340 research outputs found
The studies of Ricardo Carvalho Calero on Rosalía de Castro: a masterful contribution
Get PDF[Resumo] Ricardo Carvalho Calero aúna na súa personalidade a condición de escritor de creación e a de científico. Ambas as dimensións revélanse ópti-mas para o tratamento rigoroso e innovador de Rosalía de Castro como grande escritora galega e universal. Ela é tratada como un clásico e como a creadora da literatura galega contemporánea: unha intelectual ao servizo da lingua e da patria galega, cuxo talento artístico e audacia innovadora aprofundan nas máis transcendentes perguntas da condición humana e do sentido da historia. Car-valho Calero é o autor primeiro e primordial en abordar a investigación rigorosa e integral da obra da escritora, labor que callou na súa tese de doutoramento, no discurso de ingreso na Real Academia Galega, na historia da literatura e en centos de colaboracións xornalísticas e discursivas, con particular incidencia no ano 1985, en que se conmemorou o centenario do falecemento de Rosalía de Castro. A dedicación rosaliana de Carvalho Calero é constante ao longo de toda a súa vida. Todo canto se escrebeu sobre a autora con posterioridade á achega de Carvalho Calero parte inequivocamente desta base e deste edificio de hermenéutica rosaliana, que abre o camiño, asemade, a novas perspectivas de abordaxe e interpretación da obra da escritora[Abstract] The personality of Ricardo Carvalho Calero combines the status of a creative writer and that of a scientist. Both dimensions are optimal for the rigorous and innovative analysis of Rosalía de Castro as a great Galician and universal writer. She is approached as a classic writer and as the creator of contemporary Galician literature: an intellectual at the service of the Galician language and the Galician nation, whose artistic talent and innovative audac-ity delve into the most transcendent questions of the human condition and meaning of history. Carvalho Calero is the first and foremost author to address the rigorous and comprehensive research of the writer’s work, an endeavour that culminated in his doctoral dissertation, his induction speech for the Royal Galician Academy, his Historia da literatura galega contemporánea [History of Contemporary Galician Literature] and hundreds of pieces of journalism and public speeches, especially in 1985, when the centenary of the death of Rosalía de Castro was commemorated. Carvalho Calero’s interest in Rosalía de Castro is constant throughout his life. Everything that was written about the author after Carvalho Calero’s contribution is unequivocally based on his work and on this construction of a hermeneutics for de Castro’s production, which also opens the way to new perspectives on approaching and interpreting the writer’s wor
Galinhas caipiras nativas: seleção de indivíduos geneticamente superiores.
No full textNas últimas décadas, vem crescendo a procura por alimentos que sejam produzidos em sistemas de produção mais natural/tradicional. Com essa procura, a produção de galinhas caipiras de raças nativas aparece como uma alternativa para atender essa demanda alimentar. Além de sua criação, contribuir para minimizar o êxodo rural, é importante para a segurança alimentar e para a sustentabilidade das raças nativas, que são consideradas patrimônio genético nacional. Essas aves apresentam características e sabores em seus produtos peculiares exigidos pelos consumidores brasileiros. Assim, é importante um programa de conservação e utilização de recursos genéticos que garantam a integridade genética do plantel associado ao aumento de genótipos superiores no rebanho, através da seleção e direcionamento de acasalamentos. Dado o exposto, objetivou-se disponibilizar por meio deste capítulo, os conceitos e técnicas empregadas para propor seleção de indivíduos geneticamente superiores em rebanho de galinhas de raças nativas
Coleta de sangue e extração do DNA de aves: uma revisão.
