182 research outputs found
PROPERTI TARI WAKTU DALAM LIPATAN: ANALISIS SEMIOTIKA MELALUI PENDEKATAN CHARLES SANDERS PEIRCE
No full textWaktu Dalam Lipatan is a work of dance that is inspired from the social phenomenon of deadline. Waktu Dalam Lipatan is defined as the activity of multiplying or minimizing the dimensions of an existing form, or can be equated with a time-bound understanding, which means an activity shortens the distance of time by increasing the speed or shortening the duration that already exists. Focusing on the element of attitudes on the psychological individual in a person undergoing a deadline process, related to the utilization of time is not good. In this dance, in addition to the body as the main media of dance, choreographer uses a companion media to strengthen the concept of presentation of works, one of which is a dance property. The dance property becomes part of the body's response in the delivery of these motion patterns. This article will analyze to what extent the existence of a dance property in the work "Waktu Dalam Lipatan" affects and reinforces the concept of the work.
Keywords: choreography, dance properties, semiotics analysi
TARI SERAMPANG DUA BELAS DI SUMATERA UTARA KAJIAN ESTETIKA MELALUI PENDEKATAN MULTIKULTURALISME
No full textABSTRACT Several cultural aspects are noticeably clear in human’s behavior and explicitly its manifestation in people’s culture and knowledge can be tangible in customary law, traditions believed by its group of people. Art becomes the part of a culture that exists in society can be the reflection of that region cultural values so usually, the backgrounds of attainments created are cultural activities and people’s condition in a region. Serampang Dua Belas dance in North Sumatera is one of the examples of artwork that represents local culture. This dance was created by Guru Sauti in the 1940s and recreated by its creator between 1950 until 1960. Nowadays, the existence of Serampang Dua Belas dance becomes a very popular dance North Sumatera and it also has been made as national dance in Indonesia. In North Sumatera, the popularity of Serampang Dua Belas dance has become the belonging of all ethnicities in North Sumatera, even though the backgrounds of that dance are the activity and philosophy of Malay cultural values as one of the ethnicities existed in North Sumatera. Therefore, the writer tries to study aesthetic value found in Serampang Dua Belas dance through the approach of multiculturalism. Things that become the background of this dance creation and the influences that form this dance. Keywords: Dance, Aesthetic, and Multiculturalis
Management of congenitally missing second premolars with orthodontics and single-tooth implants
No full textThis article describes the treatment of an adolescent girl who was congenitally missing all 4 second premolars and had a retained mandibular second primary molar. Various treatment alternatives are discussed, and the final treatment plan of space opening for 3 implants and space closure of the maxillary left second premolar site is presented.BALSHI TJ, 1993, INT J PERIODONT REST, V13, P495; BIGGERSTAFF RH, 1992, AM J ORTHOD DENTOFAC, V102, P537, DOI 10.1016-0889-5406(92)70071-H; Bjerklin K, 2000, EUR J ORTHODONT, V22, P245, DOI 10.1093-ejo-22.3.245; BOYER DB, 1993, J DENT RES, V72, P1244, DOI 10.1177-00220345930720081401; CREUGERS NHJ, 1992, J DENT RES, V71, P1822, DOI 10.1177-00220345920710111101; Higuchi KW, 2000, ORTHODONTIC APPLICATIONS OF OSSEOINTEGRATED IMPLANTS, P1; Ith-Hansen K, 2000, EUR J ORTHODONT, V22, P239, DOI 10.1093-ejo-22.3.239; KOKICH VG, 2001, ORTHODONTICS DENTOFA, P423; Kokich VO, 2002, AM J ORTHOD DENTOFAC, V121, P594, DOI 10.1067-mod.2002.124174; KUROL J, 1984, ANGLE ORTHOD, V54, P283; MAGNUSSON TE, 1977, COMMUNITY DENT ORAL, V5, P173, DOI 10.1111-j.1600-0528.1977.tb01635.x; Mamopoulou A, 1996, EUR J ORTHODONT, V18, P589; ODMAN J, 1988, EUR J ORTHODONT, V10, P98; OSTLER MS, 1994, J PROSTHET DENT, V71, P144, DOI 10.1016-0022-3913(94)90022-1; RAVN JJ, 1977, SCANDINAVIAN J DENTA, V88, P365; Sabri R, 2000, AM J ORTHOD DENTOFAC, V117, P148, DOI 10.1016-S0889-5406(00)70225-3; SLAGSVOLD O, 1978, AM J ORTHOD DENTOFAC, V74, P241, DOI 10.1016-0002-9416(78)90201-4; Spear F M, 1997, Semin Orthod, V3, P45, DOI 10.1016-S1073-8746(97)80039-4; THILANDER B, 1994, EUR J ORTHODONT, V16, P84; THILANDE.B, 1973, SCAND J DENT RES, V81, P12; Zuccati G, 1993, J Clin Orthod, V27, P36910121
DKJ Choreo-Lab: Process-in-progress
No full textKeragaman ciptaan-ciptaan tari yang sedang tumbuh dewasa ini telah menampakkan geliatnya, namun tidak segdikit yang nampak indah dalam pandangan dan jauh dari jiwa atau roh tariannya. Choreo-Lab: Process-in-Progress merupakan program edukasi bagi penata tari muda Indonesia sebagai pencarian jati diri dalam koreografi. Pada tahun 2014 terpilih 3 koreografer, yaitu Otniel Tasman, Poppy Parisa dan Sabri Gusmail. Karya yang dicipta dalam konteks akademis (sebagian Karya uian) maupun dipentaskan sebagai upaya kolektif. Buku ini memberikan informasi bagaimana kegiatan tersebut diselenggarakan
