548 research outputs found
Title Unknown (Hilda Ives Chapel Sermon)
No full textThis audio recording contains three speakers on various occasions. The first sermon was delivered by Dr. Hilda Ives on February 21, 1961. Dr. Ives discusses the three things she deems necessary for men and women within the ministry. The second portion of audio is delivered by an unidentified speaker. The speaker is discussing various types of churches. The third portion of the recording is delivered by a second unidentified speaker. This speaker explains to audience how to fill out various forms and maps that are a necessity for the management of churches. Dr. Hilda Ives finishes at 22:12. Unknown speaker 1 starts at 25:08. It is very hard to understand the speakers in this segment. They may be having a budget hearing. Unknown speaker 2 cuts in at 48:18. Audio cuts out at 56:22 and cuts back in at 56:37. The audio blanks at 1:16:17
Hilda Woolnough : La mesure du temps = Hilda Woolnough : Timepiece
No full textFocusing on the artist’s life experience, Dornan describes Woolnough’s work and her ongoing concerns with nature, spirituality, life cycles and time. The author examines the different techniques used by the artist including drawing, sculpture, collagraphy and installation. Includes brief comments by the artist. Text in French and English. Biographical notes; list of works. 20 bibl. ref
Description of Tamerlane in "Tamburlaine the Conqueror" by Hilda Hookham
No full textThe following article takes a deep dive into the character of Tamerlane in the book of “Tamburlaine the Conqueror” by an English writer Hilda Hookham and analyses how the author portrayed historical figure Amir Temur who was multifaceted, enigmatic historical character. The portrayal of Tamerlane by Hilda Hookham in "Tamburlaine the Conqueror" encapsulates the spirit of this complicated and fascinating historical figure. Through her vivid descriptions and nuanced characterization, she brings Tamerlane to life on the pages of her work, painting a multifaceted portrait of a man
Experiencing the armed struggle : the Soweto generation and after
No full textIncludes bibliographical references (p. 354-369).This study explores the experiences of the rank-and-file soldiers of Umkhonto we Sizwe and the Azanian People's Liberation Anny. Extensive interviews by the author and other researchers reveal the voices of the soldiers themselves. The African National Congress and Pan African Congress archives at the University of the Western Cape and the University of Fort Hare supplement and verify these oral testimonies, as do some published sources. Most previously published materials about the armed struggle against apartheid have already focused on diplomacy, strategy and tactics, operations, leadership, and human rights abuses to the neglect of the soldiers' actual experiences. This study complements these with significant new oral history materials from the Soweto generation of soldiers and their successors. When dealing with MK, many authors have documented issues of the camp structure in Angola, and operations inside South Africa, so much of this detail is only addressed briefly, leaving space to explore the soldiers' experiences. In the case of APLA, very little has been written on its history, and more detail is provided on these subjects. This study therefore deals with the soldiers' politicisation and motivation for joining the armed struggle, their experiences in leaving South Africa and training in exile, the crises in exile which limited their effectiveness for a time, their return to fight in South Africa, and their difficulties in the "new" South Africa. These materials reveal that vast problems remain facing these veterans of the struggle against apartheid, and that they have the potential, if properly supported and employed, to contribute substantially to the development of present day South Africa. Conversely, if their neglect continues, they also have the potential to bring vast harm to the country. Further use of the investigative tools of oral history, especially if extended to the former soldiers' vernacular languages, is necessary to augment the history of South Africa, and these soldiers' contributions
El Tlacuache Núm. 139 (2004). 139 Año 4 (2004) septiembre. El Tlacuache