No full textAves de raças nativas criadas em sistema caipira atualmente demonstram grande potencial produtivo, o que torna sua criação uma atividade altamente viável para pequenas propriedades rurais. Neste sentido, o melhoramento genético destas aves, auxiliado pela biologia molecular, ganha a cada dia mais visibilidade e aplicações para intensificar a sua produção. Por consequência, obstáculos da seleção fenotípica podem ser parcialmente eliminados, com o uso de marcadores moleculares, resultando em uma seleção mais precoce e de custo mais baixos. Duas etapas importantes no processo de identificação de indivíduos geneticamente superiores são a coleta de material biológico e a obtenção de DNA. Contudo, poucos são os relatos e estudos sobre a coleta desses materiais, bem como as particularidades encontradas na extração do ácido desoxirribonucleico e seus protocolos em aves. Neste capítulo é apresentada uma revisão de literatura sobre as formas de coleta de material biológico (sangue) e extração de DNA, bem como as implicações destas na prática laboratorial e na qualidade e quantidade final do material genético, no contexto das aves. Com isto, objetivou-se otimizar e esclarecer estas práticas à luz da literatura, para futuros trabalhos com uso de informação genômica aplicadas, por exemplo, em aves de raças locais
Josué de Castro: a Geographer of multiple contribution revisited in his ideas
No full textThe thematic multiplicity related to the vanguard and dialogic character of Josué de Castro assume more relief when his work is confronted to contemporary light. Those who revealed this evidence are the studies about hanger and nutrition, consume, environment in sustainable development perspective or about social geography in Brazil, among others subjects that gave him worldwide projection. Meanwhile, in Brazil pos-1964, Josué and his work were forgotten, they have been rescued only cyclically after 80s. On this way, it is possible to assert that, in this country, the attempts to re-read his work, in face of what it represents as substrate of contemporaneous Brazilian social thought. But, in spite of this realities, some authors revisited his ideas making possible to reveal them to new generations, on bases of his plural thought. As consequence, it is already possible to identify in this country nowadays, even if timidly, a net of studious and researchers that took the author and/or his work as object of studding. Here, this paper will show some of those rescued specially the geographical ones, where certainly relevant works, suggested by their creator and his creation, are found. They have engendered new debate and discussions about scientific knowledge and Geography, in particula
Dolops carvalhoi Lemos de Castro 1949
No full textDolops carvalhoi Lemos de Castro, 1949 (Figure 10) D. carvalhoi: LEMOS DE CASTRO (1949): 4–6, fIGS. 9–20, 23–25; Dolops geayi BOUVIER, 1897: IN PART WEIbEZAHN & CObO (1964): 123, PL. I–II; D. carvalhoi: LEMOS DE CASTRO (1985): 12, 57–59; THATcHER (2006): 394, 396, 399. Type host. Rhaphiodon vulpinus Agassiz, 1829 (Lemos de Castro 1949) Type locality. Confluence between Kuluene and Xingu Rivers, state of Mato Grosso, Brasil (Lemos de Castro 1949) Other hosts and localities. R. vulpinus, C. macropomum, the clupeiform Pellona castelnaeana Valenciennes, 1847, P. fasciatum, P. tigrinum, Phractocephalus hemiliopterus (Bloch & Schneider, 1801), Janauacá Lake, state of Amazonas, Brazil (Malta & Varella 1983); P. nattereri, Serrasalmus spilopleura Kner, 1858, S. marginatus, Brazilian Pantanal wetland, state of Mato Grosso do Sul, Brazil (Carvalho et al. 2003); P. nattereri, Araguaia River Basin, state of Goiás, Brazil (Carvalho et al. 2004); P. fasciatum (Linnaeus, 1766), P. tigrinum, Ichilo River, Bolivia (Mamani et al. 2004). Material deposited. 