5,462 research outputs found
Angela Gibson Records, 1926, 1977
No full textThe collection contains two printed copies of articles written about Gibson and two newspaper clippings
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Angela Murray Gibson
No full textAngela Murray Gibson’s versatility allowed her to fill many roles during her time in the film industry, the most important of which was studio head for the Gibson Studios in Casselton, North Dakota. Prior to this, Gibson spent her formative years studying to be a teacher in home economics. However, she always loved performing. According to her 1953 obituary in The Forum, upon graduation from North Dakota Agricultural College, she traveled to the East Coast to further her studies in teaching, where she also continued with her efforts in the entertainment field by studying voice and elocution. Gibson’s performing career took her on a tour of the Canadian northwest (“Miss A. M. Gibson Was Greeted” 5)
Professor Angela Shannon
No full textAngela Shannon shares her poetry with the Taylor community.
Angela Shannon is the author of Singing the Bones Together, a 2004 Minnesota Book Awards Finalist. She teaches English at Bethel University. Her work has been published in journals, textbooks, and anthologies, including TriQuarterly, Ploughshares, Where One Ends Another Begins: 150 Years of Minnesota Poetry, and Beyond the Frontier: African American Poetry for the 21st Century. Her choreopoem Root Woman premiered at the Fleetwood-Jourdain Theater in Evanston, Ill
Angela Shanté : 2022 Irma Black Award Silver Medal Acceptance Speech
No full textAuthor Angela Shanté gives an acceptance speech for When My Cousins Come to Town, illustrated by Keisha Morris (West Margin Press)https://educate.bankstreet.edu/irma_black_awards/1004/thumbnail.jp
Architecture in tension: an examination of the position of the architect in the private and public sectors, focusing on the training and careers of Sir Basil Spence (1907-1976) and Sir Donald Gibson (1908-1991)
No full textIn the early 1900s tensions began to appear within the architectural profession,
as private practitioners struggled to deal with the implications of professional
colleagues moving into public sector employment. Sir Basil Spence and Sir
Donald Gibson began their architectural training in the mid-1920s and, as
tensions between the sectors intensified, Spence entered private practice and
Gibson chose to enter the public sector. Each became an exemplar of his
chosen sector of the profession and yet both have, until recently, escaped
critical attention. The tensions between the public and private sectors of the
profession have been acknowledged within the historiography, but not received
detailed analysis.
This thesis advances the current historiography by presenting an examination
of the division between the sectors, focusing on the relationship between the
RIBA and the public sector union AASTA and assessing the influence of
AASTA on Gibson's Coventry City Architect's Department.
Through an examination of archival material, contemporary published material,
and buildings, this thesis builds on the work of the Sir Basil Spence Archive
Project, adding detailed accounts of his early life, architectural training, and
RIBA presidency, presenting new information and correcting certain aspects of
the accepted historiography. It likewise presents new information on Gibson's
early life and training and his central role in achieving improved status and
representation for the public sector. An analysis of selected projects provides a
comparative study of their contrasting approaches to architecture: the
technically informed, collaborative team-work of Gibson and the individual
artistry of Spence.
Both men played pivotal roles in reforming the RIBA and in changing public and
professional perceptions of the architect, nevertheless, the long lineage and
complex nature of tensions within the profession meant that the public/private
division was never be bridged and issues of status and representation
remained essentially immutable
The Family History of Angela Ruth Weidert
No full textAngela Ruth Weidert authored this family history as part of the course requirements for HIST 550/700 Your Family in History offered online in Spring 2018 and was submitted to the Pittsburg State University Digital Commons. Please contact the author directly with any questions or comments: [email protected]
ITEC 610-002: Applied Managerial Statistics - course syllabus
No full text9 pages.Submitted by Angela Kim ([email protected]) on 2010-03-17T14:15:36Z
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ITEC 610-002 Applied Managerial Statistics_Rick Gibson(9).pdf: 91880 bytes, checksum: d7b503e49f8ab1b1a439747ff869b7da (MD5)Made available in DSpace on 2010-03-17T14:15:36Z (GMT). No. of bitstreams: 1
ITEC 610-002 Applied Managerial Statistics_Rick Gibson(9).pdf: 91880 bytes, checksum: d7b503e49f8ab1b1a439747ff869b7da (MD5)
Previous issue date: 2009-0
ITEC 355-004H: Production Operation Management - course syllabus
No full text4 pages.Submitted by Angela Kim ([email protected]) on 2010-03-17T14:10:37Z
No. of bitstreams: 1
ITEC 355-004H Production Operation Management_Rick Gibson(4).pdf: 122795 bytes, checksum: b4ad29660e94ccd6e794cfb15ddd3690 (MD5)Made available in DSpace on 2010-03-17T14:10:38Z (GMT). No. of bitstreams: 1
ITEC 355-004H Production Operation Management_Rick Gibson(4).pdf: 122795 bytes, checksum: b4ad29660e94ccd6e794cfb15ddd3690 (MD5)
Previous issue date: 2009-0
Materia-autore = Author-Matter
No full textThe etymology of the word author refers to an act of creation, an act of augmentation, from the Latin verb augere. Author instantiates creation, the expansion of the pre-existing. In 1967 Roland Barthes declared the death of the author in his famous essay to state once more that the crisis is that of the author as a single subjectivity and as a term that condenses prestige, undermined by the de-subjectivation strategies of automatism, fortuity and fragmentation of the historical avant-gardes, as well as by the machinic act and by the reproducibility of the second avant-gardes.
Fifty years after Barthes’ paradigmatic formula, this lack of authorship appears to be a successful brand. The ten- sions between the anomie of matter, the law that establishes authorship and the economy that makes the work pos- sible, invoke discordant perspectives. Artists make the self-destruction of their work the real work, and appeal is made for the demolition of architectures, whether by a recognised author or not, in order to re-design, or better still, re-claim the territory. Artificial intelligence consolidates its logics and its design by progressively shedding human ingenuity. The space of criticism becomes, finally, increasingly ephemeral. However, there is an acceptation of criti- cism that is, rather than an individual ‘signature’, an exploration and explanation of how design makes theory.
The binomial author-matter seeks to mark these tensions and contradictions: the featured term author is main- tained to underline the persistence of that prestigious subjectivity, at the very moment when the rhetoric of “mat- ter as an author” promises other forms of authorship
Giussani Sansoni, Angela
No full textLa scheda ricostruisce la vita e l'apporto della scrittrice Angela Giussani Sansoni alla letteratura per l'infanzia.The headword explains the biography and the contribution of the author Angela Giussani Sansoni to the children's literature
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