2,996 research outputs found
sj-xlsx-2-qjp-10.1177_17470218231211573 – Supplemental material for Poor maternal mental health is associated with a low degree of proactive control in refugee children
No full textSupplemental material, sj-xlsx-2-qjp-10.1177_17470218231211573 for Poor maternal mental health is associated with a low degree of proactive control in refugee children by Gustaf Gredebäck, Marcus Lindskog and Jonathan Hall in Quarterly Journal of Experimental Psychology</p
sj-docx-1-qjp-10.1177_17470218231211573 – Supplemental material for Poor maternal mental health is associated with a low degree of proactive control in refugee children
No full textSupplemental material, sj-docx-1-qjp-10.1177_17470218231211573 for Poor maternal mental health is associated with a low degree of proactive control in refugee children by Gustaf Gredebäck, Marcus Lindskog and Jonathan Hall in Quarterly Journal of Experimental Psychology</p
Marcus Joseph Wright memoirs, MSS.1585
No full textAbstract: An incomplete typescript copy (18 pp.) of, "Memoirs of Brigadier General Marcus J. Wright, CSA."Scope and Content Note: The collection contains an incomplete typescript copy (18 pp.) of, "Memoirs of Brigadier General Marcus J. Wright, CSA," which includes a family genealogy, and accounts of his early life in Tennessee and his career.Biographical/Historical Note: Confederate General and author from Tennessee
Marcus on Belief and Belief in the Impossible
No full textI review but don’t endorse Marcus’ arguments that impossible beliefs are impossible. I defend her claim that belief’s objects are, in some important sense, not the bearers of truth and falsity, discuss her dispositionalism about belief, and argue it’s a good fit with the idea that belief’s objects are Russellian states of affairs.
Reviso, pero no suscribo, los argumentos de Marcus a favor de que las creencias imposibles son imposibles.
Defiendo su tesis de que los objetos de las creencias no son, en algún sentido importante, los soportes
de la verdad y la falsedad; discuto su disposicionalismo acerca de las creencias y argumento que encaja bien
con la idea de que los objetos de las creencias son estados de cosas russellianos
Leopold och familjen Odel. Två okända dikter [Elektronisk resurs]
No full textMarcus Willén Ode, Department of Literature, Uppsala UniversityLeopold and the Odel family: Two unknown poems (Leopold och familjen Odel. Två okändadikter)Two previously unknown poems by Carl Gustaf af Leopold (1756–1829), author, official, private secretary to Gustav III and member of the Swedish Academy, were recently discovered in a copy of Carl Gustaf Leopolds samlade skrifter (1800–1833). The two texts, written in the years 1800–1802 and 1801–1803, are dedication poems in honor of Brita Christina Odel (1738/39–1802) and her daughter, Maria Virginia Westberg (1759–1803). The findings will complete and contribute to the ongoing publication of the collected works of Leopold.</p
Leopold och familjen Odel. Två okända dikter
No full textMarcus Willén Ode, Department of Literature, Uppsala University Leopold and the Odel family: Two unknown poems (Leopold och familjen Odel. Två okändadikter) Two previously unknown poems by Carl Gustaf af Leopold (1756–1829), author, official, private secretary to Gustav III and member of the Swedish Academy, were recently discovered in a copy of Carl Gustaf Leopolds samlade skrifter (1800–1833). The two texts, written in the years 1800–1802 and 1801–1803, are dedication poems in honor of Brita Christina Odel (1738/39–1802) and her daughter, Maria Virginia Westberg (1759–1803). The findings will complete and contribute to the ongoing publication of the collected works of Leopold
Medusa’s Gaze and Geijerstam’s Gay Science in the Swedish fin de siècle
No full textGustaf af Geijerstam’s Medusas hufvud (Medusa’s Head, 1895) is one of the “account-settling novels” of the late nineteenth century. These novels reflect on the aesthetic reorientation after the breakdown of the “Eighties movement” in Sweden. One important dimension of this transformation was the growing emphasis on gendered visions of authorship. I argue that Geijerstam’s novel is an attempt to create a male author role and a male intellectual sphere. The establishment of a male literary sphere requires homosocial desire, an artistic passion that Geijerstam understands as similar and different from sexual desire. This terminology is employed, after Eve Kosofsky Sedgwick, to insist on a productive continuum between the repositioning on the literary field that the novel represents and the thinly disguised homosexual tensions between its three male characters. However, the homosexual tensions are also related to secrecy, disgust, and terror (most clearly visible in the important Medusa motif). I finally argue that Geijerstam employs the erotic triangle, where the woman functions as a “mediator” for a relationship between the men, as a plot device that lets him simultaneously explore and dissimulate this homosocial desire
Strindberg, copywriter. Reklam, uppmärksamhet och skådespelssamhället i August Strindbergs verk
No full textGustaf Marcus, German and Nordic Studies, Sorbonne University Strindberg, copywriter. Advertising, Attention, and the Society of the Spectacle in August Strindberg’s Work (Strindberg, copywriter. Reklam, uppmärksamhet och skådespelssamhället i August Strindbergs verk) This article examines the role of advertising, attention, and what Guy Debord calls the “society of the spectacle” in the work of August Strindberg. Its point of departure is a discussion of Strindberg’s own work in advertising and close readings of three texts that were inspired by contemporary advertising practices: Röda rummet (The Red Room, 1879), “Mitt Venedig” (1888) [My Venice], and Stora landsvägen (The Great Highway, 1909). The article shows that Strindberg was inspired by the new forms of aesthetic expression made possible by advertising throughout his life, from the early work in the 1870s up to the last texts written shortly before his death in 1912. It also traces a development in the treatment of advertising in his work. In the earlier texts, exemplified by a reading of the novel Röda rummet, advertising is treated as a simple form of fraud or swindle. In the later texts, on the other hand, advertising makes visible a new and increasingly important part of reality: the functioning of attention and sense perception. Inspired by advertising, attention itself becomes Strindberg’s primary interest in the travelogue “Mitt Venedig”. In the late play Stora landsvägen, where the action takes place in a passage covered by display windows, the advertisements’ control of attention is seen as an inseparable part of human interaction. Drawing on the theoretical work of Guy Debord and Jonathan Crary, this immersion into the world of advertising is described as a vision of a new form of consumer society, the society of the spectacle, where value is mediated through images and is inseparable from modern forms of control and discipline of attention
- …