10 vouchers: 1 adult male ZUEC-CRU 3505, 4 July 2008, 1 adult female ZUEC-CRU 3506, 1 adult female INPA 2312, 8 July 2008, 1 adult male ZUEC-CRU 3503, 1 adult female MZUSP 36232, 8 July 2009, in ethanol 70%, Pseudoplatystoma corruscans, skin; 1 adult female ZUEC-CRU 3502, 1 adult female INPA 2313, in ethanol 70%, 8 July 2009, Pseudoplatystoma reticulatum, skin; 1 adult female ZUEC-CRU 3507, in ethanol 70%, 8 July 2008, Zungaro zungaro, skin; 1 immature female INPA 2314, in Hoyer’s medium, 1 immature female ZUEC-CRU 3404, 8 July 2009, skin, Salminus brasiliensis; all from Cuiabá River, Parque Nacional do Pantanal Matogrossense, Mato Grosso, Brazil (17°49′37.77″ S, 57°22′53.38”W). Measurements. Based on 3 males and 8 females. Total length (mm) 5.2 (4.2–6.1, n = 2) in males, 7.4 (5–11.1) in females. Carapace length 3.4 (2.7–4.1, n = 2) in males, 5.1 (3.6–7.7) in females; maximum carapace width 4.6 (3.2–6, n = 2) in males, 6 (4.3–8.5) in females. Carapace posterior sinus length 1 (0.7–1.2; n = 2) in males, 1.7 (1– 2.5) in females; width 1.2 (0.9–1.6, n = 2) in males, 2 (1.5–3) in females. Cephalothorax length 2 (1.5–2.9) in males, 3.2 (1.4–5.2) in females; anterior width 2 (1.6–2.5) in males, 3.5 (2.3–7) in females. Abdomen length 2.3 (1.5–3.1, n = 2) in males, 2.1 (1.5–2.9) in females; width 1.2 (1.1–1.3, n = 2) in males, 1.8 (1.3–2.4) in females. Abdomen posterior sinus length 1.9 (0.9–2.8, n = 2) in males, 1.4 (0.8–2) in females; width 0.8 (0.3–1.25, n = 2) in males, 0.7 (0.15–1). Eyes diameter (µm) 225 left and 200 right in one male, 336 (250–450, n = 7), left 332 (250– 425, n = 7) right in female; transverse distance between eyes (µm) 725 in one male, 1461 (1050–2000, n = 7) in female. First maxillae length 1.1 (0.8–1.4) left and 1.1 (0.7–1.5) right in males, 1.1 (0.7––1.7) left and 1 (0.7–1.6) right in females; Hook of the first maxillae length (µm) 715 (413–1250) left and 725 (431–1300) right in males, 498 (263–658) left and 452 (273–712.5) in females. Seta-like structure length (µm) 186 (140–250) left and 205 (114–275) right in males, 194 (75–250, n = 7) left and 160 (76.5–310, n = 7) right in females. Remarks. The specimens of D. carvalhoi that we observed had a pyriform carapace, which was wider than it was long, and, more frequently, covered all the legs in both males and females. There are no spines on the ventral surface of the carapace of this species (Lemos de Castro 1949) and the testis are bilobate. The presence of these characteristics makes its morphological relationship with D. longicauda, D. geayi and D. nana Lemos de Castro, 1950 (Bouvier 1899; Heller 1857; Lemos de Castro 1950) narrower. In his description of D. nana, Lemos de Castro (1950) stated that there are two spines plus a lobe on the base of the second maxillae. The author also exhibited legs without flagella in his drawings. Nevertheless, specimens of D. carvalhoi, D. longicauda and D. geayi have three spines on the base of the second maxillae (Fig. 10D) and flagella in at least the first and second legs. Males and females of D. carvalhoi have flagella on the first three legs (Lemos de Castro 1949). This, distinguishes them from specimens of D. geayi, which have flagella on just the first two pairs of legs (Bouvier 1899; Ringuelet 1943). Lemos de Castro (1949) said that the second pairs of flagella of D. carvalhoi are the largest and the third pairs smaller. However, in his drawings, he showed the first pair of flagella as smaller. In the specimens examined in the present study, we saw that only males exhibited smaller flagella on the third legs, whereas in D. longicauda, both males and females exhibited smaller flagella on the third legs. The spines on the base of the second maxillae are similar in D. carvalhoi and D. longicauda. The morphology of the anal papillae of the female (Fig. 10B, 11F) is also similar for these two species. Furthermore, a seta-like structure on the hook of the second maxillae without spines is present in both species (Fig. 10C, 11E). Morphologically speaking, therefore, the color pattern (bluish or greenish in D. longicauda, brownish in D. carvalhoi); the flagella on the third legs of females; and especially the abdomen length (smaller in D. carvalhoi: 27% and 44%, of female and male total length, respectively; larger in D. longicauda: 64% of total length) are important characteristics for distinguishing D. carvalhoi from D. longicauda. Yet, there are four to six multi-digit scales on the mandibles of D. carvalhoi, many of which are present on the legs (Fig. 10A), while in D. longicauda there are no scales on any part of it body.Published as part of Tavares, Luiz E. R., 2017, A new species of Argulus (Crustacea, Branchiura, Argulidae) from the skin of catfish, with new records of branchiurans from wild fish in the Brazilian Pantanal wetland, pp. 447-469 in Zootaxa 4320 (3) on pages 462-464, DOI: 10.11646/zootaxa.4320.3.3, http://zenodo.org/record/89375
