86 research outputs found
Filodemo e la semiotica epicurea, tra filosofia e medicina
No full textRecensione del volume Giovanni Manetti - Daniela Fausti (edd.), Filodemo. De signis. Sui fenomeni e sulle inferenze semiotiche, Pisa, ETS, 2022
Financial competence and the role of non-cognitive factors
No full textThis study assesses students’ opinions towards finance, their financial self-confidence and their emotional disposition towards finance – collectively referred to as the attitude towards finance. Data have been collected using a structured questionnaire and have been analyzed with structural equation modelling. Findings show that there is a strong relationship between attitude towards finance and students’ financial competence. The results also suggest that attitude do affect financial knowledge and thus a better attitude toward finance may increase students’ financial knowledge. This result emphasizes the need to redefine financial education practices to include an initial diagnosis and an eventual restoration of learners’ attitude towards finance, to improve and optimize their long-run financial education process
Dentro il labirinto. Autoreferenzialità e intertestualità in Luigi Malerba. II
No full textRarely, critical readings of Luigi Malerba’s work have considered the question of the sources or, more generally, of intertextuality, confirming instead the image of a self-referential author, due especially to his remarkable originality within the narrative survey of late twentieth century. This essay aims to suggest that this self-referentiality should be verified and, at least, partly reconsidered. In fact, whereas on the one hand, Malerba refers mostly to himself, repeating his own themes, scenes, characters, and language, on the other hand, in his works it is possible to find out a wide network of documentary sources, and accurate and provable references to works of other authors, such as Svevo and Pirandello or Borges and Marquez. Also, it is possible to suppose that the author’s will to conceal his models is suitable to a precise poetic and answers to a precise idea of the novel function as well
«La Critica Cinematografica» (1946-1948). Antologia
No full text«La Critica Cinematografica», pubblicata a Parma dal 1946 al 1948 sotto la direzione di Antonio Marchi e Fausto Fornari, rappresenta uno degli esempi più alti della vivacità culturale che caratterizzò Parma nel secondo dopoguerra. La rivista si distinse per la caratura delle collaborazioni (Bertolucci, Ungaretti, Macrì, Chiarini, Aristarco, Verdone, Spagnoletti, Squarcia, Colombi Guidotti...), per la precoce apertura di vedute con cui affrontò i dibattiti che all’epoca segnarono il rinnovato interesse per la decima musa e, non ultimo, per l’innovativa veste grafica che porta la firma di artisti del calibro di Carlo Mattioli, Mino Maccari e Ottone Rosai. L’ampia antologia che qui se ne offre (curata da Andrea Torre) è arricchita dai saggi d’approfondimento di Goffredo Fofi, Giovanni Ronchini, Nicola Magnani, e dai ricordi di Morando Morandini, Mario Verdone, Sergio Frosali e Isa Guastalla. Il libro, in tal senso, non è solo una summa (pur in sé già oltremodo significativa) di testi “storici” rimessi a disposizione del lettore, ma diventa anche una specola ideale per una ricognizione del quadro culturale di un’epoca feconda di intrecci tra letteratura e cinema
L'inganno della monade perfetta. Autoreferenzialità e intertestualità in Luigi Malerba I
No full textRarely, critical readings of Luigi Malerba’s work have considered the question of the sources or, more generally, of intertextuality, confirming instead the image of a self-referential author, due especially to his remarkable originality within the narrative survey of late twentieth century. This essay aims to suggest that this self-referentiality should be verified and, at least, partly reconsidered. In fact, whereas on the one hand, Malerba refers mostly to himself, repeating his own themes, scenes, characters, and language, on the other hand, in his works it is possible to find out a wide network of documentary sources, and accurate and provable references to works of other authors, such as Svevo and Pirandello or Borges and Marquez. Also, it is possible to suppose that the author’s will to conceal his models is suitable to a precise poetic and answers to a precise idea of the novel function as well
Dentro il labirinto. Autoreferenzialità e intertestualità in Luigi Malerba. II
No full textSolo raramente le letture critiche intorno all'opera di Luigi Malerba hanno preso in considerazione la questione delle fonti o dell'intertestualità, e hanno piuttosto confermato l'immagine di un autore autoreferenziale, soprattutto in virtù della propria originalità all'interno del panorama narrativo del secondo Novecento. Questo saggio intende dimostrare che tale autoreferenzialità deve essere in parte ridimensionata: se infatti Malerba cita di preferenza se stesso, è anche possibile rintracciare nei suoi testi una vasta rete di fonti e precisi rimandi a opere altrui (Svevo, Pirandello, Borges, Marquez). La volontà dell'autore di celare i propri modelli, peraltro, rientra in una precisa poetica e in una personalissima idea del romanzo.Rarely, critical readings of Luigi Malerba's work have considered the question of the sources or, more generally, of intertextuality, confirming instead the image of a self-referential author, due especially to his remarkable originality within the narrative survey of late twentieth century. This essay aims to suggest that this self-referentiality should be verified and, at least, partly reconsidered. In fact, whereas on the one hand, Malerba refers mostly to himself, repeating his own themes, scenes, characters, and language, on the other hand, in his works it is possible to find out a wide network of documentary sources, and accurate and provable references to works of other authors, such as Svevo and Pirandello or Borges and Marquez. Also, it is possible to suppose that the author's will to conceal his models is suitable to a precise poetic and answers to a precise idea of the novel function as well.ope
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