No full text-La recepción mexicana del exilio escarlata: Juan de la Cabada y Julio Antonio Mella por Ricardo Melgar e Hilda Tísoc. - El Yauhtli por Margarita Avilés y Macrina Fuentes
El Tlacuache Núm. 604 (2014). 604 Año 13 (2014) enero. El Tlacuache
No full textLos entes del Río Balsas. Paisaje ritual de San Agustín Oapan, Guerrero por Aguilar González Wendy. - Una “Serpiente de Visión” en Yaxchilán. ¿Encarnación chamánica maya? por Hilda del Carmen Landrove Torres
Hilda Hilst - Respiros : an experience of divulgation
No full textOrientador: Cristiane Pereira DiasDissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Estudos da LinguagemResumo: O trabalho a seguir trata da exposição HILDA HILST - RESPIROS, realizada em 2010, na Universidade Estadual de Campinas. A mostra foi composta de desenhos da escritora em diálogo com trechos de sua literatura. Teve o objetivo de produzir uma leitura poética da obra. Aqui apresentamos essa experiência de divulgação e refletimos sobre a produção literária de Hilda Hilst em relação à sua produção iconográfica. A poeta desenhava quando o exercício da escrita se lhe tornava pesado, e assim, traçava no papel suas atribulações para "dar uma respirada". Como um convite à leitura, esta dissertação toca nos sentidos em torno de Hilda Hilst nas relações entre obra, autor e público. Apesar do reconhecimento de crítica, atingindo excelência nos três gêneros, sua obra ainda é pouco conhecida, o que poderia ser atribuído a muitos fatores, entre eles a reiteração do mito da artista excêntrica. Este trabalho traça uma geografia hilstiana e, no campo da divulgação, aposta na materialidade de seus desenhos como espaço de produção de sentidos outros em Hilda HilstAbstract: This essay deals with the exhibition HILDA HILST - RESPIROS, presented in 2010 at Universidade Estadual de Campinas, in Brazil. The exposure consisted of drawings of the writer in dialogue with parts of her literature. The purpose of the exhibition was to make a poetic reading of her work. Here we present the experience of the disclosure and we think about the literary production of Hilda Hilst in relation to her iconographic production. The poet used to draw when the writing exercise was hard, so she used to draw to "take a breath", "dar um respiro", in Portuguese. As an invitation to read, this work brings thoughts about the senses between work, author and public. She achieved excellence in all the three genres but, in spite of the critical recognition, her work remains unknown. This could be attributed to many factors, including the reiteration of the myth of the eccentric artist. In the field of dissemination, this paper describes a "hilstian geography" and bets on the materiality of her drawings as a place of production of other senses in Hilda HilstMestradoDivulgação Científica e CulturalMestre em Divulgação Científica e Cultura
THE USE OF ILLOCUTIONARY ACT IN THE DRAMA ???THE GLASS MENAGERIE???
No full textABSTRACT\ud
HILDA SYLVIA AHMAD. The Use of Illocutionary Act in the Drama ???The Glass Menagerie??? (supervised by Hamzah A. Machmoed and Simon Sitoto).\ud
This research aims to describe the purposes of the characters in using direct and indirect Illocutionary Acts in the Drama ???The Glass Menagerie??? by Tennessee Williams. Also, the writer has a purpose to explain what the role of context in the characters meaning when they make a statement. It supported by the novel in which have a many conflict in the dialogue. These make the novel so attracted to analyze.\ud
In collecting data the writer used library research that was the writer reading books, thesis, etc. which support the topic of the discussion which combined Hurford???s and Heasley???s Illocutionary and Perlocution theory for the base of the analysis. In this research, the writer used descriptive qualitative method to identify and explain the main characters related to the Illocutionary Acts.\ud
The results of the research indicate that there are 12 utterances of Direct Illocutionary Acts. They are asking, answering, ordering, asserting, warning, angering, hesitating, suggesting, explaining, arguing, requesting and informing. Besides that, there are 19 utterances of Indirect Illocutionary Acts. They are Complaining, ignoring, recommending, refusing, protesting, inquiring, commanding, affirming, forcing, angering, asserting, admitting, begging, promising, denying, requesting, informing, rejecting and surprising. \ud
