30,493 research outputs found
Maria Bersani
No full textLa voce illustra la biografia e l'apporto letterario dato da Maria Bersani alla letteratura per l'infanziaThe headword explains the biography and the contribution of the author Maria Bersani to the children's literatur
Der Kinder Gottes Wolbewärtes Wund-Pflaster : Bey HochAdelicher Leichbegängnüß der ... Maria Catharina vom Stein/ geborner von Oeppe. Des ... Carls vom Stein ... Eheliebste ... als derselben verblichener Cörper/ In des Heiligen Reichs Stadt Regenspurg/ neben der Kirchen zur Heiligen Dreyfaltigkeit/ den 22sten Märzen des itztlauffenden 1664sten Jahrs/ beygesetzet wurde / In ... vornehmen Leute Gegenwart aus dem CXLVII. Psalm. v. 3. 4. 5. 6. erkläret durch Caspar Lilien ...
No full textDER KINDER GOTTES WOLBEWÄRTES WUND-PFLASTER : BEY HOCHADELICHER LEICHBEGÄNGNÜSS DER ... MARIA CATHARINA VOM STEIN/ GEBORNER VON OEPPE. DES ... CARLS VOM STEIN ... EHELIEBSTE ... ALS DERSELBEN VERBLICHENER CÖRPER/ IN DES HEILIGEN REICHS STADT REGENSPURG/ NEBEN DER KIRCHEN ZUR HEILIGEN DREYFALTIGKEIT/ DEN 22STEN MÄRZEN DES ITZTLAUFFENDEN 1664STEN JAHRS/ BEYGESETZET WURDE / IN ... VORNEHMEN LEUTE GEGENWART AUS DEM CXLVII. PSALM. V. 3. 4. 5. 6. ERKLÄRET DURCH CASPAR LILIEN ...
Der Kinder Gottes Wolbewärtes Wund-Pflaster : Bey HochAdelicher Leichbegängnüß der ... Maria Catharina vom Stein/ geborner von Oeppe. Des ... Carls vom Stein ... Eheliebste ... als derselben verblichener Cörper/ In des Heiligen Reichs Stadt Regenspurg/ neben der Kirchen zur Heiligen Dreyfaltigkeit/ den 22sten Märzen des itztlauffenden 1664sten Jahrs/ beygesetzet wurde / In ... vornehmen Leute Gegenwart aus dem CXLVII. Psalm. v. 3. 4. 5. 6. erkläret durch Caspar Lilien ... (1)
Title page (1)
Titelseite (3)
Trostempfänger (4)
Vorrede (5)
Christliche Leich-Predigt (9)
Personalia (32)
Zwischentitelblatt (43)
Christliche Leich-Predigt (45)
Epicedia (67
Variations on the Author
No full text“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Mining and Modeling Spaces and Places for Literary History as Linked Open Data (slides, PDF)
No full textJulia Röttgermann*; Maria Hinzmann*; Katharina Dietz; Henning Gebhard; Anne Klee; Johanna Konstanciak; Christof Schöch; Moritz Steffes: "Mining and Modeling Spaces and Places for Literary History as Linked Open Data" (Slides, PDF). DH2022, 25-29 July 2022, Tokyo, Japan and Fully Online (Zoom)
O curso de licenciatura em educação física da Universidade Federal de Santa Catarina: suas concepções de ensino e de educação física
No full textDissertação (mestrado) - Universidade Federal de Santa Maria. Centro de Educação Fisica e Desporto
Erratum: Lack of immunity against rubella among Italian young adults. [BMC Infect Dis., 17, (2017) (199)] Doi: 10.1186/s12879-017-2295-y
No full textAfter publication of this article [1], the authors noted that the given names and family names of all authors had been inverted, and are therefore incorrect in the original article. In the original article, the author names appear as the following: Gallone Maria Serena, Gallone Maria Filomena, Larocca Angela Maria Vittoria, Germinario Cinzia and Tafuri Silvio. However, this is incorrect, and the author names should appear as per the below: Maria Serena Gallone, Maria Filomena Gallone, Angela Maria Vittoria Larocca, Cinzia Germinario, Silvio Tafuri. The author names have been corrected in the author list and the citation for this Erratum
Imagens de Otto Maria Carpeaux: esboço de biografia