The painting of the waters: a study on poetic visuals in \"A Cachoeira de Paulo Afonso\" by Castro Alves
No full textA presente dissertação propõe um estudo da visualidade poética nA Cachoeira de Paulo Afonso de Castro Alves (1847-1871), abrangendo definições, aplicações e desdobramentos estéticos da figura da enargeia (evidentia), ou ainda pintura viva, nas descrições da natureza encontradas na obra, particularmente na configuração poética do elemento aquático. NA Cachoeira de Paulo Afonso, a representação poética do meio natural ganha relevo através da vivificação enargética de ênfase sensorial e plástica que, em associação ao estilo sublime, encena liricamente o drama trágico da escravidão. Entendemos que o poema se insere em meio a uma tradição narrativa e iconográfica de representação de ideias nacionais associadas às águas do Rio São Francisco e aos esforços institucionais pela legitimação do poder imperial no Segundo Reinado. Partindo da compreensão da figura da enargeia nos antigos e nos modernos, examinamos três expressões da descrição enargética nA Cachoeira de Paulo Afonso: a ekphrasis, o monólogo e o diálogo. Por meio da teorização do sublime em Kant e Schiller, analisamos as figurações enargéticas dos elementos naturais nA Cachoeira de Paulo Afonso, que cumprem a função de potencializar a capacidade persuasiva do texto poético, além de materializar um posicionamento estético do eu poético acerca do sublime na obra de arte como veículo privilegiado vinculado à liberdade moral do homem. Ao encenar a expressão enargética da violência, a pintura das águas atua de modo a colocar diante dos olhos internos do público oitocentista o drama humano da escravidão.This dissertation is a study on poetic visuals in A Cachoeira de Paulo Afonso by Castro Alves (1847-1871), through which we approach definitions, applications and aesthetic developments of the visualizing rhetorical techniques of enargeia (evidentia) in the descriptions of nature, mainly in the metaphoric configuration of the water element. In A Cachoeira de Paulo Afonso, the poetic representation of the natural setting stages the tragic drama of slavery with graphic vividness in addition to the sublime. It is our understanding that the poem dialogues with a narrative and iconographic tradition of the representation of national ideas associated with the São Francisco River and with the institutional efforts into asserting the validity of the imperial power. Taking into account the meaning of enargeia in Antiquity and in Romanticism, we examine three forms of enargetic expression: ekphrasis, monologue and dialogue. Through the theories on the sublime by Kant and Schiller, our analysis of the enargetic configurations of the natural setting in the poem A Cachoeira de Paulo Afonso showed that they aim at enhancing the persuasiveness of the poetic text and materialize an aesthetic positioning of the author on the sublime as a means for conveying the moral liberty of men. By staging the enargetic expression of violence, the painting of the waters puts before the inner eyes of the nineteenth-century audience the human drama of slavery
The fellowship of St.Diogo : new Christian judaisers in Coimbra in the early 17th century
Get PDFDr Antonio Homem was a respected teacher in the University of Coimbra, a Canon in the Cathedral and an illustrious scholar. He was also the heir of a long Jewish family tradition. His great-great-grand father lived and died as a Jew. His great-grandfather, his grandmother and two of his uncles were among his relatives to have been sentenced
as judaisers by the Inquisition. His own father kept the Law of Moses, and taught it to all his children, without the knowledge of his wife, an Old Christian of noble lineage.