Branding the 'Beur' Author Minority Writing and the Media in France
No full textThis book reconsiders authorship by the descendants of North African immigrants to France by consulting how these authors' novels have been discussed and promoted in the national audio-visual media.Cover -- Contents -- Acknowledgements -- List of Illustrations -- 1. Authorship at a Crossroads -- 2. Mehdi Charef and the Invention of Beur Writing -- 3. Competing Visions of Minority Authorship -- 4. Eyewitness Narratives and the Creation of the Beurette -- 5. Rachid Djaïdani and the Shift from Beur to Banlieue Writing -- 6. Revising the Beurette Label -- 7. Sabri Louatah and the Collectif Qui Fait la France? -- Works Cited -- IndexThis book reconsiders authorship by the descendants of North African immigrants to France by consulting how these authors' novels have been discussed and promoted in the national audio-visual media.Description based on publisher supplied metadata and other sources.Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, YYYY. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries
Unsur Tenaga Gerak dan Penerapannya pada Tari Seudati: Proses Kreatif di Sanggar Aneuk Metuah, Aceh Besar
No full textThe Element of Motion and Its Application in Seudati Dance: The Creative Process at Aneuk Metuah Studio, Aceh Besar. This article is the research result which was conducted in Aceh Besar, which led to training activities to solve problems that occurred in the Aneuk Metuah Studio. The problem with the studio is about the dancers’ body resistance when dancing the Seudati dance, namely that the dancers get tired quickly, which impacts the quality of the dance movement. The program is oriented towards increasing creativity in managing the energy element when dancing the Seudati traditional dance. This type of research is qualitative research using the action research method (action research). The researcher identified specific problems and determined actions as solutions to these problems. Furthermore, the research refers to the construction method of creating dance in Jacqueline Smith’s book, translated by Ben Suharto, entitled Dance Composition: A Practical Guide for Teachers. The stages of activity include observation, determination of focus and preparation of training materials, transfer of materials, the performance of the Seudati dance, and evaluation of activities. The action is carried out in the form of training in the management of the energy element when dancing the Seudati dance. The material is delivered through audiovisual media and demonstrates it. Based on the process and the research results, it is found that the potential for the sustainability of the creative process can be carried out by the children of Aneuk Metuah studio in every training process in the future. It is hoped that this activity will have a long-term impact on the trainees in managing the elements of movement energy when dancing and increasing the artistic creativity in the studio.Keywords: dance; training; elements of motion; Seudat
HOAKS SEBAGAI KONSEP PENCIPTAAN TARI “FILTER”
No full textAbstrakKarya tari “Filter” merupakan karya peraih Hibah Seni Kelola 2019, kategori karya kolaborasi inovatif. Terinspirasi dari kondisi merebaknya hoaks (berita bohong) di jejaring sosial, khususnya pada layanan sosial media. Mengusung tema kehidupan sosial masyarakat di Indonesia, guna merefleksikan kondisi yang terjadi di Indonesia akibat hoaks yang berserakan di media digital. Memilih tipe abstrak dengan metode penciptaan berupa observasi (penjelajahan data, wawancara dan dokumentasi), analisa data, proses penciptaan (eksplorasi, improvisasi dan komposisi/pembentukan), persiapan, pertunjukan dan evaluasi. Karya ini terdiri dari 3 (tiga) bagian, antara lain ; 1) Menggambarkan bebasnya informasi yang beredar di sosial media, 2) Berita bohong (hoaks) yang tidak terbendung membanjiri sosial media, 3) Upaya individu dalam menyaring informasi hoaks yang berserakan, memilih dan berbagi informasi sesuai kebutuhan. Pelahiran karya ini memberikan tawaran esensi ideal akan pemanfaatan teknologi dalam berkomunikasi, meminimalisir dampak hoaks dari elemen terkecil, yaitu individu itu sendiri.AbstractThe dance work "Filter" is the work of the 2019 Governance Art Grant winner in innovative collaboration works. It is inspired by the widespread condition of hoaxes (fake news) on social networks, especially on social media services. Carrying the theme of social life in Indonesia, to reflect the situations that occur in Indonesia due to hoaxes scattered in digital media—selecting the abstract type with the creation method in the form of observation (data exploration, interviews, and documentation), data analysis, creation process (exploration, improvisation, and composition/formation), preparation, performance, and evaluation. This work consists of 3 (three) parts, among others; 1) Describing the freedom of information circulating on social media, 2) Unstoppable hoaxes flooding social media, 3) Individual efforts in filtering scattered hoax information, selecting and sharing information as needed. The birth of this work offers an ideal essence of the use of technology in communication, minimizing the impact of hoaxes from the smallest element, namely the individual himself
