction of photography for the production of La Isla Mínima, a 2014 Spanish film directed by Alberto Rodríguez, also written by Rafael Cobos and Álex Catalán as the Director of photography.
The main idea of this work is to analyze what cinematographic references the author is influenced by, as well as all the elements that assemble the direction of photography of the film; types of shots, composition, lighting, lenses and camera movements.Bartual Latorre, S. (2022). Tratamiento visual de la película La Isla Mínima. Universitat Politècnica de València. https://riunet.upv.es/handle/10251/189221TFG
Una isla propia: sobre una novela poemática de Azorín
No full textLa isla sin aurora es una hermosa novela poemática en que su autor colecciona sus ideas sobre la creación artística y el placer estético, que había ido desgranando a lo largo de su vida. La novela, más que un género literario, supuso para Azorín un género de vida. Y la poesía, antes que un molde concreto, representa la esencia de seres y objetos. El verdadero escritor debe dejar de lado lo anecdótico para alcanzar el verdadero y universal significado de nuestra especie. Cada artista tiene que emprender travesía a su propia isla. Y cuando consiga desembarcar allí, al menos, habrá aprendido que la obra más importante de un escritor es el mismo proceso de su realización.La isla sin aurora is a novel in which the author during his lifetime has collected his ideas regarding the creation of art and aesthetic pleasure. The novel became for Azorin not only a literary genre but also a genre of his life. Moreover, the poetry freed from a specific mould became the essence of people and things. The real writer has put aside the particular to delve into the universal meaning of our species. Each artist makes the journey through their particular island and upon arrival realizes that the most important work of the writer is the process of self discovery and self realisation
MAN (Reino Unido) (Isla). Mapas generales. 1:65000 (1784)
No full textDedicatoria : "To the High Puissant and Most Noble Prince Jhon Duke and marquis of Atholl Marquis & Earl of Jullibardin ... This Map or Plan of the isle of Man is Most humbly Inscribed by his Grace's Most obliged most devoted and most humble Servant Peter Fanin ..."Escala gráfica de 10 millas estatutarias [= 24'8 cm]. Orientado con lisOrografía de perfil. Sondas batimétricas y fondeaderosEn el margen izquierdo, leyenda que explica la situación de la isla y en el superior nota explicativa sobre los peligros de la costa de la mismaTítulo en cartela con motivos marinos. Sobre la dedicatoria se representa un escudoInserta : "A View of the Southside of Douglas Harbour from His Grace the Duke of Athol's House". "Douglas Harbour". Escala [ca. 1:4550], 400 yards [= 8 cm
Hacia una lectura escénica de diario de una enfermera de Isla Correyero
No full textResumen:
En el presente artículo se propone una lectura escénica del libro Diario de una enfermera de la española Isla Correyero, es decir, se sitúan y describen escenas y situaciones dramáticas paradigmáticas, presentes en el texto, las cuales se refieren especialmente a la experiencia de la muerte propia y de la muerte del otro. Como punto de entrada al conjunto de poemas, se destaca la hibridación del género lírico-poético con el discurso autobiográfico y memorialístico. A su vez, se sugieren posibles diálogos y relaciones intertextuales preliminares con Diario de muerte de Enrique Lihn y Veneno de escorpión azul de Gonzalo Millán.
Palabras claves: muerte; poesía; diario; Isla Correyero.
Abstract:
This article proposes a scenic reading of the book Diario de una enfermera written by the Spanish author Isla Correyero, i.e. the paradigmatic scenes in the text are located and described, which especially refer to the experience of one’s own death and the death of the other. As a starting point to the set of poems, the hybridization of the lyric-poetic genre with autobiographical and memorialistic speech is highlighted. At the same time, possible dialogues and preliminary intertextual relations with Diario de Muerte by Enrique Lihn y Veneno de escorpión azul by Gonzalo Millán are suggested.