His concern for the situation of the New Christians in Portugal eventually made him build up a congregation of judaisers, which he called the Fellowship of St Diogo as a tribute to a Capuchin friar who had been executed a few years earlier as an apostate and defender of the Jewish Law. His congregation grew to include over sixty people,
including clerics, physicians, lawyers and students, as well as merchants and farmers. Its leader gave it a corpus of doctrine and eventually a distinctive liturgy, which showed influence from the Catholic Church. The Fellowship also inspired the creation of judaiser conventicles
in three major Monasteries in the Coimbra district, where a relatively large number of nuns held cult meetings and paid homage to Friar Diogo as a martyr of the Law of Moses.
After several years of activity, the Fellowship was investigated and dismantled by the Inquisition. Most of its members were arrested and sentenced. Dr AntOnio Homem was himself taken into custody, charged with heresy and apostasy, as well as sodomy (he was a known paederast), and finally handed over to the secular arm for execution.
His dream of building up a judaiser community in Coimbra was shattered. The Fellowship members who survived either left the country and joined the orthodox Jewish communities in the Netherlands and elsewhere, or stayed in Portugal and gradually lost their Jewish consciousness. Descendants
of some of them can still be found near Coimbra
O pão nosso de cada dia nos dai hoje... Josué de Castro and the introduction of the \'geography of the hunger\' in the history of the geographical thought in Brazil
No full textContemplando um recorte temporal de dezessete anos (1937/1954), o trabalho apresentado insere-se na área de história do pensamento geográfico. Está centrado na tese que o médico e geógrafo pernambucano Josué de Castro foi introdutor da \'geografia da fome\' na história do pensamento geográfico no Brasil no interstício assinalado. Utilizando e concebendo o método geográfico como o único que permitia analisar a fome em toda a sua complexidade, sem dissociá-la das texturas do processo social subjacente a sua criação, o autor elucidou e denunciou esse espectro que assolava aproximadamente dois terços da humanidade do seu tempo. Nesse contexto, a sua obra seminal Geografia da Fome, publicada e 1946, constituiu-se num marco; primeiro, por introduzir um tema inédito dentro da Geografia no país, significativamente influenciada pela Escola Francesa e estudando os gêneros de vida, naturalmente voltava-se a análise da alimentação, sem entrementes fazer referência a fome; segundo, por provar que a fome consistia numa expressão biológica dos malefícios sociais especialmente nas periferias do capitalismo; e terceiro, em face a essa leitura, pelas possibilidades acenadas à análise do social na Geografia. Destarte, assume relevância e apresenta-se como uma expressiva referência da Geografia no Brasil e um imperativo no estudo da fome como tema passível de investigação pela mesma.Contemplating a period of seventeen years (1937/1954), the work presented inserts itself in the area of history of the geographical thought. It is centered in the theory that the doctor and geographer from Pernambuco Josué de Castro was introdutor of the \'geography of the hunger\' in the history of the geographical thought in Brazil in the designated time. Using and conceiving the geographical approach as the only one that allowed to analyze the hunger in all its complexity, without dissociating it from the textures of the underlying social process of its creation, the author explained and denounced that spectrum that devastated approximately two thirds of the humanity of his time. In that context, his seminal work Geografia da Fome, published in 1946, was very important; first, by introducing an unpublished subject inside the country´s Geography that was significantly influenced by the French School that studied the ways of life, naturally concentrating itself in the analysis of the food, without reference to the hunger; second, by proving that the hunger consisted of a biological expression of the social problems specially in the edges of the capitalism; and third, according to that reading, by openning to the Geography the possibility to analyse social matters. Therefore, it shows relevance and presents-itself as an expressive reference of the Geography in Brazil and imperative to the study of the hunger as a subject possible to be researched by it
A fluidez de Yuxin: uma poética da alma selvagem
