263,651 research outputs found
I. Analyse de l'industrie lithique
Bintz Pierre, Grunwald Catherine. I. Analyse de l'industrie lithique. In: Gallia préhistoire, tome 37, 1995. pp. 159-272
Alterations in erythrocytes of <i>O</i>. <i>niloticus</i> stained by May-Grunwald in <i>in vivo</i> assay.
<p>Alterations in erythrocytes of <i>O</i>. <i>niloticus</i> stained by May-Grunwald in <i>in vivo</i> assay.</p
600 år sedan slaget vid Grunwald
Artikel om 600-årsminnet av slaget vid Grunwald i nuvarande Pole
600 år sedan slaget vid Grunwald
Artikel om 600-årsminnet av slaget vid Grunwald i nuvarande Pole
Boehm et al. (A dopamine-gated learning circuit underpins reproductive state-dependent odor preference in Drosophila females)
The original data for Boehm et al. are provided as an excel file
Going Beyond Counting First Authors in Author Co-citation Analysis
The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Iconographical and legal aspects of Jan Matejko’s Battle of Grunwald
The aim of this article is to present iconographical and legal aspects of Jan Matejko’s Battle of Grunwald. The painting comes from 1878 and presents one of the most important victory in Polish history. It belongs to Matejko’s paintings catalogue designed to picture glory of Poland. There were a lot of accusation regarding this painting (rules of perspective’s infringement, historical inaccuracy, excessive herding of figures), but it was caused by Matejko’s vision. The visualization of law in the Battle of Grunwald encompasses numerous issues, such as signalization of entitlements and functions, badges of dignity or authority, signs of jurisdiction, position in social structure (class). Notably Authoress elaborates attributes of knightly attire and attirement of the Teutonic Knights, insignia (e.g. the scepter of Jagiellonian University, the spear of St. Maurice), weapon (e.g. the executioner’s axe).Celem artykułu jest przedstawienie ikonograficznoprawnych aspektów Bitwy pod Grunwaldem Jana Matejki. Pochodzący z 1878 r. obraz przedstawia jedno z najważniejszych zwycięstw odniesionych przez Polskę i wpisuje się w cykl dzieł Matejki mających ukazywać chwałę Rzeczypospolitej. Wobec obrazu podnoszone były zarzuty dotyczące np. naruszenia zasad perspektywy, nieścisłości historycznej czy nadmiernego stłoczenia postaci – cechy te wynikają jednak ze szczególnej wizji Matejki i wymowy jego dzieła. Wizualizacja prawa w Bitwie pod Grunwaldem obejmuje przede wszystkim kwestie takie jak sygnalizacja uprawnień i funkcji, odznaki godności i władzy, znaki jurysdykcji, pozycja w strukturze społecznej (stan społeczny). W szczególności Autorka omawia cechy ubioru rycerskiego i strój rycerzy zakonu krzyżackiego, insygnia (np. berło Uniwersytetu Jagiellońskiego, włócznia św. Maurycego) i broń (np. topór katowski)
Teatri i Apollonisë
Lahi Bashkim, Fiedler Manuel, Lulgjuraj A., Shkodra-Rrugia Brikena, Shehi Eduard, Döhner G., Sído K., Velo K., Grunwald M., Pánzcél S., Streblow W. Teatri i Apollonisë. In: Iliria, vol. 36, 2012. pp. 409-414
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