1,720,985 research outputs found
Berpetualang ke Sumba
No full textPulau Sumba berada di Provinsi Nusa Tenggara Timmur, Indonesia. Pulau Sumba dikenal dengan nama Nusa Cendana karena dahulu merupakan penghasil kayu cendana. Selain itu Pulau Sumba juga terkenal sebagai penghasil kuda poni yang disebut kuda Sandalwood (Equus caballus). Sumba memiliki banyak savana dan pantai yang indah. Selain alamnya, kekayaan budaya Pulau Sumba juga tidak kalah menarik. Salah satunya yaitu budaya megalitik
Berpetualang ke Karawang Yuuk!
Get PDFDalam buku Seri Jejak Purbakala kali ini, Kak Arki akan mengajak kalian
berpetualang ke masa lalu di daerah Karawang. Kalian akan Kak Arki ajak
memecahkan misteri tentang asal usul leluhur kita yang berada di Karawan
POLA PEMUKIMAN KAMPUNG ADAT ANAKALANG: KEBERLANJUTAN BUDAYA MEGALITIK DI SUMBA TENGAH
Get PDFAbstractThis research aims to determine how the settlement pattern of Anakalang community in Central Sumba which are supporters of the megalithic tradition. This research also aims to determine the extent of sustainability of megalithic culture in the Anakalang region. The research methods carried out were participation observation, in-depth interviews and literature studies. Through the participatory observation method, the author is easier to know and understand the interconnectedness of the cultural elements of the Sumba community, especially concerning the place of residence. In-depth interview techniques were carried out on the informants. The results of the study show that the pattern of occupancy of traditional villages in Anakalang is almost entirely linear with houses facing each other, in the middle part of the village is a field (talora) where there are stone graves and traditional rituals are performed. Although many old traditional villages were abandoned and they established villages in new places, the strong kinship made the Anakalang community always return to their villages if there were traditional ritual events. As a settlement that has the characteristics of a megalithic tradition, traditional houses in Anakalang are almost certainly always associated with stone graves and menhirs. The establishment of stone tombs and traditional rituals are united in the daily lives of the Anakalang community, with a background of religious conceptions that are seen as ancestral heritage that must be held firmly. The variety of megalithic cultures in Anakalang has through the time period in a theoretical way, and continues to this day as a tradition. Keywords: Residential pattern, megalithic, Anakalang, Sumba Penelitian ini bertujuan untuk mengetahui bagaimana pola pemukiman masyarakat Anakalang di Sumba Tengah yang merupakan pendukung tradisi megalitik. Penelitian ini juga bertujuan untuk mengetahui sejauh mana keberlanjutan budaya megalitik di wilayah Anakalang. Metode penelitian yang dilakukan adalah observasi partisipasi, wawancara mendalam dan studi pustaka. Melalui metode observasi partisipasi, penulis lebih mudah untuk mengetahui dan memahami keterkaitan unsur-unsur budaya masyarakat Sumba terutama menyangkut tempat tinggal. Teknik wawancara mendalam dilakukan terhadap para informan. Hasil penelitian menunjukkan bahwa pola pemukiman kampung adat di Anakalang hampir seluruhnya berbentuk linier dengan rumah yang saling berhadapan, di bagian tengah kampung merupakan lapangan (talora) tempat kubur-kubur batu dan tempat melakukan ritual adat. Meski banyak kampung adat lama ditinggalkan dan mendirikan kampung di tempat baru namun kuatnya kekerabatan membuat masyarakat Anakalang selalu kembali ke kampung asal jika ada acara ritual adat. Sebagai pemukiman yang memiliki ciri tradisi megalitik, rumah adat di Anakalang hampir pasti selalu berasosiasi dengan kubur-kubur batu dan menhir. Pendirian kubur batu dan ritual adat menyatu dalam keseharian masyarakat Anakalang, dengan latar belakang konsepsi religi yang dipandang sebagai warisan nenek moyang yang harus dipegang teguh. Ragam budaya megalitik di Anakalang telah menembus batas periode waktu secara teoritis, dan berlangsung hingga kini sebagai sebuah tradisi. Kata kunci : Pola hunian, megalitik, Anakalang, Sumba
Going Beyond Counting First Authors in Author Co-citation Analysis
Get PDFThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Get PDF“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
Get PDFWe provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Berpetualang ke Sumba yuuk
No full textHalo adik-adik, apa kabar?
Kali ini Kak Arko dan Kak Lolita, akan mengajak kalian berpetualang menjelajah ke masa lampau untuk menguak misteri tentang asal-usul leluhur kita. Pernahkah kalian bertanya, siapakah mereka? Dari mana asal-usulnya? Bagaimana mereka hidup? Nah, ilmu yang mempelajari kehidupan di masa lampau melalui peninggalan-peninggalannya dinamakan Arkeologi. Sedangkan orang yang melakukan penelitian tersebut disebut Arkeolog, atau ahli purbakala. Itulah kami!Kami bersama Pusat Penelitian Arkeologi Nasional (Puslitarkenas) melakukan penelitian tentang kebudayaan manusia. Nah, agar kalian bisa mengenal dan mempelajari lebih lanjut sejarah peradaban kita di masa lampau, kami secara khusus menyusun buku ini agar kalian bisa ikut berpetualang bersama kami. Kalian semua siap? Mari kita ke Sumba, Nusa Tenggara Timur
“Memasyarakatkan” Living Megalithic: Pesona Masa Lalu Yang Tetap Bergema.
Get PDFSitus dan budaya megalitik berlanjut (living megalithic) yang ada di Indonesia seperti Nias, Toraja, Sumba, Sabu, Ngada, dan Ende memiliki daya tarik eksotis, baik bagi ilmu pengetahuan maupun untuk dinikmati khalayak ramai sebagai sebuah tampilan budaya. Segi-segi ilmiah tetap menuntut penjelasan akademis tentang proses budaya sejak diperkirakan muncul sebelum Tarikh Masehi hingga mampu bertahan sampai saat ini, sementara “memasyarakatkan” budaya megalitik yang masih hidup merupakan sebuah pesona tersendiri, karena merupakan “window to the past”, yang jarang terjadi pada tinggalan arkeologis. Melihat dan menikmati budaya megalitik yang masih berlanjut adalah sebuah atraksi wisata budaya yang sangat luar biasa, apalagi ketika menyentuh tata cara pendirian bangunan megalitik dengan teknik-teknik sederhananya, saat teknologi modern tidak digunakan. Situasi seperti ini akan memberi nilai wisata budaya yang tinggi, dengan daya tarik tersendiri, sehingga living megalithic perlu dimasyarakatkan. Abstract. “Socializing” Living Megalithic: The Charm of the Past that Still Exists. The living megalithic sites and cultures in Indonesia such as Nias, Toraja, Sumba, Sabu, Ngada, and Ende are exotic attractions both from scientific perspective and from the point of view of public attractions as cultural items. The scientific side requires academic explanation about their cultural processes since their initial emergence ± 2,500 years ago up to now. Meanwhile, “socializing” living megalithic culture is due to its charm as the “window to the past,” which is rarely the case with other types of archaeological remains. To see and enjoy living megalithic culture are spectacular from the point of view of cultural tourism, especially the process of building a megalithic structure using simple traditional techniques without modern technology. Such experience will enhance the value of cultural tourism. Therefore living megalithic traditions need to be socialized to the general public
- …
