270 research outputs found
Constructivo/Destructivo : espacialidad, corporalidad y disciplina en la mirada teatral contemporánea
No full textFil: Di Sarli, Natalia. Facultad de Bellas Artes. Universidad Nacional de La Plata; Argentina.Fil: Radice, Gustavo. Facultad de Bellas Artes. Universidad Nacional de La Plata; Argentina
Poéticas del cuerpo en el teatro argentino : géneros y transgéneros de la sexualidad en la textualidad de Copi
No full textFil: Di Sarli, Natalia. Universidad Nacional de La Plata; Argentina.Fil: Radice, Gustavo. Universidad Nacional de La Plata; Argentina.Un fragmento de este artículo ha sido publicado previamente por sus autores (con la colaboración del psicólogo Federico Lorca) bajo el nombre Infracciones figurativas. La materialidad del cuerpo como poética discursiva en el Teatro en la revista Oficios Terrestres Nº 22 (versión on-line). Disponible en http//www.perio.unlp.edu.ar/oficios/documentos/articulos/Infraccionesfigurativas.do
Letture gramsciane di Giuseppe Lombardo Radice (II parte)
Get PDFIn Gramsci’s intellectual development is not a place on the periphery is occupied by the figure of Lombrado Root. Prominent character of pedagogy idealism and importer in Italy, activist of instances (even American), socialist “romantic, sentimental, unscientific.” Lombardo Radice was a careful student of the drama of the South and Gramsci was always very interested in the work of the Sicilian and there are many similarities (apparent) between the two intellectuals: 1) the focus on popular culture, 2) the combination between educational and political problems, and 3) the reference to the figure of Leonardo and other similarities yet. The author has done a thorough research work and significant
Radice: Data-driven Risk Analysis of Sustainable Cloud Infrastructure using Simulation
No full textCloud datacenters underpin our increasingly digital society, serving stakeholders across industry, government, and academia. These stakeholders have come to expect reliable operation and high quality of service, yet demand low cost, high scalability, and corporate (environmental) responsibility. Datacenter operators are confronted frequently with highly complex decisions that involve numerous aspects of risk. The consequence of bad decisions can be financial penalties or even loss of customers on the one hand, or a competitive disadvantage or unsustainable environmental impact on the other hand. Despite risk analysis being an integral part of the design and operation of cloud infrastructure, relatively few comprehensive approaches and tools exist, leaving many datacenter operators ill-equipped to make informed decisions with confidence.We propose Radice, an instrument for data-driven analysis of IT-related operational risks in sustainable cloud datacenters. Unlike most state-of-the-art approaches used by the industry, Radice automates the process of risk analysis in datacenters and utilizes the large and diverse volume of data reported by the monitoring systems in datacenters, including environmental data. Underpinning this system is the trace-based, discrete-event simulator OpenDC, which enables the exploration of many risk scenarios through its support for diverse workloads, datacenter topologies, and operational phenomena. Radice’s interactive and explorative user interface assists datacenter operators in addressing complex decisions involving risks, providing them with actionable insights, automated visualizations, and suggestions to reduce risk.We implement Radice and conduct a comprehensive evaluation of the system to demonstrate how it can aid datacenter operators when confronted with fundamental risk trade-offs. Although Radice is designed to work across many kinds of datacenters, in this work, we focus on private-cloud, business-critical workloads, and on public-cloud operations, representing the majority of workloads in Dutch datacenters. Our experiments show many interesting findings, supporting our claim for a need for data-driven risk analysis in datacenters. We highlight the increasing risk faced by datacenter operators due to price surges in the electricity and CO2 bond markets, and demonstrate how Radice can be used to control such risks. We further show that Radice can automatically optimize topology and operational settings in datacenters for risk, revealing configurations that reduce the overall risk by 10%–30%. Following extensive performance engineering, Radice is able to evaluate risk scenarios by a factor 70x–330x faster than others, opening possibilities for interactive risk exploration. We release Radice as free and open-source software for the community to inspect and re-use.Computer Scienc
Designing for Audience Participation within Museums: Operative Insights from the Exhibit Everyday History
No full textThis paper aims at exploring the shifting from the role of museums as provider of contents and designer of experience, to the role of facilitator of experiences around contents, as the emergence of new patterns for culture transmission opened to new possibilities for participatory approaches in the design of heritage experiences. Starting from the description of the participatory exhibit “Everyday History,” designed by the author at the Santa Cruz Museum of Art and History, CA, United States, as part of her doctoral research, this paper outlines methods and tools for the design of effective participatory experiences, capable of catalyzing visitor voices in supporting and contributing to cultural experiences. This approach has the goal to change the traditional top down way of communicating to the visitors, in favor of a multidirectional flow of information between the cultural institutions and the audience. Insights from this case study and literature highlight that designing for participation, in which community engagement is the final outcome of the design process, does not necessarily implies—but does not exclude—participatory design processes. The author proposes a design methodology led by institutional staff, in which visitors are involved in recursive evaluation phases, conceiving the exhibition itself as an ongoing and never-finished product
