1,720,954 research outputs found

    Going Beyond Counting First Authors in Author Co-citation Analysis

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    The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed

    Variations on the Author

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    “Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship

    Appropriate Similarity Measures for Author Cocitation Analysis

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    We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis

    Dispelling the Myths Behind First-author Citation Counts

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    We conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more sophisticated methods

    Author Index

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    The Messages in the Dynamics of Interpersonal Conflict in the Web Series "Terima Kost Putri"

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    Perubahan signifikan pada dunia industri film mendorong cara mengakses, bentuk tontonan melalui penggunaan platform media sosial Youtube serta tidak terbatas pada layar lebar saja.  Perkembangan Youtube di Indonesia saat ini dengan munculnya web series di tayangan chanel-chanel Youtube menjadi favorit dalam menghabiskan waktu luang ataupun waktu istirahat setelah beraktivitas. Film Web series merupakan bentuk tontonan masyarakat dengan konsep modern masa kini. Salah satu Film Web Series Youtube yang mengeksploarasi tema konflik dalam hubungan Interpersonal adalah web series “Terima Kost Putri” di publikasikan pada platform Youtube dengan akun @JalangkoteRasaKeju menjadi objek kajian peneliti. Penelitian ini bertujuan untuk mengungkapkan makan pesan dalam dinamika konflik interpersonal yang terdapat pada karakter rima dan nisa di film web series “Terima Kost Putri”. Selanjutnya peneliti menggunakan metode kualitatif. Episode satu dan episode dua dipilih dan dijadikan bahan kajian untuk menemukan scene konflik antara tokoh rima dan nisa. Kemudian dianalisis menggunakan semiotika charles sander peirce. Terdapat tiga komponen utama yang dikenal model Triadic yaitu Repesentament (Tanda) ,Object, dan Interpretant. Hasil penelitian menunjukkan terdapat tiga makna pesan pertama berdasarkan aspek An Expressed Sttruggle  makna pesan konflik interpersonal terlihat pada perbedaan latar belakang, preferensi, dan nilai-nilai yang dianut keduanya, dimana rima tidak tertarik dengan Film mapun Musik korea, sebaliknya sangat menggemari Film dan Musik Korea, kedua kesesuaian dengan aspek Perceived Scarce Resources dan Interference makan pesan konflik interpersonal terlihat adanya perbedaan dalam kepentingan mendesak dan pengaruh status sosial budaya, dimana situasi nisa sangat memerlukan toilet, sedangkan rima masih menggunakan toilet tersebut. Ketiga aspek konflik interpersonal yang relevan digunakan kembali Perceived Scarce Resources dan Interference dimana makna pesan konflik interpersonal berdasarkan kurangnya komunikasi terbuka antara keduanya menjadi hambatan, nisa memperlihatkan perasaan emosi kesal mendapati perilaku rima yang meninggalkan sampah di depan kamarnya serta menggunakan gelas miliknyaSignificant changes in the film industry encourage access via the YouTube platform and are no longer limited to the big screen. The current development of YouTube in Indonesia, with the emergence of web series on YouTube channels, has become a popular way to pass the time or relax after activities. Web series films are a form of public viewing that incorporates modern concepts. The researchers researched the web series "Terima Kost Putri" on YouTube, uploaded by @JalangkoteRasaKeju, which explores the theme of conflict in interpersonal relationships. This study aims to uncover the message hidden in the dynamics of interpersonal conflict depicted by the characters Rima and Nisa in the web series film "Terima Kost Putri." The researcher then used qualitative methods. The first and second episodes were chosen as study materials to identify scenes of conflict between Rima and Nisa, which were then analyzed using Charles Sanders Peirce\u27s semiotics. The Triadic model has three main components: Representation (Sign), Object, and Interpretant. The analysis shows that the first message has three meanings based on the An Expressed Struggle aspect. First, the meaning of interpersonal conflict messages can be seen in their differences in background, preferences, and values. Rima is not interested in Korean films or music. On the contrary, Nisa likes Korean films and music. Second, based on the Perceived Scarce Resources and Interference aspects of interpersonal conflict messages, there are differences in urgent interests and the influence of socio-cultural status, where Nisa needs to use the toilet while Rima is still using it. Third, the relevant aspects of interpersonal conflict of Perceived Scarce Resources and Interference reappeared, where the meaning of interpersonal conflict messages based on the lack of open communication between them becomes an obstacle. Nisa showed emotional irritation when she found Rima left trash in front of her room and used her glass

    koamabayili/VECTRON-author-checklist: VECTRON author checklist

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    We have done our best to complete the author checklist relating to the use of animals in the hut study. Note that the objective for the hut study was to evaluate the IRS treatment applications for residual efficacy against Anopheles mosquitoes, including the local An. coluzzii mosquito population. Cows were only used to attract mosquitoes into the huts and no tests were carried out directly on the cows. The author checklist is intended for use with studies where experiments are carried out on animals, which is why we have had such difficulty in completing this for the hut study, as many of the questions do not relate to how the cows were used

    Author Under Sail The Imagination of Jack London, 1893-1902

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    In Author Under Sail, Jay Williams offers the first complete literary biography of Jack London as a professional writer engaged in the labor of writing. It examines the authorial imagination in London's work, the use of imagination in both his fiction and nonfiction, and the ways he defined imagination in the creative process in his business dealings with his publishers, editors, and agents. In this first volume of a two-volume biography, Williams traverses the years 1893 to 1902, from London's "Story of a Typhoon" to The People of the Abyss. The Jack London who emerges in the pages of Author Under Sail is a writer whose partnership with publishers, most notably his productive alliance with George Brett of Macmillan, was one of the most formative in American literary history. London pioneered many author models during the heyday of realism and naturalism, blurring the boundaries of these popular genres by focusing on absorption and theatricality and the representation of the seen and unseen. London created an impassioned, sincere, and extremely personal realism unlike that of other American writers of the time. Author Under Sail is a literary tour de force that reveals the full range of London as writer, creative citizen, and entrepreneur at the same time it sheds light on the maverick side of machine-age literature.Intro -- Title Page -- Copyright Page -- Dedication -- Contents -- Acknowledgments -- Introduction -- 1. Spirit Truth -- 2. From Absorption to Theatricality and Back Again -- 3. "I Will Build a New Present" -- 4. Sons as Authors -- 5. Fathers as Publishers -- 6. The Daughter as Author -- 7. Lovers as Authors -- 8. At Sea with the Family -- 9. Yellow News, Yellow Stories -- 10. The Return Home -- Notes -- Bibliography -- Index -- About Jay WilliamsIn Author Under Sail, Jay Williams offers the first complete literary biography of Jack London as a professional writer engaged in the labor of writing. It examines the authorial imagination in London's work, the use of imagination in both his fiction and nonfiction, and the ways he defined imagination in the creative process in his business dealings with his publishers, editors, and agents. In this first volume of a two-volume biography, Williams traverses the years 1893 to 1902, from London's "Story of a Typhoon" to The People of the Abyss. The Jack London who emerges in the pages of Author Under Sail is a writer whose partnership with publishers, most notably his productive alliance with George Brett of Macmillan, was one of the most formative in American literary history. London pioneered many author models during the heyday of realism and naturalism, blurring the boundaries of these popular genres by focusing on absorption and theatricality and the representation of the seen and unseen. London created an impassioned, sincere, and extremely personal realism unlike that of other American writers of the time. Author Under Sail is a literary tour de force that reveals the full range of London as writer, creative citizen, and entrepreneur at the same time it sheds light on the maverick side of machine-age literature.Description based on publisher supplied metadata and other sources.Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, YYYY. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries
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