Get PDFDissertação (mestrado) - Universidade Federal de Santa Catarina, Centro de Comunicação e Expressão, Programa de Pós-Graduação em Literatura, Florianópolis, 2013.Ao estudar o percurso da representação do índio na literatura brasileira, percebemos que nossa tradição literária, ao abordar essa temática, sofreu influência de uma cultura estrangeira, construindo assim uma imagem do índio em que seu elemento autóctone figurou como representação de padrões e valores morais específicos e estranhos para si. Diante desse cenário, o objetivo desta dissertação é partir do romance Yuxin (2009), de Ana Miranda, para o diálogo com outras obras literárias, tendo como enfoque a linguagem, e a maneira como a autora se utilizou dela para elaborar essa narrativa. Ana Miranda procurou (re)criar um texto performático da cultura indígena, que, em sua poética, contenha uma dicção pessoal e única, carregada de sons, pausas e gestos para dar voz a um povo e contar uma história que questiona pontos de vista de ordem social, política e estética, como também as noções que temos daquilo que é sagrado. A narrativa propõe uma fluidez que parte já de seu título, pois o sentido semântico de yuxin não é estático, pelo contrário, escapa sempre das tentativas de torná-lo concreto, uma vez que é substância fluida, que não se deixa aprisionar. Assim, também essa textualidade nos escapa se a considerarmos apenas em seus aspectos formais, pois é no nível da percepção, daquilo que é fugidio e fugaz, que Yuxin encontra seu sentido. Propomos, então, uma leitura sobre a poética de Yuxin que promova reflexões tecidas a partir de relações entre xamanismo, perspectivismo, musicalidade e pensamento primitivo, já que essas questões se encontram imersas na narrativa e configuram seus arranjos de enunciação. Partindo dessa discussão, percebemos que a questão básica subjacente ao romance pode ser compreendida como uma exclamação de alteridade. Ao enunciar essa voz outra, da figura autóctone e suas relações com o espaço, o texto de Ana Miranda, juntamente com outras narrativas literárias que compartilham da proposta de dar voz ao outro que outrora foi calado, coopera para que se promova um questionamento do lugar de marginalização que os povos ameríndios enfrentam e as fronteiras simbólicas que lhes são impostas como herança do processo de colonização, impulsionando um deslocamento que reconfigura o imaginário coletivo. O discurso literário tem, assim, a capacidade de recriar e reinventar tanto o mito, quanto a história e a memória. Abstract : By studying the trajectory of the representation of Indians in the Brazilian literature, we realized that our literary tradition, concerning to this theme, was influenced by a foreign culture, thereby building up an image of the Indian in his native element figured as representation of standards and specific moral values strange to himself. Given this scenario, the goal of this dissertation is to set forth from the Ana Miranda's novel Yuxin (2009) to the dialogue taken with other literary works, having the language as an approach, and the way the author used it to establish her narrative. Ana Miranda sought to (re)create a performative text of indigenous culture, which, in his poetics, contains a personal and unique diction, full of sounds, pauses and gestures to give voice to a people and tell a story that questions the views of social, political and aesthetic, as well as the notions we have of what is sacred. The narrative proposes a fluidity that comes from the title itself, because the semantic meaning of yuxin is not static, on the contrary, always escapes attempts to make it concrete, since it is fluid substance, which cannot be trapped. Thus, also this textuality eludes us if we consider only its formal aspects, whereas it is at the level of perception, that which is elusive and fleeting, that Yuxin finds its meaning. We propose a reading of Yuxin?s poetics that promotes reflections woven from relations between shamanism, perspectivism, musicality and primitive thought, as these issues are immersed in the narrative and configure their arrangements of enunciation. From this discussion, we realized that the basic issue underlying the novel can be understood as an exclamation of alterity. By stating this other voice, from the autochthonous figure and its relationship with space, the text of Ana Miranda, along with other literary narratives that shares the proposal to give voice to the other that was once silenced, cooperates to promote a questioning of the marginalization place that Amerindian peoples face and the symbolic boundaries imposed on them as a legacy of the colonization process, driving a shift that reconfigures the collective imaginary. The literary discourse thus has the ability to rebuild and reinvent both the myth as history and memory
As percepções de professores videntes sobre ser (sendo) aluno deficiente visual cego : uma análise de inspiração fenomenológica existencial-hermenêutica