Philo's Theology and Theory of Creation
No full textPhilo’s theology is expressed by a few basic concepts – such as Logos, the Powers, Pnuema and the Ideas – through which the relation between God and the world is explained. But the same relation is explained in the act of Creation, such as it is presented in the Bible. Philosophically speaking, this act fluctuates between an “ex nihilo” interpretation and a demiurgic one. According to the author, Philo’s notion of creation has a mixed nature: “ex nihilo” in the planning stage (the world of the Ideas reflects the first day of creation in the Genesis) and demiurgic in the executive stage. Therefore, is there another (material) principle next to God? Philo provides no conclusive answer, because in this case he is always under the influence of a Platonic vision, according to which matter and the evil connected with it are non-being and only the Ideas are true being
La questione del dialetto in Giuseppe Lombardo Radice
Get PDFSince Unification in 1861, the linguistic issue has been in Italy a topic of fundamental importance in the schooling-nationalization process. For a long time refused in school and considered as a “bad” and “dirty” language, it is only since the first decades of the twentieth century that dialect acquires a new dimension in the classroom. Among the main supporters of this new development is Giuseppe Lombardo Radice, author, in particular, of the programmes for elementary school of 1923. The essay reconstructs his thought on the matter and the new elements he introduced in the didactic field
Letture gramsciane di Giuseppe Lombardo Radice (I parte)
Get PDFIn Gramsci’s intellectual development is not a place on the periphery is occupied by the figure of Lombrado Root. Prominent character of pedagogy idealism and importer in Italy, activist of instances (even American), socialist “romantic, sentimental, unscientific.” Lombardo Radice was a careful student of the drama of the South and Gramsci was always very interested in the work of the Sicilian and there are many similarities (apparent) between the two intellectuals: 1) the focus on popular culture, 2) the combination between educational and political problems, and 3) the reference to the figure of Leonardo and other similarities yet. The author has done a thorough research work and significant
Teatro posdramático: una aproximación procedimental desde el psicoanálisis
Get PDFEste trabajo tiene el objetivo de aportar elementos para la construcción de sentido de una obra posdramática en lo relativo a los procedimientos u operaciones utilizadas en sus modos de producción desde el punto de vista psicoanalítico.
Tampoco deja de lado el esbozar supuestos de cómo son los modos de lectura/expectación de este tipo de obras. Para poder abordar dicha empresa de tal complejidad es que partiré de las ideas planteadas por Sigmund Freud en sus libros La interpretación de los sueños (1900-1901) y El chiste y su relación con el inconsciente (1905) para establecer un paralelo conceptual entre la formación del sueño, el chiste y las obras de teatro posdramáticas. Por otra parte para sostener conceptualmente el territorio de lo teatral tomaré como base los escritos de Oscar Cornago (2006), en tanto este autor sostiene una mirada que posibilita complementar el estudio que voy a realizar en tanto apunta a pensar el teatro posdramático como una práctica.
Si el teatro posdramático “no define una dramaturgia o poética escénica, sino una práctica teatral, es decir, un modus operandi, una manera de entender la creación escénica —y por extensión la misma realidad— y su construcción/comunicación como proceso”. Por otra parte incluiré los estudios realizados por Nicolás Bourriaud en su libro Posproducción (2009) el cual me permitirá incluir formas de tematizar dicha práctica escénica.
Es sobre estos tres ejes que estructuraré la reflexión que me propongo llevar a cabo en este escrito.Proyecto: Construcción de relatos liminales: narrativas visuales, relocalizaciones, expansiones poéticas y simulacros de territorios poéticos. Instituto de Historia del Arte Argentino y Americano Director: Gustavo RadiceFacultad de ArtesInstituto de Historia del Arte Argentino y American
ART Pedagogías del posdrama (segunda parte). Dispositivo vestuario/máscaras. Paisaje sin fin
No full textLa Cátedra Taller Básico Escenografía I-II de la Facultad de Artes de la UNLP se aboca a trabajar conceptos vinculados al diseño de producción visual en el marco de la contemporaneidad. El contenido curricular del Taller comprende nociones de desarrollo estético en el campo de lo teatral, de lo televisivo y de diferentes aspectos del área curricular. Un ejemplo son los diseños para diversos dispositivos espaciales: stand, pasarela de moda, intervenciones callejeras y señalamientos para festivales teatrales, escenografía para set de tv, entre otras actividades. Durante el año 2018 se planteó como disparador la obra teatral Paisaje sin Fin, de Carolina Donnantuoni, directora, actriz y dramaturga platense. El proyecto fue pensado para el espacio de artes escénicas Espacio 44, de la ciudad de La Plata. Es bajo este marco que el presente trabajo procura resumir la experiencia didáctica de la cátedra a partir de la construcción de un dispositivo máscara y vestuario.
La primera parte fue desarrollada en RADICE, G. DI SARLI N. & TULES, A.A. (2021) Pedagogías del posdrama. Dispositivo espacial y escena. Revista El Anzuelo 3(4) Universidad Nacional de La Plata. Disponible en http://sedici.unlp.edu.ar/handle/10915/11986
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