Keywords: death; poetry; diary; Isla Correyero
The Translator's Task: Recreating the Textual Atmosphere of Isla Cofre Mítico by Eugenio Fernández Granell
No full textIn this dissertation, I introduce the Spanish painter, poet, essayist, and novelist Eugenio Fernández
Granell and his seminal surrealist work, Isla cofre mítico. Granell was born in Galicia, Spain, in
1912 and can easily be described as a key figure within the surrealist movement in the second half
of the twentieth century. Isla cofre mítico was Granell’s first published book, and it is the fullest
published discussion about André Breton’s short work Martinique charmeuse de serpents, giving
followers of Surrealism a deeper understanding of Breton’s time in Martinique.
When you first pick up Granell’s book Isla cofre mítico, you are immediately struck by the cover’s
fantastic, mythical creature composed of vibrant colors and amorphous features. The image is a
pictorial representation of Granell’s island book that is Isla cofre mítico. The book represents the
act of translation in all senses of the word. In it, Granell translates his violent experiences from the
Spanish Civil War into words and images. He translates the foreign sights and sounds of the
Caribbean geography and culture as he tries to make sense of the place that becomes his temporary
home. He translates his experience of the world in the aftermath of the Second World War. For
Granell, the aesthetic vision of André Breton is the only mode of expression capable of translating
his experiences and thoughts into visual images and words.
Isla cofre mítico is a visual, textual, and auditory experiment in translation for the original author
and for me, the translator. In Isla cofre mítico, Granell translates the soundscapes of the island
through the sounds created in and between words. He translates French passages from André
Breton’s Martinique charmeuse de serpents into Spanish, as well as passages from other literary
texts and historical documents. He translates images into words, and he juxtaposes words to
produce sound and create meaning. How does one approach the translation of such a complex
work? This dissertation presents an analysis of the complex textual environment of Granell’s text
as well as my interpretive act of translation. I present a number of considerations for the translation
process, including approaches to recreating complex patterns of repetition and textual musicality.
I highlight the problematic role of textual ambiguity created by the author as translator from French
into Spanish and my role as translator from Spanish into English. I also bring in translators who
have contributed to the discussion of translation as an act of violence, and I attempt to demonstrate
that Granell challenges previous notions of translation violence through his clashes of textual
juxtapositions
The systematics and genetics of tomatoes on the Galápagos Islands (Solanum, Solanaceae)
No full textGalápagos tomatoes (Solanum section Lycopersicon) have long interested
scientists and plant breeders. Several morphological and physiological
characters found in the endemic Galápagos tomatoes have been bred into the
cultivated Solanum lycopersicum, making the native plants an invaluable
resource for the development of this important global crop.
Extensive fieldwork was carried out on twelve islands, old records were
confirmed, new records added, but several previously recorded populations of
endemic tomatoes could not be confirmed. I collected tomatoes from 12 islets
and Islands. Detailed morphometric analysis on c.400 plants and extensive
genetic studies on c.1,200 plants were carried out in addition to fieldwork and
natural history studies. Observations and experiments were carried out on
herbarium specimens, field collected and green house grown accessions. I
confirmed the presence of four taxa in the Galápagos Islands – two endemic
species S. cheesmaniae and S. galapagense, the latter here described as new,
and two introduced species S. pimpinellifolium and S. lycopersicum.
Hybrids were found involving all taxa growing in the Galápagos Islands.
Of particular interest is an extensive hybrid zone between S. cheesmaniae and
S. pimpinellifolium spanning 20km along the Baltra Road on Isla Santa Cruz.
Hybridization raises the threat of extinction by introgression and the possibility
of the evolution of a serious invasive species. Conservation recommendations
are proposed.
In addition, a genetic analysis was undertaken of 60 seed bank
accessions of all four tomato species from the Galápagos. Again, indications of
hybridization were found, raising the potential of introgression within the seed
bank collections, occurring potentially during rejuvenation cycles.
Furthermore, I propose a new outline for a generic invasive species
threat/impact scoring system. Applying this new system I class Solanum
pimpinellifolium as an alien invasive species and assess its impact on Isla
Santa Cruz in the Galápagos Islands
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