Get PDFThis research aims describing and analyzing the teacher‟s perceptions, seers,
from the basic education, technical and technological when existentially
involved in living experience, psychopedagogical, feeling as blind visual
impaired student, [with previous visual experience], in classroom of the Ifes –
Campus Alegre. It was set up as a research with qualitative approach, its
investigative look is on the classroom context, oriented by the method of
existential-hermeneutic phenomenological inspiration, aided by the authors
Forghieri, Bicudo, Ribeiro Junior, Rezende, Coltro, Pinel and Masini. The work
embodied the constitution of the basic education, technical and technological‟s
teacher in dialogue with the story of the teaching profession, oriented by the
search of an identity, by what is lacking, a completeness in/of blind visually
impaired, enriched by the story, conceptions and peculiarities of this being, a
text constituted by scholars as Woodward, Farias, Gambini, Hall, Pimenta,
Araújo, Paiva, Cordeiro, Madalena Freire , Franco & Dias, Rocha, Silva,
Amiralian, Carvalho & Silva, and Smith among others. The investigative
process is by descriptions of the experiences, the significance of the senses
and by the structure analysis of the phenomenon, an exercise of the
hermeneutic interpretation. It was constituted as results of the research, based
on understanding/interpretation about meaning units, that be (being) blind
student at classroom at Ifes – Campus Alegre is being subjected to other
people and to the space by ignoring the relation of knowing. By the knowledge
that comes to consciousness, the author of the research, through a descriptive
language , presents new insights from a critical reflection on the phenomenon,
referentially supported in Paulo Freire and subsidized by the authors Batalloso,
Bastos, Rogers, Trombetta & Trombetta, Ribeiro Júnior, Osowski, Paludo &
Gadotti. It was concluded that the teacher in dialogic relation to knowledge has
the ability and power, with humility, to free themselves and liberate oppressed
generations, assuming the position of subjects aware of their history, know their
own limits in the historical-social process, however different in thinking,
sensitive to the humanity of his students, caused to testify of themselves and to
fight for the conquest and liberation of all.Esta pesquisa tem por objetivo descrever e analisar as percepções de professores videntes da educação básica, técnica e tecnológica quando envolvidos existencialmente em experiência vivencial, psicopedagógica, de sentir-se como aluno deficiente visual cego-com experiência visual anterior - em sala de aula do Ifes - Campus de Alegre. Configurada como pesquisa de abordagem qualitativa, seu olhar investigativo está sobre o contexto de sala de aula, orientada pelo método de inspiração fenomenológica existencial-hermenêutica, auxiliada pelos autores Forghieri, Bicudo, Ribeiro Junior, Rezende, Coltro , Pinel e Masini. O trabalho consubstancia-se na constituição do ser professor(a) de educação básica, técnica e tecnológica em diálogo com a história da profissão docente, orientada pela busca de uma identidade, por aquilo que lhe falta, uma completude no/do deficiente visual cego, enriquecida pela história, concepções e peculiaridades desse ser; um texto constituído por teóricos como Woodward, Farias, Gambini, Hall, Pimenta, Araújo, Paiva, Cordeiro, Madalena Freire , Franco e Dias, Rocha, Silva, Amiralian, Carvalho e Silva, e Smith dentre outros. O processo investigativo se dá pela via das descrições das vivências, da significação dos sentidos e pela análise da estrutura do fenômeno , um exercício de interpretação hermenêutica. Constitui-se como resultado de pesquisa, firmada na compreensão/interpretação sobre as unidades de significado, que ser(sendo) aluno cego na sala de aula do IfesCampus de Alegre é ser sujeito a outras pessoas e ao espaço pela desconsideração na relação do saber. Pelo conhecimento que lhe vem à consciência, a autora da pesquisa, através de uma linguagem descritiva, apresenta nova compreensão a partir de uma reflexão crítica sobre o fenômeno, apoiada referencialmente em Paulo Freire e subsidiada pelos autores Batalloso, Bastos, Rogers, Trombetta e Trombetta, Ribeiro Júnior, Osowski, Paludo e Gadotti. Conclui-se que o professor na relação dialógica com o saber tem a capacidade e poder, havendo humildade, de libertar-se e de libertar gerações oprimidas, assumindo a posição de sujeitos conscientes de sua história, conhecedores de seus próprios limites no processo histórico-social, no entanto, diferentes no pensar, sensíveis à humanidade de seus alunos, provocados a testemunhar de si mesmos e de lutar pela conquista e libertação de todos
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