Zihniyet araştırmaları bağlamında Sabri Ülgener'in araştırma yöntemi ve klasik kaynaklarının kritiği
No full textSabri Ülgener‘in İktisadi Çözülmenin Ahlak ve Zihniyet Dünyası adlı eseri, dahaönce Max Weber ve Werner Sombart‘ın Avrupa merkezli olarak kapitalizm bağlamındayaptıkları zihniyet araştırmalarında ortaya koydukları yöntemlerin Ortaçağ Osmanlıiktisat zihniyeti sahasındaki ilk uygulamasıdır. Ülgener, araştırmasında Osmanlızihniyetini belirlemede çeşitli Türk-İslam kaynaklarından yararlanmıştır. Bu çalışmada―klasik kaynaklar‖ olarak nitelendirilen bu kaynaklar; dini ve tasavvufi eserler, ahlâkeserleri, seyahatnameler, Osmanlı kronikleri, fütüvvetnameler başlıkları altında tasnifedilebilecek olan çok çeşitli eserlerden oluşmaktadır. Öte yandan 1990‘lı yıllarınsonlarından itibaren ortaya çıkmış olan ve Ülgener literatürü olarak adlandırılabilecekolan yazın, daha çok yazarın Osmanlı iktisat zihniyetine ilişkin bulgu ve tespitlerineodaklanmaktadır. Bu literatürde, Sabri Ülgener‘in yararlandığı klasik kaynaklara ilişkinkritik ve değerlendirmelerin eksikliği göze çarpmaktadır. Bu çalışmada, İktisadiÇözülmenin Ahlak ve Zihniyet Dünyası eksene alınarak, Sabri Ülgener‘in Osmanlıiktisat zihniyetini belirleme çalışmalarına dayanak oluşturan klasik Türk-İslamkaynaklarının değerlendirilmesi amaçlanmaktadır. Çalışmada, İktisadi ÇözülmeninAhlak ve Zihniyet Dünyası‘nın klasik kaynakları tespit edilerek bunlara yapılan atıflarbelirlenmekte, buradan hareketle yazarın bu kaynakları değerlendirme tarzı ortayakonmaya çalışılmaktadır.With his work titled İktisadi Çözülmenin Ahlak ve Zihniyet Dünyası [The Moraland Mental World of Economic Dissolution], Sabri Ülgener was the first to apply to themedieval Ottoman economic mentality the methods used by Max Weber and WernerSombart in mentality studies within the context of European capitalism. In his study,Ülgener drew upon a variety of Turco-Islamic resources in order to identify theOttoman mentality. Termed as ―classical resources‖ as part of this study, theseresources include various categories of resources that could be classified as religioussufiworks, moral treatises, traveler‘s accounts, Ottoman chronicles, and fütüvvetnames.On the other hand, the literature on Ülgener that appeared in the late 1990s mainlyfocuses on the author's findings and conclusions about the Ottoman economic mentality,and conspicuously lacks any critique and evaluation of his classical resources. Byfocusing on Ülgener‘s book, İktisadi Çözülmenin Ahlak ve Zihniyet Dünyası, the presentstudy aims to assess the classical Turco-Islamic resources that serve as a basis for hisefforts to identify the Ottoman economic mentality. To this end, it identifies theclassical resources of İktisadi Çözülmenin Ahlak ve Zihniyet Dünyası together with itsreferences to these resources, and analyzes how the author treated them
Existence of Ratoh Bantai Dance in the Studio of Buana Banda Aceh
No full textRatoh Bantai dance is one of traditional dances from South Aceh that has its unique characteristics. According to its name, Ratoh Bantai uses property that is different from ordinary dances in Aceh province namely pillow. In the past, this dance became the popular dance in the society but the appearance of various dances that are more upbeat and energetic make Ratoh Bantai dance starting to become unpopular in the society. This research took the subject “effort of maintaining the existence of Ratoh Bantai dance. The purposes of this research are to know and describe the effort of maintaining the existence of Ratoh Bantai dance. Research method used is descriptive qualitative method. Data were obtained through observation, interview, and library research. Research result obtained is Buana studio as one of studios that maintain the traditional dance of Ratoh Bantai conducts teaching effort to its protégés in the studio every month so the protégés of Buana studio still know the repertoire of dances in Aceh, especially Ratoh Bantai dance that's almost forgotten by today young generation. Besides that, this research also described the choreography aspect of Ratoh Bantai dance in Buana studio
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