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ABSTRAK\ud
HILDA SYLVIA AHMAD. The Use of Illocutionary Act in the Drama ???The Glass Menagerie??? (supervised by Hamzah A. Machmoed and Simon Sitoto).\ud
Skripsi ini bertujuan untuk membahas maksud dari para pemain dalam menggunakan ilokusi langsung maupun tidak langsung dalam drama ???The Glass Menagerie??? oleh Tennessee Williams. Penulis juga memiliki tujuan untuk menjelaskan peran dari konteks dalam maksud pemain yang ingin disampaikan pada saat dia mengeluarkan pendapat. Ini didiukung oleh novel tersebut yang memiliki banyak konflik di dalamnya pada setiap dialognya.\ud
Dalam mengumpulkan data, penulis menggunakan penelitian pustaka yaitu dengan membaca buku-buku yang relevan dan mencari di internet untuk mendukung topic diskusi dan dikombinasikan dengan teori ilokusi dan perlokusi yang berasal dari Hurford dan Heasley sebagai landasan dari analisis ini. Dalam penelitian ini, penulis menggunakan metode deskriptif kualitatif untuk mengidentifikasi dan menjelaskan mengenai pemeran yang berhubungan dengan tindakan ilokusi.\ud
Hasil dari penelitian ini menunjukkan terdapat 12 ucapan tindakan ilokusi langsung yaitu asking, answering, ordering, asserting, warning, angering, hesitating, suggesting, explaining, arguing, requesting dan informing. Disamping itu, terdapat 19 tindakan ilokusi tidak langsung yaitu complaining, ignoring, recommending, refusing, protesting, inquiring, commanding, affirming, forcing, angering, asserting, admitting, begging, promising, denying, requesting, informing, rejecting dan surprising
Máscaras mortuárias em Hilda Hilst
No full textThis work analyses the representation of death under the sign of the “mask” in Hilda Hilst’s poetics. Among the selected topics that are taken into consideration we focus on the discursive and poetic metaphors seen in Da morte. Odes mínimas (1980), and also the spacial transposition seen in the writer`s house and grave. Another objective of this article is to consider how the author elaborates her own death and also the death of her work in interviews given to the press. The theoretical approaches used are Biografema, by Roland Barthes and Mortes imaginárias, by Michel Schneide
Orfeu emparedado: Hilda Hilst and perversion of the genres
No full textA partir de uma perspectiva que valoriza a teoria dos gêneros literários, o presente trabalho busca verificar como se processam, na obra da escritora brasileira Hilda Hilst, as relações entre lírica, teatro e prosa narrativa. Seu principal parâmetro teórico é o trabalho de Peter Szondi: Teoria do drama moderno, livro em que o crítico alemão aborda a mistura de gêneros literários como tentativas de superar, na criação estética, problemas objetivos relacionados à situação histórica de determinada forma literária. No caso de Hilda Hilst, serão analisadas como as incursões da autora no teatro e na prosa narrativa funcionam como resposta problemática à recepção de uma lírica inicialmente balizada pelos ideais poéticos da Geração de 45. Demonstro, assim, como as tentativas da autora em outras modalidades discursivas produzirão alterações formais significativas em sua obra, a partir da contaminação estrutural de um gênero para o outro.Taking into consideration a perspective that privileges the Theory of literary forms, this study aims at verifying the way it works, in the production of the Brazilian writer Hilda Hilst, the relations among lyrics, theater and narrative prose. The theoretical parameter is the works Theory of Modern Drama, by Peter Szondi, in which the German critic deals with the question of mixture of literary forms as an alternative to overcome objective questions related to the historical situation of a certain literary form. Concerning Hilda Hilst, we intend to analyse how the incursions of the author in theater and narrative prose appear as a problematic response to the reception of a lyrics initially guided by the poetic ideals of the Generation of 45. As we intend to demonstrate, the attempts on the part of the author in other discursive types will produce significant formal modifications in her work, by means of the contamination of structures of one gender to another
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