No full textTese (doutorado) - Universidade Federal de Santa Catarina, Centro de Filosofia e Ciências Humanas, Programa de Pós-Graduação em História, Florianópolis, 2015.Este esboço de biografia procura citar algumas imagens de Otto Maria Carpeaux: construções biográficas de naturezas múltiplas, elaboradas em contextos, por atores e sob condições igualmente díspares. Está constituído a partir de uma visão crítica da História, o que permite que ?outras imagens?, fragmentárias e não monumentais, também tenham espaço. Em diálogo com o princípio da montagem, este esboço apresenta-se em duas partes. Na primeira, Imagens possíveis, estão citadas as imagens elaboradas em vida e post mortem acerca do austríaco-brasileiro que nasceu em Viena em 1900, se exilou no Brasil em 1939 e morreu no Rio de Janeiro, em 1978. Na segunda, Montagens possíveis, apresentam-se duas possibilidades de exercício biográfico: pela leitura alegórica do documentário O velho e o Novo (Otto Maria Carpeaux), entendido como instrumento de intervenção no contexto ditatorial brasileiro e de uma reelaboração biográfica concernentes às suas experiências europeias; e pelo Caderno de imagens críticas, registro dos encontros em Carpeaux pelo meio de imagens críticas produzidas a partir da cesura do presente.Abstract : This biographical sketch attempts to quote some images of Otto Maria Carpeaux: various types of biographical constructions, carried out in different contexts by disparate authors under conditions just as distinct. It stems from a critical view of history, allowing for ?other images? fragmented and non-monumental ? to share the space.In dialogue with the montage principle, this sketch has two parts. The first, Possible Images, quotes the images produced during and after the life of the Austrian-Brazilian, who was born in Vienna in 1900, went to Brazil in exile in 1939 and died in Rio de Janeiro in 1978. The second part, Possible Montages, presents two possibilities of a biographical exercise: through the allegorical reading of documentary O Velho e o Novo (Otto Maria Carpeaux), understood as an instrument of intervention in the Brazilian dictatorship context and as a biographical retelling of the author?s European experiences; and through my Scrapbook of Critical Images, a record of the encounters in Carpeaux through critical images produced from the caesura of the present
Presentations of the EU LiveSeeding webinar
No full textThe EU LiveSeeding webinar “Entrepreneurship in the organic seeds and breeding sector” aimed at strengthening the knowledge and skills needed, of existing or potential initiatives, to undertake an entrepreneurial activity in the organic seeds and plant breeding sector.
Presentations
- LiveSeeding organic seed and breeding entrepreneurship Training Center (Maria Carrascosa)
- Insights of the organic seeds and breeding ecosystem in Europe (Dora Maričić)
- New legislation on Plant Reproductive Material (Maria Zintl)
- Entrepreneurship in the organic seeds and breeding sector (Ana-Marija Špicnagel & Federico Fabbri)
- How to pitch your business dea to potential funders and donors? (Pilar Martinez)
- Triodos Foundation – Financing Initiatives (Ricardo Colmenares)
- Recovery of local seeds in Orduna (Irati Olaziregi Alberdi)
- Fondazione Social Venture Giordano dell’Amore (Edoardo Nicolini)
- Lessons learned and tips for a success in SME (Gebhard Rossmanith
Chous attico a figure nere
No full textLa scheda descrive un chous attico a figure nere attribuito al P. di Gela, ritrovato ad Adria nel XIX sec. probabilmente in un'area con destinazione sacra. Nel fondo esterno del vaso è stata incisa dopo cottura una iscrizione etrusca forse con funzione commerciale
Vom Toxikum zum Remedium : eine regionalgeschichtliche Analyse zur Verwendung des Mutterkorns im 19. Jahrhundert
No full textMaria GebhardMasterarbeit Universität Innsbruck 202
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